From uploading to the cloud to editing in the cloud to collaborating across the cloud, there was no shortage of new tools and workflow ideas at NAB to help shoot and edit quicker regardless of where your team is located across the globe. Let’s dive into a few of the most interesting updates, from remotely collaborating to remotely working. Camera to Cloud First up, let’s talk about camera-to-cloud workflows. The biggest update from Frame.io was the extension of the C2C workflow to still photos. Now, unlike video where you can use an external device from Atomos or Teradek to add […]
by Joey Daoud on Apr 27, 2023Colorist Joe Gawler of Harbor Pictures has worked on a number of films and television shows over the years, including A Most Violent Year, Midnight in Paris and Arrival. For Wonderstruck, Gawler had to work with multiple film stocks. The story takes place in two time periods—the 1920s and the 1970s—and black & white and color film were used to convey the different time periods, while digital material was also shot for both periods. In this interview he talks about working with film and digital and how to become a better colorist. Filmmaker: How did you become involved in this project? Gawler: There’s […]
by Michael Murie on Oct 26, 2017I’m a video editor, not a color grader, but for most projects I have to do my own color adjustments, and I’ve been using three-way color correction tools to manipulate video color since the days of Final Cut Pro 5. When you first start playing with a three-way color corrector it can be both fun and very disorienting. Small adjustments in color can look right at first, then look horribly wrong when compared to another scene. It can be easy to know what you want, but very hard sometimes to get “there.” In short, color correction is hard. It’s part […]
by Michael Murie on Aug 10, 2017Last week was the annual NAB show. Every year in April the film and television community comes together in Las Vegas to “ooh” and “ah” over the latest technology. With so much announced and demonstrated, here are the most interesting things I heard about: Blackmagic DaVinci Resolve 14. Blackmagic announced several new products, but the most interesting — once again — was a major update to DaVinci Resolve. Version 14, which is available now in beta, claims a number of performance enhancements that make it up to 10 times faster than the previous version. Resolve also has an entirely new audio […]
by Michael Murie on May 1, 2017Sherry McCracken, DP for the upcoming independent feature American Gothic, came to cinematography later in life. She grew up taking photographs, operated her own portrait business and worked in local television, but then she turned to IT because she felt she could make a better living. She remained an active still photographer and was asked by a friend to shoot location stills for a movie project. After working on that, and a second picture, she gained experience in film and ended up being asked to DP a project. In this interview she talks about how she made the switch to […]
by Michael Murie on Apr 17, 2017Blackmagic announced some exciting new products last week; two control panels specifically designed for color correction work, a Linux version of DaVinci Resolve, and a new version of their Mini URSA camera, the Mini URSA Pro. Color Control Panels When Blackmagic acquired DaVinci Resolve, they took it in a new direction; they separated it from the expensive external control panel it had previously required, created Macintosh and Windows versions, released free versions, and greatly expanded the editing functionality of the application. In short, they seemed to be turning it away from a color editing powerhouse into an all-in-one production tool. […]
by Michael Murie on Mar 7, 2017A LEGO Brickumentary, a documentary that looks at the culture and appeal of the LEGO building block, opens July 31. Like many historical documentaries, this project involved working with a wide range of archival footage, but it also made use of footage shot with a wide range of modern cameras — in one case, all shooting the same event. Co-producer and post-production supervisor Chad Herschberger of Milkhaus talked to us about the work they did on this documentary and the ins and out of post-production work, including animating faces on LEGO bricks, moving media between Avid Media Composer and DaVinci […]
by Michael Murie on Jul 31, 2015Blackmagic first announced DaVinci Resolve 12 back in April at NAB, but now they have released a public beta and say that the final release will be available in late August. DaVinci Resolve began life — and is widely known — as a color correction tool, but the last two updates have seen significant advances in its editing capabilities, making it a possible competitor to programs like Adobe Premiere and Apple Final Cut. For those on a budget, the free version offers a surprisingly complete feature set. With the release of the public beta comes some new features that weren’t […]
by Michael Murie on Jul 28, 2015My biggest takeaway from this year’s New York Blackmagic Event is that the people at Blackmagic are really, really happy. I could dive into a detailed rundown of all the tech specs of their latest products, most of which are easily available online, but, honestly, having gone to this event for the past three years, the most important thing I got from it all was the tone. After five years of hard work, they know they’re nearing the point where it all comes together. Over the next several months, we’ll see the releases of Da Vinci Resolve 12, Fusion for […]
by Jamie Stuart on Jul 23, 2015The advances in camera technology over the past few years have somewhat overshadowed application software developments, but that doesn’t mean there haven’t been some interesting new updates and new applications. Here are just some of the most interesting application updates announced over the past couple of months. Blackmagic DaVinci Resolve 12 At NAB Blackmagic announced Resolve 12. It’s not available yet, but this update continues where 11 started, adding more video editing features and continuing to turn Resolve into a serious editing tool. Blackmagic even claims it’s now the “most powerful editor available.” The new interface is lighter and offers […]
by Michael Murie on May 13, 2015