Kickstarter
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Seattle’s Scarecrow Video Raising Funds to Transition to Non-Profit
Seattle’s legendary Scarecrow Video houses some 120,000 titles on VHS, DVD, Blu-Ray, VCD and laserdisc. The store was the brainchild of the late George Latsios, whose compulsive purchasing of ever more and more titles (documented in this affectionate obituary from 2003) provided the base foundation for the store’s current inventory. With rentals decreasing 40 percent in the last six years, current owners Carl Tostevin and Mickey McDonough have come up with a viable strategy to try to keep the store’s formidable collection intact. A Kickstarter has launched to help Scarecrow complete a planned conversion to non-profit status, a move necessary […]
by Vadim Rizov on Aug 12, 2014 -
Kickstarting Trans Visibility on Screen: Sasha Wortzel on Funding Happy Birthday, Marsha!
The following is a guest post from Sasha Wortzel, who is raising funds for her film directed with Reina Gossett, Happy Birthday, Marsha! on Kickstarter. “We were ladies in waiting, just waiting for the thing to happen. And when it did, we were there,” Sylvia Rivera recalls in a radio documentary produced in 1989 – 20 years after the historic Stonewall Riots in New York City. It was the first documentary of any kind to examine the riots. Since then, there have been a handful of films that deal with this tremendously important event in LGBT, and I would argue, […]
by Sasha Wortzel on Aug 8, 2014 -
Kickstart Ian Clark’s Extraterrestrial Sci-Fi A Morning Light
Earlier this year, we released an exclusive stream to former “25 New Face” Ian Clark’s MMXIII, which functioned as an experimental self-portrait, partially related through Clark’s Oregon environs. From the celestial-driven imagery of said film, Clark devised a sci-fi alien abduction follow-up, A Morning Light, that’s now sourcing funds on Kickstarter. Produced by fellow 25 New Faces Jim Cummings and Ben Wiessner of ornana, and starring filmmakers Zach Weintraub and Celia Rowlson-Hall, the film looks at a pair of estranged exes who experience inexplicable phenomena. For those interested in lush and aesthetic low-budget genre, it’s not a bad bet. Below, copied from […]
by Sarah Salovaara on Jul 28, 2014 -
Platform Monopolies: Good or Bad for Independent Filmmakers?
Dubbed “a novelist from the day after tomorrow” in Sunday’s New York Times, Vincent Zandri profits, quite well, by living in the Amazon universe. His mystery novels are edited, published, marketed and sold by Amazon. Perhaps most importantly, the mechanism through which new readers will discover his work, the latticework of likes, referrals and recommendations, are increasingly controlled by Amazon and its related properties, like Goodreads. For Zandri, who achieved modest success through traditional publishers before signing with Amazon’s Thomas & Mercer imprint, the internet giant’s model is the new way. Reduced to “returning bottles and cans for grocery money,” […]
by Scott Macaulay on Jul 15, 2014 -
Kickstarter Simplifies Guidelines, Now Instantly Approves Campaigns “by Algorithm”
Kickstarter announced today major changes to its process for accepting applications, simplifying its guidelines for creators and allowing campaigns to “launch instantly” by bypassing the human approval process. Kickstarter’s new rules boil down, writes founder Yancey Strickler, to three points: Projects must create something to share with others. Projects must be honest and clearly presented. Projects cannot fundraise for charity, offer financial incentives, or involve prohibited items. (The rules in full can be read here.) In his post, Strickler emphasizes that “Launch Now” is just an option; creators will still be able to propose projects to Kickstarter’s Community Managers, who […]
by Scott Macaulay on Jun 3, 2014 -
dana.io Debuts with a New, Low-Cost Crowdfunding Model for Filmmakers
Crowdfunding your film can be fraught with many potential dangers, but one of the most common issues overlooked by first-time crowdfunders is the cost of running a crowdfunding campaign. These costs are varied but can include: the production of promotional assets like campaign videos; the cost of your time for marketing the campaign and supporting your backers; the cost of fulfilling your campaign rewards; and finally the costs of using your crowdfunding platform of choice, Kickstarter, IndieGogo etc. The price of using crowdfunding platforms can be broken down into two key costs: credit card processing fees (normally something between 2-4% of […]
by Kieran Masterton on May 27, 2014 -
Don’t Read This! 5 Things I Learned about Directing and Shooting a No-Budget Feature Film in an African Village
I’m not writing this for the careerists. For the ones just looking for an edge, for a way in, who think they have an idea that can sell and are poking for a soft spot in the walled city. If that’s you, you can stop reading now. Hell, just stop. I’m writing for the hopeless lot who scramble for meaning. Who care about what’s in the box, not the pretty package. Who care about result, impact, and why people and societies do the things they do. This is why we shot a movie over four months in a remote Ghanaian […]
by Travis Pittman on May 7, 2014 -
The Cost of Being an Independent Filmmaker
Scrolling through Twitter yesterday, I came across an interesting bit of data from the programmer-critic Miriam Bale that extended beyond the usual 140 characters. Linking to an external app, Bale drew up a breakdown of what she calls “the cost to have an indie film career.” Stipulating that most independent filmmakers finance at least a portion of their work, in addition to their basic living expenses, it would take about $119,112 to sustain four years of a “career.” Bale also postulates that working a full time gig at $12/hour, you could save around $3,072 a year, for the next 39 years, before […]
by Sarah Salovaara on May 5, 2014 -
Visual Mixtape: Elisabeth Holm on the Kickstarter Film Festival
The crowdfunding boom has proved an altogether blessing for entrepreneurism, artists and consumers alike, with the role of sites like Kickstarter now extending beyond a helpful platform and into the campaign afterlife. While some competitors are adopting distribution pathways, Kickstarter culls their most prized projects into a festival lineup for added exposure. Submissions are currently open (through May 14) for the Kickstarter Film Festival’s fourth iteration, for which any successfully funded, recently completed projects are eligible. And not just films. Last year’s fest featured several food options, music and artwork, in addition to notable docs like 12 O’Clock Boys, Everybody Street and Flex is Kings. Filmmaker spoke to […]
by Sarah Salovaara on May 1, 2014 -
From First AD to Director: Jono Oliver on the Making and Distribution of Home
A moving, informed tale dealing with one man’s struggle with mental illness, Jono Oliver’s debut feature Home is graced with both heart and street smarts. The film tells the tale of Jack, an outpatient hoping to leave his group home, reunite with his son, and manage life on his own. Adversity comes from both his illness but also the day-to-day realities of life in New York. Indeed, Oliver’s great achievement is to make Jack’s reality an entirely palpable one while not sugarcoating the issues of his affliction. In a film with strong performances thorughout, Jack is wonderfully played by Gbenga […]
by Scott Macaulay on Apr 29, 2014
