Boston-based filmmaker Garrett Zevgetis’s SXSW-premiering Best and Most Beautiful Things (its title a nod to Helen Keller’s words) is a cinematic portrait of a young woman in Bangor, Maine, a recent high school graduate who is searching for a job to suit her skills. An anime devotee whose rebel fashion sense seems to be influenced by her vast Werecat Sisters doll collection, Michelle Smith also happens to be legally blind and has Asperger’s syndrome. As the doc progresses, though, disabilities fade into the background, upstaged by Michelle’s determination to assert her individuality (including exploring BDSM) and live her life on […]
by Lauren Wissot on Dec 2, 2016Of all the panels I attended at Doc NYC, the one called Protecting Yourself, on November 16, gave me the most hope for the future. The filmmakers were an impressive line-up of first-timers and veteran filmmakers, linked by their willingness to put themselves in dangerous situations in order to shine a light on stories otherwise cloaked in secrecy, denial and misinformation. The panel was moderated by Caty Borum Chattoo, Co-Director of the Center for Media & Social Impact at American University. At several points, the audience was asked not to tweet or do social media on certain statements. Some details […]
by Audrey Ewell on Nov 18, 2016On Sunday I attended two editing-focused events at DOC NYC PRO. The “Morning Manifesto” was delivered by Matthew Hamachek, editor of films including Cartel Land and Amanda Knox. Later that afternoon, veteran editor Geof Bartz, Supervising Editor at HBO and a three-time Oscar winner, gave a masterclass on what to do when the pieces don’t fit. Having recently taken the Edit Center’s six-week Art of Editing Course at the IFP Made in New York Media Center, and currently assisting on the edit of a feature doc with a lot of moving parts, this seemed like a good way to spend […]
by Audrey Ewell on Nov 16, 2016Sitting in the audience at a DOC NYC Pro Masterclass just days after the election, I found it impossible to separate the discussions and stories from the story of our country at this moment. Everything going on in film seems so important and relevant to how we see ourselves and the world, and nowhere do we see this as directly as in documentary. This was brought home by producer, director and archivist Sierra Pettengill (director, Town Hall; archival producer, Kate Plays Christine) in a panel taking place Sunday, November 13 called “Getting Creative With Archives.” Pettengill showed a clip from […]
by Audrey Ewell on Nov 14, 2016Screening yesterday at DOC NYC and now headed to RIDM is Kimi Takesue’s 95 and 6 To Go, both personal and metafictional in its story of a filmmaker, Takesue, and her recently widowed grandfather finding common ground within the director’s unproduced featured screenplay. Here’s the film’s synopsis: In 95 and 6 To Go, a resilient widower’s memories become intertwined with the fictional screenplay his granddaughter is writing, revealing the fine line between life and art, rumination and imagination. Filmmaker Kimi Takesue captures the cadence of daily life for Grandpa Tom, a retired postal worker born to Japanese immigrants to Hawai’i […]
by Scott Macaulay on Nov 13, 2016World premiering last night at DOC NYC, City of Joy tells the story of a center for young women in the Eastern Democratic Republic of Congo dedicated to helping them overcome the aftermath of rape, abuse and traumatic violence. Directed by Madeleine Gavin, well known in the independent film world for editing films like Mean Creek, Meadowland and, most recently, Nerve, the film documents the relationship between the center’s three founders — Nobel Peace Prize nominee Dr. Denis Mukwege, a Congo doctor; The Vagina Monologues playwright and actress Eve Ensler; and Congolese human rights activist Christine Schuler-Deschryver — while also […]
by Scott Macaulay on Nov 12, 2016Appearing today only on this “Now This” section of Snapchat is The Way it Should Be, a short (naturally) doc about love and friendship between queer women of color by Chanelle Aponte Pearson and Terence Nance. The second entry in POV Snapchat Films, The Way It Should Be can be watched in less than five minutes, and it’s perfectly conceived for Snapchat’s vertical video format. Swiping left takes you to an image page with a chapter heading graphic. Swiping up takes you to a minute or so of video content that ranges from talking head interviews to short, music-video style […]
by Scott Macaulay on Oct 30, 2016Fortune has partnered with WorkingNation to distribute four episodes of “FutureWork,” a series of digital shorts by award-winning director Barbara Kopple. The first of the films, A Story of Yesterday & Today, which explores the demise of the Eastman Kodak Company in Rochester, NY, and the impact it has had on local families, is available for free now. You can watch it above. It is also available at Fortune.com, Time.com and WorkingNation.com. WorkingNation is a new not-for-profit national campaign dedicated to raising awareness of the looming unemployment crisis and skills gap in the United States. The series consists of four 10-minute […]
by Paula Bernstein on Oct 19, 2016Cinema Eye, the organization that recognizes outstanding accomplishments in nonfiction filmmaking, today announced their annual list of The Unforgettables, the most memorable nonfiction film subjects. The list, which features 18 individuals from 15 films, was determined by Cinema Eye’s nominations committee, which is comprised of some of the world’s top documentary film programmers and curators, as well as the 2016 filmmakers in the running for this year’s awards. “For the fourth year, we are proud to celebrate the collaborative process of documentary filmmaking by acknowledging the role that subjects play in creating many of the year’s best films,” said Cinema Eye Managing Director […]
by Paula Bernstein on Oct 19, 2016In Werner Herzog’s latest film, Into the Inferno, the renowned auteur delves into some of the world’s most active volcanoes. The documentary, which will open in theaters in New York and Los Angeles, and launch globally on Netflix on October 28, just got its first trailer (above). “It is a fire that wants to burst forth and it could not care less about what we are doing up here,” notes Herzog about volcanoes in the trailer. Maybe so, but viewers will be curious to see what Herzog and volcanologist and co-director Clive Oppenheimer discover on their journey to visit the world’s […]
by Paula Bernstein on Oct 17, 2016