When Kathryn Bigelow’s Detroit came out this summer, some charged that it shouldn’t have been made by Kathryn Bigelow. Critics, including rogerebert.com’s Angelica Jade Bastien, felt that the story — about ten Black civilians (and two Caucasians) tortured and, in some cases, killed by racist white cops during the 1967 Detroit riots — should have been told by Black filmmakers. These commentators argued that Bigelow and her screenwriter Mark Boal, both white, not only lacked the perspective to get the events right; they also ran the risk of aestheticizing suffering and the destruction of Black bodies. This is not a new […]
by Matt Prigge on Sep 20, 2017If you’re a filmmaker, it may seem like the city is your playground. It’s not. Everything costs money. Every public space you want to shoot in requires permits and insurance. It all requires planning, hard work, negotiations, or simply lots of pleading. One issue that’s cropped up in multiple talks during IFP Week has been this: What do you do when you want to shoot in a place of business? How do you get a bodega owner or a restauranteur or the owners of a giant mall in Flushing to let you run around with cast and crew, even though […]
by Matt Prigge on Sep 20, 2017Directors Josh and Benny Safdie and cinematographer Sean Price Williams go way back. Their latest collaboration, the crime thriller Good Time, is the trio’s fourth joint effort. They’re not only used to each other; they’ve also been through some real shit. The Safdies love to work rough and tumble, filming most of their movies — including Daddy Longlegs and Heaven Knows What, both shot by Williams – on the streets and apartments of New York, feeding off and bottling up the city’s uniquely chaotic energy. For Good Time, they even dragged a big name, Robert Pattinson, along for the ride. To get […]
by Matt Prigge on Sep 20, 2017Sean Baker is amazed some people still think he’s a new filmmaker. That implies that he’s young. On the contrary. “I’m old,” Baker remarked during his talk at IFP Week 2017. (Or at least he’s 46.) Back in 2015, Tangerine put him on the map. And it was shot on an iPhone 5S, which made him seem like some millennial who’d never even heard of a Bolex. As it happens, Tangerine was his fifth film. The others weren’t obscure; Four Letter Words, Take Out, Prince of Broadway and Starlet were all acclaimed. (He also spent years as the co-creator of […]
by Matt Prigge on Sep 19, 2017The highpoint of Dee Rees’ IFP Week appearance was a complete surprise. There to discuss her latest feature, the Sundance fave Mudbound (hitting theaters and Netflix on Nov. 17) with Buzzfeed film critic Alison Willmore, the Pariah filmmaker waxed nostalgic over one of the films that most inspired her to take up the craft: Sugar Cane Alley, Euzhan Palcy’s 1983 César-winner about life in a small village in Martinique during the 1930s. Rees’ mother had it on VHS when she was a kid, and she would watch it over and over again. “That was before I understood what a director did,” […]
by Matt Prigge on Sep 19, 2017Barry Jenkins and Adele Romanski know what IFP Week is like. They know what it’s like to pitch a passion project. They even know what it’s like when time — in Jenkin’s case, several years — elapses between features. When the writer/director and producer, respectively, of Moonlight swung by this year’s Filmmaker Talks day at IFP Week, it was a kind of victory lap. After all, their last film together took home three Oscars, including Best Picture, on top of a towering pile of other accolades. But they used their talk with moderator Scott Macaulay, Filmmaker‘s Editor-in-Chief, to remember when life was […]
by Matt Prigge on Sep 18, 2017“Film” — what’s in a word? It’s still the first half of Filmmaker, even as our new logo design nods to the ways in which this term’s meaning is continually mutating and no longer fixed in celluloid. But, as Joana Vicente, Executive Director of IFP (Filmmaker’s publisher) and the Made in NY Media Center notes, it’s been dropped this year from the name of IFP’s signature event, which begins today through September 21 in Brooklyn. Over the last several years “Independent Film Week” has shortened to “IFP Film Week” to, now, simply, “IFP Week.” That’s because, as Vicente says, “the […]
by Scott Macaulay on Sep 16, 2017IFP, Filmmaker‘s parent organization, announced today programs to be included in its annual signature event, IFP Week. They include, I’m excited to say, an opening day hosted by Filmmaker timed to the celebration of this magazine’s 25th Anniversary and 100th issue. On Sunday, September 17, I and other Filmmaker editors and writers will be moderating a day of presentations and discussions at BRIC with speakers who’ve been important our collective history, including Oscar-winning filmmakers Barry Jenkins and Adele Romanski of Moonlight; Josh and Benny Safdie of Good Time; and Emmy-nominated director Dee Rees of the forthcoming Netflix release Mudbound. The running […]
by Scott Macaulay on Aug 15, 2017IFP (Independent Filmmaker Project), Filmmaker‘s parent organization, today announced its 2017 IFP Week feature film slate, highlighting over 110 narrative and documentary projects in development from over 15 countries. This follows the earlier announcement of 37 television, digital and web series in development that have also been selected for the annual event. Combined, over 145 projects will be presented in DUMBO, Brooklyn September 17-21, 2017. “This year’s feature film program doesn’t shy away from tackling the controversial and key issues of our time. Art often reflects the times we live in, and this slate certainly represents a multitude of points of […]
by Filmmaker Staff on Jul 20, 2017IFP, Filmmaker‘a parent organization, announced today the more than 35 television, digital and app-based series that will be included in the 39th annual IFP Week, taking place September 17-21, 2017 in Brooklyn. For the last several years, IFP has been broadening its mandate to include both script and non-fiction series of all formats and genres. This year’s IFP Project Forum, writes IFP in a press release, includes “series from veteran and new creators, with 70% of works at the scripted/early development stage and 30% with independently shot pilots. Of the series featured, 51% are made by women and overall, 74% […]
by Scott Macaulay on Jul 19, 2017