Last evening at Jupiter Bowl in Kimball Junction, the 2015 Sundance Short Film Awards were doled out over a somewhat temperamental microphone. Stationed at the foot of a bowling alley, Director of Programming Trevor Groth said a few words before turning it over to Jared Hess, who is at the festival with his latest, Don Verdean. Hess told a nice anecdote about forcing his wife Jerusha Hess to invite Pauly Shore to a screening of their first Slamdance short decades back, before reminding the audience that any interest you court in a short film is reason to stay true to that unadulterated vision. The mic […]
by Sarah Salovaara on Jan 28, 2015Girl meets girl online. They fall in love from afar — Sandra in Montreal, Amina in Syria. The Arab uprising occurs and soon Amina, star blogger and creator of “A Gay Girl in Damascus” gets swept up in the chaos, then kidnapped, and then disappears. Her frantic paramour goes on a global quest to find her — only to discover that the game-changing World Wide Web is also a web of intrigue and deceit. Fortunately, Sophie Deraspe’s doc The Amina Profile is more than the sum of this now infamous hoax. By smartly training her lens on the unwitting victim […]
by Lauren Wissot on Jan 28, 2015There are two worthwhile concepts that skirt the heavily sketched plot of Kris Swanberg’s Unexpected: working motherhood and the white savior. Unfortunately, both are dropped just as soon as they are addressed in this saccharine tale of an unlikely, intergenerational friendship between two pregnant women. Sam Abbott, who has the great fortune of being played by the appealing Cobie Smulders, is a science teacher at an inner city Chicago high school that’s set to close at the end of the semester. Unexpectedly pregnant (requisite peeing, WebMD scenes and all), Sam marries her boyfriend John (Anders Holm) at City Hall to the chagrin of her overbearing — […]
by Sarah Salovaara on Jan 27, 2015It’s been far too long since Michael Almereyda’s last feature, 2009’s dreamy diary film Paradise; his 2015 return with not one but two features (the Ethan Hawke-starring Cymbeline adaptation Anarchy is set for release later this year) is overdue and very welcome. Experimenter, a pared-down biopic of social psychologist Stanley Milgram, ostensibly exists to hit the career highlights, but it’s far from standard issue. As in his career (the writer said with all the authority conferred by a quickly read Wiki), the film begins with, and is dominated by, Milgram’s obedience to authority experiments. The “teacher” sits on one side of a […]
by Vadim Rizov on Jan 27, 2015Call Me Lucky is Bobcat Goldthwait’s documentary portrait of fellow comedian Barry Crimmins, who is not as famous as he should be for his barbed political satire — and whose outsider activism led him to dark places, as this documentary reveals. To visually capture Crimmins on and off stage, Goldthwait turned to his frequent cinematographer Bradley Stonesifer, who previously screened at Sundance with Lee Toland Krieger’s dramatic feature, The Vicious Kind. Below Stonesifer answers questions about that collaboration and doing big theatrical lighting on a shoestring budget. Call Me Lucky premieres January 27, 2015 in the Sundance Documentary Competition section […]
by Scott Macaulay on Jan 27, 2015Rob Givens reteams with The New Year director Brett Haley with I’ll See You in My Dreams, a drama starring Blythe Danner as a retired widower suddenly adjusting to the loss of her dog. The film screens in the Premieres section beginning Tuesday, January 27, and below Givens discusses his ongoing collaboration with Haley, why he chose to shoot on the Sony F55, and getting out of the way of the actors. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this […]
by Scott Macaulay on Jan 27, 2015Austrian-born cinematographer Matthias Grunsky has been a steady collaborator of director Andrew Bujalski from his 2001 debut, Funny Ha Ha to the more recent Computer Chess, for which Grunsky was nominated for Best Cinematography at the Independent Spirit Awards. From grainy black-and-white to what appears to be a slicker look for their latest, Results, Grunsky has adapted his technique to Bujalski’s desire for small crews and low-key environments. Below, Grunsky discusses that process as well as the detailed testing process he undertakes on his pictures. Results premieres Tuesday, January 27 in the Dramatic Competition of the Sundance Film Festival. Filmmaker: […]
by Scott Macaulay on Jan 27, 2015An eccentric Southern tale that feels like a Harry Crews-scripted edition of Storage Wars, Finders Keepers tells the story of two men battling — in courts of law and public opinion — over the ownership of a severed foot. The foot belonged once to John Wood, amputated following a small plane crash that also killed Wood’s father. When Wood failed to make payments to his storage unit, it became the property of local North Carolina huckster Shannon Whisnant, who parlays his contested ownership of the foot into a roadside tourist attraction. Directed by Bryan Carberry and Clay Tweel, collaborating for […]
by Scott Macaulay on Jan 27, 2015Director of photography Thomas Scott Stanton comes to Matt Sobel’s Sundance NEXT button-pusher Take Me to the River from a diverse background. Born in Maine, he spent much of his childhood in Guam and the South Pacific. In Washington D.C. he founded the Green Barrel skate shops, and he still directs skate videos in addition to acting and working as a photographer. When it comes to Sobel’s film, which tells the unsettling story of a gay teenager confronting family secrets at an annual reunion, Stanton connected with the first-time director over Skype and, using the RED Epic M, brought a […]
by Scott Macaulay on Jan 26, 2015Making their feature film debuts at Sundance are director Kenny Riches and cinematographer Tom Garner for the offbeat and ingratiating Miami-set buddy movie (of sorts), The Strongest Man. Artist and metalworker Robert Lorrie plays Beef, a Cuban construction worker set out on a small-scale spiritual odyssey across the streets and into the apartments of Miami. He’s accompanied by his pal Conan, played by YouTube star Freddie Wong, and their adventures have a shambling charm reminiscent a bit of Rick Linklater’s Slacker. The considerable appeal of the on-screen performers is echoed by Garner’s cinematography, which sees contemporary Miami in a way […]
by Scott Macaulay on Jan 26, 2015