Transmedia
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A Sneak Peek at the 6th FilmGate Interactive Media Festival
The upcoming FilmGate Interactive Media Festival (November 30th – December 6th) will mark its sixth year of bringing the immersive arts to South Florida. A quick glance through the lineup shows it’s the most impressive edition yet. Divided into four programs — Miami @ Play, Festival Panels, Interactive Installations, and the Virtual Reality Portal (with its 35-plus interactive experiences to choose from) — not to mention the many parties (this is Miami after all), the 2018 edition may just make the folks in town that same week for Art Basel look 20th century passé. Starting with the panels (on December […]
by Lauren Wissot on Nov 26, 2018 -
“A Post-Digital Art Festival”: The Artistic Director and Curators on transmediale 2018
On the heels of Sundance and its New Frontier section every year comes transmediale, the Berlin-based festival more singularly focused on interactive film, video art, transmedia, virtual reality, and other forms of new media. Founded in 199, transmediale also excels at maintaining a clear focus on how these new works engaged with broader societal issues; traditional artwork, panel discussions, academic papers, and other offerings are always an integral part of the proceedings along with films and videos. This year’s theme is “face value.” With forces like globalization and feminism in stark public contrast with nationalistic authoritarianism and racial inequalities in […]
by Randy Astle on Jan 30, 2018 -
Recipients of 2015/2016 TFI New Media Fund Announced
Tribeca Film Institute (TFI), in partnership with Ford Foundation’s JustFilms initiative, has announced the grant recipients of the 2015/2016 TFI New Media Fund. Grantees were selected by an advisory board comprised of Just Vision’s Julia Bacha, director Malika Zouhali-Worrall (Call Me Kuchu), director-producer Sandi Dubowski (Trembling Before G-d), Google’s Lisa Steiman and Chicken & Egg Pictures’ Jenni Wolfson. The fund provides monetary grants and support to nonfiction, transmedia projects which tackle a social issue. Each of the three selected projects will receive $50,000 in funding as well as expert mentorship for producers to help them develop their projects and build engagement with audiences. You […]
by Paula Bernstein on Dec 10, 2015 -
TFI Sandbox Relaunches
A year and a half ago the Tribeca Film Institute launched the TFI Sandbox, an online resource for documentary transmedia projects with connections to the New Media Fund and other real-world resources. Since then the Sandbox has helped produce some amazing work, such as Elaine McMillion Sheldon’s Hollow, and last week the site received an upgrade, which you can check out here. The new Sandbox, essentially a more robust version of the previous iteration, features everything from introductory information for those just testing the waters of interactive nonfiction to specific funding, technology, and festival/distribution resources for those at work on […]
by Randy Astle on Nov 26, 2014 -
Björk’s Biophilia Available to Download
Björk has been releasing Biophilia, in one way or another, for over three years now, transforming what could have simply been yet another album into a master class on multi-platform releases and extended community-building endeavors. In October 2011 the album came out–though she had begun working on it as early as 2008 and had released its first single that June–and broke ground for the artist as a multilayered concept album dealing with the environment, ecology, and economics, all presented in a highly textured sonic envelope of electronica. Tight on the album’s heels came some remixes, released together in the 2012 album […]
by Randy Astle on Nov 26, 2014 -
POV Launches Interactive Shorts Including Empire:Cradle
POV, America’s longest running television showcase for non-fiction films, is wading into interactive waters. Yesterday, the doc powerhouse launched an online, short-form transmedia section, with six projects, four of which were created by Hackathon alumni, and three of which will be premiering at NYFF’s Convergence sidebar in the ensuing weeks. The works are driven by timelines, geography, and photography, but my hands down favorite, Empire:Cradle, is fueled by a transcendent moral code. One in a series of four shorts that probes the ramifications of Dutch colonialism, Cradle is shot on location at Amsterdam’s Schipol Airport. Pairing clusters of bystanders who watch the takeoffs and […]
by Sarah Salovaara on Sep 16, 2014 -
Five Questions With Last Hijack Directors Femke Wolting and Tommy Pallotta
Femke Wolting & Tommy Pallotta’s experimental doc Last Hijack sees the venn-diagramming of a rigorous interview style and breakout swatches of rotoscoped animation, ala Waking Life (which Pallotta produced.) In lieu of philosophical digressions or convoluted dream sequences, the filmmakers use animation to depict the unfilmable: nailbiting raids by Somali pirates, led by one Mohamed Nura, who casually recounts his adventures to the filmmakers between mouthfuls of khat. Never feeling doctrinaire, the film takes an earnest stab at correcting the way the West considers seaside piracy, delineating a cycle of corruption and violence starting with Mohamed’s father. Wolting and Pallotta […]
by Steve Macfarlane on Mar 14, 2014 -
Starlight Runner CEO Jeff Gomez on the Importance of Transmedia
As a continuation of Filmmaker‘s coverage on upcoming courses at the MINY Media Center by IFP, Starlight Runner CEO Jeff Gomez opted to share a few of his thoughts on why transmedia is no mere trend. “At the turn of the century,” notes Gomez, “our entire communications system went into hyperdrive, and has only been picking up speed. At the same time, our three network, three newspaper, three neighborhood movie theater world has been blown to a million pieces.” How one capitalizes on the wealth of new media is exactly what Gomez aims to instruct in his masterclass, “Creating Blockbuster […]
by Sarah Salovaara on Dec 2, 2013 -
Femke Wolting on Submarine Channel and the Online Documentary Unspeak
George Orwell claimed in his 1946 essay “Politics and the English Language” that English was in a bad way: common consensus (which he was satirizing) held “that any struggle against the abuse of language is a sentimental archaism, like preferring candles to electric light or hansom cabs to aeroplanes.” His own opinion was more that “the decline of language must ultimately have political and economic causes: it is not due simply to the bad influence of this or that individual writer.” Thus it could be resisted: “Modern English, especially written English, is full of bad habits which spread by imitation and […]
by Randy Astle on Nov 12, 2013 -
Arcade Fire’s Interactive Music Video, “Reflektor”
One could argue that Arcade Fire is an MTV band for the new generation. Content wise, their songs have few similarities with the likes of ’90s hits like “Buddy Holly” or “Virtual Insanity,” but their recognition of the music video as a malleable and significant platform is refreshing in the YouTube age of sex-soused, auto-tuned pop. Harnessing new technology, the Montreal-based collective has pushed the limits of the medium far beyond the capabilities of their predecessors, thanks to frequent collaborations with Vincent Morisset. Mr. Morisset, who describes himself as “a web-friendly director…looking for new ways to tell stories,” has worked […]
by Sarah Salovaara on Sep 10, 2013
