Sundance Film Festival
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Five Questions for Writer/Directors Anna Boden and Ryan Fleck about their Sundance Premiere, Mississippi Grind
Appearing in Filmmaker‘s 25 New Faces list back in 2004 after their home run of a short, Gowanus, Brooklyn, Ryan Fleck and Anna Boden have had what, from the outside, looks like one of the steadiest careers in American independent film. While others from that list struggle to make their second or third films, Boden and Fleck have moved from feature to feature, first turning that short into a well-received debut starring Ryan Gosling (Half Nelson), essaying the life of an immigrant baseball player in Sugar for HBO; and then adapting Ned Vizzini’s acclaimed memoir It’s Kind of a Funny […]
by Scott Macaulay on Jan 24, 2015 -
“Would I Have Worked for Twelve Years On It All For Nothing?”: Strangerland | Director Kim Farrant
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? There were many fears that arose for me during the making of this film… but the main one was… would it ever get over the line and get made? And the “story” that came up for me around that was – would I have worked for twelve years on it all for nothing? And therefore, where would that leave me and my career? Who would I be without having […]
by Filmmaker Staff on Jan 24, 2015 -
“I Never Expected It Would Go This Far”: The Amina Profile | Director Sophie Deraspe
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? The Amina Profile documents a huge fantasy, which unfolded mainly online, involving lesbian erotica as well as political activism during the Syrian revolution. Given that The Gay Girl in Damascus blog was a phenomenon of the social media era, I asked myself how I could include it in a film in which the visual component is key. How would I present the events surrounding abduction and a subsequent investigation […]
by Filmmaker Staff on Jan 24, 2015 -
“Motivation Has Been a Quiet Saving Grace”: Lila & Eve | Director Charles Stone III
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? To not be afraid to ALWAYS be truthful when voicing my point of view no matter how heavy my personal doubt would sometimes get, especially when motivated by an incredibly daunting shooting schedule that did not seem to allow much flexibility for change or growth. At the same time, there is the fear of letting go. Being malleable in the production process and not rigid by trying to control […]
by Filmmaker Staff on Jan 24, 2015 -
Sundance 2015, Dispatch 1: Best of Enemies and Eden
Morgan Neville and Robert Gordon’s documentary Best of Enemies, premiering at the Sundance Film Festival, details the particulars of the eight televised debates between William Buckley Jr. and Gore Vidal held on ABC in 1968 — four during the Republican convention in Miami, another four during the infamous Democratic one in Chicago. A very prototypically Sundance-y doc (destined for TV and classrooms, “audience-friendly”), this is a consideration of an Important Topic fleshed out with contextual talking heads and zipped up into a brief, digestible package. Given sufficient interest in the subject, it’s the kind of thing I’d generally watch on […]
by Vadim Rizov on Jan 24, 2015 -
“The Israeli Public Will Find it Hard to Confront our Misconduct”: Censored Voices | Director Mor Loushy
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? My greatest apprehension centers round the question of how the film will be received by the Israeli public. This is a political film, about disturbing events that took place 46 years ago, during the 6 Days War – things that are not easy to accept, but are still relevant, shocking and painful today. It is a universal film, not just about the 6 Days War, but about war in […]
by Filmmaker Staff on Jan 24, 2015 -
“We Didn’t Have the Skill or Experience”: Sembene! | Directors Jason Silverman and Samba Gadjigo
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? When we started making this film, we had relatively small ambitions: we wanted to make a simple biography of a man who I knew and greatly admired. But once we got into the story, we realized that the only way to make this movie was to attempt to match the level of artistic and social commitment and integrity Ousmane Sembene demonstrated in his films. But we knew that we […]
by Filmmaker Staff on Jan 24, 2015 -
“Unrealistically High Hopes versus Soul Crushing Fears”: Operation Artic | Director Grethe Bøe-Waal
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? I feel the entire filmmaking process is driven by unrealistically high hopes versus soul crushing fears. Seriously, if you are not terrified, you are not doing it right. There are a million things to fear. For instance, the fear of labouring tirelessly on the script for years and years and never getting it financed. I spent 13 years working to make this film happen. When financed, I fear messing […]
by Filmmaker Staff on Jan 23, 2015 -
“As Always, Love Conquers Fear”: Princess | Director Tali Shalom Ezir
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? My biggest fear when making Princess was that I would not be understood, or that I would not be able to communicate my meaning clearly. I think this was actually a manifestation of my fear of being alone. The heroine of Princess is part of a family that has no clear sexual or emotional boundaries. Her reality threatens to destroy her. In order to deal with this, she creates […]
by Filmmaker Staff on Jan 23, 2015 -
“Making a Film is All About Balancing your Fears”: Ivy | Director Tolga Karaçelik
What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? I can’t name only one fear but can name lots of them, because film making is a long process that changes you slowly in every step. I can say that making a film is all about balancing your fears. In the writing process you have the fear of being true to your first instinct, what made you write this story. In all the writing process, you have to fight […]
by Filmmaker Staff on Jan 23, 2015
