Back in 2021, filmmaker Jessica Oreck (Beetle Queen Conquers Tokyo), who appeared on Filmmaker‘s 25 New Faces list in 2009, launched her Office of Collecting and Design, which she describes as “part wonderland, part library, and part nostalgia machine, devoted to the diminutive, the misplaced, the unusual, and the forgotten.” A truly unusual endeavor, the Las Vegas-based tiny museum is exhibition space, animation studio and prop house — in short, a physical extension of the enthusiasms that have powered Oreck’s filmmaking. From my print issue profile of the project: A cinematic sensibility permeates the whole endeavor, not just in the […]
by Scott Macaulay on Jul 29, 2024Pittsburg-based director Charlotte Glynn, who made Filmmaker‘s 25 New Faces in 2014, is now running a Kickstarter campaign to raise funds for her debut narrative feature, The Gymnast. The film, which was actually discussed at the end of Brandon Harris’s profile, is set in a former mill town and is about “a 14-year-old aspiring Olympic gymnast and her die-hard ‘gym dad’ [who] must reinvent themselves after a potentially career-ending injury.” Elaborates Glynn on the Kickstarter page: The Gymnast is a film about loss and perseverance in the face of extreme odds, and the making of the film has mirrored that […]
by Scott Macaulay on Jul 7, 2023A Kickstarter campaign has been launched to secure funding for writer-director Cambria Matlow’s narrative short Why Dig When You Can Pluck, starring Sol Marina Crespo as a mother and filmmaker who does some soul searching on a family vacation. The Kickstarter will run from February 28 through March 23 as part of the platform’s month-long specialty program Long Story Short. Matlow’s goal is to raise $22,000 for production and distribution costs. “Why Dig When You Can Pluck is my first narrative film after years spent making documentaries and I couldn’t be more excited to share this with the filmmaking community,” […]
by Natalia Keogan on Feb 28, 2023The following is a guest post from Dan Schoenbrun of The Eyeslicer about what should be an exciting day devoted to independent film physical media occurring in New York on September 15. — Editor Every year a group of independent artists and publishers host Comic Arts Brooklyn, a daylong fair for graphic novelists, zine-makers, and small publishers. It’s an event I always look forward to: I love meeting artists in person who I’ve long admired, or browsing and discovering new work, chatting with people about what they make and what they’re reading, and doing all that surrounded by other like-minded […]
by Jane Schoenbrun on Aug 5, 2019Actress, activist and blogger Lynn Chen has just wrapped production on her directorial debut, I Will Make You Mine. Below, she contributes this guest essay on the common but rarely discussed post-partum blues that directors can feel after wrapping any film, but particularly their first. To learn more and donate, visit the project’s Kickstarter page. — Editor The post-wrap blues. The first time I felt them, I was eight. I was in a production of Maurice Ravel’s L’enfant et les sortileges, a one-act opera where a bratty kid gets sent to his room, and a bunch of inanimate objects come […]
by Lynn Chen on Sep 18, 2018What’s a non-religious, non-observant Jew doing making a movie called The Rabbi Goes West, in which the main character is a Torah-following Hasidic Orthodox rabbi? And who is now, between beloved corned beef sandwiches, in the middle of a $40,000 Kickstarter campaign through August 10 to finish it? Click here to go our Kickstarter page. Glad you asked. I’m a long-time film critic (The Boston Phoenix) and one-time actor (Computer Chess) who turned to filmmaking (For The Love of Movies: the Story of American Film Criticism). My last documentary, Archie’s Betty, was appreciated by the thousand people who saw it, […]
by Gerald Peary on Jul 20, 2018Catherine Coulson gathered her closest family and friends to help her survive her terminal illness just long enough to play the Log Lady on Twin Peaks: The Return, a character she had created decades ago with her lifelong friend, David Lynch. Why? Why must the show go on? What drives us as artists to overcome the obstacles, both real and within our heads, to finish the work? Lynch did seven years of newspaper routes delivering the Wall Street Journal till dawn to buy film to shoot Eraserhead, while Catherine took waitress jobs to feed him and everyone else on the crew. Why? I […]
by Richard Green on May 31, 2018This year marks the 25th anniversary of Alexandre Rockwell‘s landmark indie In The Soup, which is currently crowdraising funds for a badly needed restoration and re-release. We’re happy to share this interview with Rockwell, conducted by Factory 25’s Matt Grady. Click here to learn more and check out the Kickstarter campaign, and here for a video interview for more from Rockwell. What’s so unique about how you made In the Soup? One of the most defining things about In the Soup is its look. The stellar cinematography of Phil Parmet comes across in a rich, high-contrast look, deeply saturated blacks and brilliant […]
by Filmmaker Staff on Aug 1, 2017In early 2015, Kino Lorber mounted a successful crowd-funding campaign for Pioneers of African-American Cinema. The campaign raised over $53,000, far surpassing its original $35,000 goal. Now Kino Lorber is hoping to repeat that success with its new Kickstarter campaign for their upcoming release Pioneers: First Women Filmmakers. So far, they’ve raised more than $20,000 towards the $44,000 goal. “You wouldn’t know it looking back at the last 90 years of film history, but at one time, it was not uncommon to have women behind the camera in Hollywood,” says writer-director Ileana Douglas in the campaign video (above). Presented in association with the […]
by Paula Bernstein on Oct 24, 2016As Hollywood is rightfully called out on its underemployment of women, virtual reality companies like Mechanical Dreams Virtual Reality (MDVR) are actively courting underrepresented voices. The Seattle-based virtual reality content company housed by the University of Washington and the start-up incubator CoMotion is producing six innovative 360 films, five of them directed by women. The company’s first production, Tracy Rector’s Ch’aak’ S’aagi (Eagle Bone), one of the first VR pieces ever by a Native American filmmaker, was recently selected as one of five VR projects to screen at TIFF as part of its inaugural POP VR section at the festival. MDVR is currently raising money on […]
by Paula Bernstein on Oct 11, 2016