Women of Sundance
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Women of Sundance: The Foxy Merkins
“How elaborate is the camera?” The Foxy Merkins director Madeleine Olnek texted me as I was walking to photograph her with her female laden crew at Columbus Circle. “We would like to stage ourselves being hit by a cab,” she explained simply and obviously. As it happened, a few months prior to making The Foxy Merkins, a film about lesbian hookers, Olnek was in a taxi driven by a woman named Debbie. They got to talking and Debbie threw out the “If you ever need an [insert random gender, race, or career here]” phrase filmmakers always get. In Debbie’s case it […]
by Danielle Lurie on Jan 21, 2014 -
Interview with Low Down Writer Amy Albany
Filmmaker: Why this movie? Why did you decide to do it? Albany: The genesis of the movie was a memoir I wrote 10 years ago about growing up in 1970’s Hollywood with my dad who was a talented jazz pianist, and a diehard junkie. Albert Berger & Ron Yerxa of Bona Fide Productions came to my first ever book signing, at Book Soup. Albert said they thought Low Down should be a movie. I thought somebody had put them up to it – you know, as a joke. I checked them out, found out they were legit, to say the least! […]
by Danielle Lurie on Jan 21, 2014 -
Interview with The Skeleton Twins and War Story D.P. Reed Morano, ASC
When you meet cinematographer Reed Morano, ASC, you immediately start to think of cultivating ways you could maybe become a little cooler, because she seems to do life – in general – so well. For our photoshoot, Morano invited me over to her home in Brooklyn, which she shares with her husband and two young sons, who are five and three. Her apartment is cozy and magically extends outside into an unusually large Narnia-esque garden, replete with a swing set and slide for her kids to play on. Her kids are like calm, respectful, independent yet obedient unicorns: “We just […]
by Danielle Lurie on Jan 20, 2014 -
Interview with Imperial Dreams Producer Katherine Fairfax Wright
Filmmaker: Why this movie? Why did you decide to do it? Fairfax Wright: I guess the most apparent reason behind me producing Imperial Dreams was that the director Malik Vitthal is one of my closest friends and I was eager to help bring his vision through to fruition. When we first met a few years back at LAFF, he mentioned that he was working on a script set in the Imperial Courts housing project in Watts. It piqued my interest because it’s the same housing project that I had spent quite a bit of time at during elementary school. My […]
by Danielle Lurie on Jan 20, 2014 -
Interview with E-TEAM D.P. Rachel Beth Anderson
Filmmaker: Why this movie? Why did you decide to do it? Anderson: For me shooting for this film was a fast YES after learning about the E-Team concept, and knowing I would be working in Syria with Human Rights Watch. I had recently witnessed HRW in action while filming during the Egyptian and Libyan uprisings and respected the quality of their work. It had been difficult to watch the devastating situation in Syria unfold from affair, but with this film I knew I would be in safest hands possible smuggling across the border with an HRW team. Filmmaker: How much of your […]
by Danielle Lurie on Jan 20, 2014 -
Interview with Fed Up Director Stephanie Soechtig
Filmmaker: Why this movie? Why did you decide to do it? Soechtig: The original idea for the film was actually Katie’s (Couric). She liked the way my last film (Tapped) took the issue of bottled water and tied it to so many bigger issues (chemicals in plastic, plastic pollution, the global water crisis) and she thought the childhood obesity epidemic could use the same approach. I was a bit apprehensive at first — haven’t we heard all there is to know about childhood obesity? But as I dug in to the story I discovered we have really only scratched the surface. […]
by Danielle Lurie on Jan 20, 2014 -
Interview with Hellion Director Kat Candler
Filmmaker: Why this movie? Why did you decide to do it? Candler: Hellion started as a short film that played Sundance in 2012. The original story for the short came from a story my Uncle Frank would tell at family gatherings. When Frank was little, he and my two other Uncles set fire to my grandfather’s jeep. What happened when my grandfather came home to discover the destruction was the nugget of a story I fictionalized into Hellion. When we wrapped the short over the summer of 2011, I wanted to continue to live with these characters … a single blue-collar […]
by Danielle Lurie on Jan 19, 2014 -
Women of Sundance: Obvious Child
Gillian Robespierre, Elisabeth Holm and Jenny Slate are highly skilled comedians who are prone to self-deprecation and the bawdiest of humor that will make even the most sexually liberated feel prude. When I went to Robespierre’s apartment to take their photo, however, it was not a time for gag humor with kitschy props (condoms were, for example, off limits). Their film, Obvious Child, written and directed by Robespierre, produced by Holm and starring Slate, is both bold in its humor and also its intent: to make a comedy that talks about real issues that women face – something usually saved for […]
by Danielle Lurie on Jan 19, 2014 -
Interview with A Girl Walks Home Alone at Night Director Ana Lily Amirpour
Filmmaker: Why this movie? Why did you decide to do it? Amirpour: Because I’m lonely, romantic, and love to dance. Filmmaker: How much of your crew was female? Was hiring women a consideration for you? Amirpour: Just our costume and makeup departments. The rest were a glorious and talented group of boys. Filmmaker: How did you go about raising funding for it? (I ask this because most female filmmakers says that being female makes it harder to raise funds, so thought your story could be inspiring — I know this topic can be touchy feely, so answer it in the way that […]
by Danielle Lurie on Jan 19, 2014 -
Interview with My Prairie Home Director Chelsea McMullan
Filmmaker: Why this movie? Why did you decide to do it? McMullan: Rae Spoon and I have been friends and collaborators for some time. The more they (Spoon prefers the use of the gender-neutral, third-person pronoun) told me about their life and their story, the more interested I was. I just found it fascinating, and I wanted to know more. That started triggering all these questions of my own, about Rae’s specific experience but also broader questions about the context of the world we’re all living in. It was becoming this big knotted ball of curiosity, and I think another […]
by Danielle Lurie on Jan 19, 2014
