DOC NYC
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Talking Sex Work with The Red Umbrella Diaries Producer Audacia Ray
It was a little over half a decade ago that I read at one of Audacia Ray’s intimate Red Umbrella Diaries events on the Lower East Side. Since then this sex worker storytelling series founder – whose resume also includes stints as a bodyworker, escort, and executive editor of $pread magazine – has become one of the foremost voices of sex work advocacy through her Red Umbrella Project (RedUP), harnessing the media to de-stigmatize the oldest profession in the world. Now, after waging battle against violence and for the public health of those in a long-marginalized industry, she’s executive produced The Red […]
by Lauren Wissot on Nov 12, 2015 -
The Yes Men, Con Men and a Trans Man: What to See at DOC NYC
DOC NYC, “America’s largest documentary festival,” certainly lives up to its billing. With a whopping 153 films and events, there’s quite a bit to navigate, from critically acclaimed historic revivals to Toronto darlings to fresh premieres. For this fifth edition several sections have been broadened, and a few themes even added. There’s now “Centerstage” (performance focused films), “Jock Docs” (sports-centric flicks), “Fight the Power” (activist docs) and, perhaps most stimulating for nonfiction geeks, “Docs Redux.” That would be a sidebar of seven oldies but goodies, most with their legendary directors – Chris Hegedus, D.A. Pennebaker and Albert Maysles, all three receiving […]
by Lauren Wissot on Nov 12, 2014 -
Hot in the City: Previewing the 11th Annual CineKink NYC
This year’s edition of CineKink NYC, now in the final day of its Kickstarter fundraising drive, wastes no time heating up, opening on February 26 with a cinematic bang in the form of Wiktor Ericsson’s The Sarnos: A Life in Dirty Movies, a stellar pic about softcore pornographers with a love story at its heart. (The festival’s gala kickoff party is the day before, February 25.) The titular elderly couple at the center of this doc are the legendary porn director Joe — the “Ingmar Bergman of 42nd Street” — and his longtime wife and support system (and sometime actress) […]
by Lauren Wissot on Feb 22, 2014 -
Director Tomas Leach on In No Great Hurry: 13 Lessons in Life with Saul Leiter
Tomas Leach’s In No Great Hurry – 13 Lessons in Life with Saul Leiter was one of my few true discoveries of 2013. While covering the Thin Line Film Fest in Denton, Texas, I pretty much stumbled upon Leach’s poignant portrait of the legendary NYC photographer in his final years — Leiter died this past November — without knowing much about the man who ushered in the use of color photography. Since that February fest Leach’s film has gone on to screen DOC NYC and now premieres theatrically at the Film Society of Lincoln Center on January 3rd. Filmmaker spoke […]
by Lauren Wissot on Jan 3, 2014 -
Michel Gondry on Old-School Animation, His Trademark Whimsy, and Plumbing the Mind of Noam Chomsky for Is the Man Who Is Tall Happy?
Two highly unique minds converge in Is the Man Who Is Tall Happy?, the latest from whimsical visionary Michel Gondry, who aptly subtitles his film, “An Animated Conversation with Noam Chomsky.” In the works for four years, this self-explanatory project from the artist behind Eternal Sunshine of the Spotless Mind, Dave Chapelle’s Block Party, and a veritable library of music videos is a charming and markedly low-tech doc that literally illustrates the insights of Chomsky, one of the greatest thinkers of our time. Ever-fascinated by the depths of the human brain, and ever-faithful in dressing his films with cartoon-like touches, […]
by R. Kurt Osenlund on Nov 21, 2013 -
Filmmaker Grace Lee and Activist Grace Lee Boggs on American Revolutionary: The Evolution of Grace Lee Boggs
“I feel so sorry for people who are not living in Detroit,” says activist icon Grace Lee Boggs, as she stands before a dilapidated cityscape in the opening sequence of American Revolutionary: The Evolution of Grace Lee Boggs. A Marxist and lifelong Hegel disciple, the Chinese-American Lee Boggs gained notoriety in the Civil Rights and Black Power movements, alongside her husband Jimmy Boggs, in the mid-20th Century. Today, she is still ardently devoted to her adopted hometown of more than half a century, galvanizing the local communities in her effort to revive the industrial wasteland that has become of Detroit. […]
by Sarah Salovaara on Nov 19, 2013 -
“Magical and Terrifying:” Jeremy Xido on Death Metal Angola
The following is a guest post from Jeremy Xido, the director of Death Metal Angola, which screens at DOC NYC on November 16. A few years ago, I was traveling through Angola researching a film about a railway when I stopped at the only cafe in Huambo, the country’s bombed-out second city, that served a decent cup of coffee. A young man with tiny dreadlocks in a blue button-down Oxford shirt waved me over. I sat with him for a while and chatted. We talked about what I was doing there and I asked him about himself. He said he […]
by Jeremy Xido on Nov 15, 2013 -
Going Beyond Burlesque with Beth B’s Exposed
“How do you cover up cellulite? With glitter and a spotlight.” These words of wisdom from the legendary NYC, splendidly zaftig, female drag queen World Famous *BOB* pretty much sum up the ethos of legendary NYC, underground filmmaker Beth B’s latest doc-extravaganza Exposed, a behind-the-scenes peep at today’s proudly subversive burlesque movement. Its performers include folks like Rose Wood, a biologically male strip-teaser brought into the scene by biologically female drag queen Dirty Martini, and Mat Fraser, perhaps the sexiest Seal Boy – also the name of his critically-hailed one-man show – on the planet. (Sorry boys and girls, this […]
by Lauren Wissot on Nov 14, 2013 -
10 Picks for the DOC NYC Film Festival
In only its fourth year, DOC NYC feels like an institution. Nestled in the calendar alongside the concluding CPH:DOX (where I’m writing this from Copenhagen) and Amsterdam’s mammoth IDFA, this edition of DOC NYC, under the usual steady hand of artistic director Thom Powers, boasts an even more impressive blend of world and New York-premieres, Gotham-centric special events and panels for both audience and industry. Here are 10 picks, some films I’m excited about seeing along with one I have seen and can highly recommend. Is the Man Who is Tall Happy? In the former category is the world-premiering collaboration […]
by Scott Macaulay on Nov 14, 2013 -
Functional Art: Joe Angio on Revenge of The Mekons
The Mekons are the ultimate cult band. They may not have a huge audience, but their hardy host of admirers takes the British-born band and its three-and-a-half-decade history very seriously. The Mekons emerged as U.K. post-punk’s art-school pranksters in the late ’70s, and after major shifts in personnel and approach, eventually evolved into a sort of sonic polyglot encompassing folk, country, world music, and more. Throughout their rough-and-tumble career they’ve maintained a doggedly DIY modus operandi, eschewing complacency and creating more and more fodder for the intensity of their underground acclaim. At the start of 2008, another impassioned admirer, documentarian […]
by Jim Allen on Nov 14, 2013
