It’s 9:20 pm on Friday, September 16th. I’m on the tarmac of Burbank’s Bob Hope Airport, just two Z-Quill and one red-eye flight away from my first IFP Film Week. My luggage occupies the last available overhead space. Inside are two stacks of business cards for myself and my producer Lindsey Villarreal, a raincoat (I’d heard it rains outside of L.A.), and a gay pride cape (costume for a homo-hip-hop performance on Wednesday night). Before I know it, it’s take-off time for me and my short-form episodic series Butch & Nellie Take the Rap Game. I first became involved with […]
by Conor Fetting-Smith on Sep 19, 2016One focus of this year’s IFP Film Week is on the future of cinema in the form of Virtual Reality. A little background for those new to it: There are currently two ways of creating immersive worlds. The first wave and most common is spherical video, where you strap a bunch of cameras all together in an outward-facing circle. This approach has the familiarity of using cameras, but the viewer can’t physically move through the space — they’re akin to a locked-off tripod with a 360 swivel head, planted in one spot as characters and the world moves around them. […]
by Audrey Ewell on Sep 19, 2016On Monday September 19th, IFP will host a panel entitled “The Face of Comedy: Platforms That Look for (and Bring) the Funny.” Moderated by comedian and filmmaker Todd Bieber, the panel has a refreshingly diverse array of speakers including executives Marc Lieberman and Winnie Kemp, and the comedic duo behind the Gotham-winning web series Shugs & Fats, Nadia P. Manzoor and Radhika Vaz. In broad terms, the panel will be about the intersection of comedy and digital platforms, from the perspectives of both the content creators and the executives who curate them. Bieber has known Lieberman for close to ten […]
by Kishori Rajan on Sep 18, 2016This will be my second time participating in IFP Film Week. Last year, I attended with my first film, Hooligan Sparrow, which was in post-production and later premiered at Sundance in January. Before IFP Film Week Last year, I knew nothing about the film industry (and I’m still learning now). Many of the people and companies I met with were unfamiliar to me. Immediately after receiving my meeting schedule, I spent half a day researching who was who, what they did, and what films they worked on. Most of this information was available through simple Google searches. I wrote down […]
by Nanfu Wang on Sep 18, 2016In 1983, Lance Weiler’s van burst into flames during a family vacation. Eleven months later his house burnt to the ground. His latest project, “Where There’s Smoke,” mixes theater, film, gaming, and emergent technology story in an attempt to uncover the truth about those two incidents. On Sunday, September 18 as part of the IFP Film Week’s Screen Forward Conference, Weiler will discuss the creative process behind the immersive storytelling project and present hands-on opportunities for participants to experiment. Weiler has been the creative force behind some of the most innovative projects in the new immersive storytelling space. An alumni of the Sundance Screenwriters Lab, Weiler is […]
by Paula Bernstein on Sep 16, 2016In writing last year about IFP’s Film Week and Screen Forward Conference, I dubbed it the long-running event’s “most refined articulation yet,” a streamlined affair that, with “deceptive modesty,” did all the things IFP Film Week has historically done to support filmmakers and their projects with programming specific to today’s multi-platform world. Realizing that I sound like Apple designer Jony Ive in the sentence above, I guess I should then liken last year’s edition of IFP Film Week to the “most singular, most evolved” (per Ive) new iPhone 7, an event where the chassis remained the same but new tech […]
by Scott Macaulay on Sep 16, 2016In 1979, in a rented Manhattan screening room, there was the IFFM — the Independent Feature Film Market, five days of film screenings that connected new emerging American feature film markets with a burgeoning array of distributors and overseas buyers. A year later, the IFP — first the Independent Feature Project and now the Independent Filmmaker Project — was officially born, and for much of its early existence it was defined by the IFFM. The Market moved to the Angelika Theater, screenings went from 1979’s 20 to the dozens, and the chaos of rabid filmmakers targeting anyone with an industry […]
by Scott Macaulay on Sep 16, 2016“We’re great with empathy, but we really want action because we’re the UN. We need to shift the needle on things,” said filmmaker and United Nations creative director Gabo Arora about the UN’s first virtual reality app, UNVR, which launches today. The app launches with four VR films, including Clouds Over Sidra, which was created by Arora and filmmaker Chris Milk as a collaboration between the UN Millennium Campaign and UNICEF Jordan. Shot at the Zaatari refugee camp, Clouds Over Sidra tells the story of life inside the camp through the eyes of a 12-year-old girl named Sidra. The Sidra Project, which uses the […]
by Paula Bernstein on Sep 15, 2016IFP’s signature event, IFP Film Week, has expanded this year to include numerous screenings, talks, meet ups, exhibitions, and tours open to the public and centered on cutting-edge independent content for the big screen, small screen and Internet. Public programs run September 17-22 in and around IFP’s headquarters, Made in NY Media Center by IFP in DUMBO, Brooklyn. At a press reception last night at the IFP’s Made in New York Media Center, IFP’s Head of Programming, Amy Dotson, noted that some 5,000 meetings for attending filmmakers were being set up for Film Week itself, which remains the only international co-production market in the […]
by Filmmaker Staff on Aug 23, 2016