Authors — Anthony Kaufman
-
Digital Haves and Have-Nots: Disappearing SVOD Deals and Independent Film
Subscription streaming services are dominating the independent film marketplace—in more ways than you think. Yes, Amazon dropped nearly $50 million at Sundance to buy several movies, and Netflix spent another $25 million in the days and weeks that followed. Beyond inflating acquisition costs over industry norms, the outsized influence of the over-the-top new media giants are affecting all sectors of the distribution business. Some industry veterans suggest this isn’t so different from previous bullish markets when well-heeled specialty divisions like the Weinstein Company or Fox Searchlight drove up prices. “Sundance has been competitive for years, so I’m not sure it’s […]
by Anthony Kaufman on Mar 14, 2019 -
Where are the Girl-Wonders? Everywhere—But Who Noticed?
Since the late 1990s, Gas Food Lodging filmmaker Allison Anders frequently lamented the pitiful media attention around women directors. “There are no girl-wonders, especially in this business,” she told BOMB Magazine in 1994. “But men all think they’re the next boy-wonder.” In the wake of bombshell reports on gender pay inequity and the #TimesUp movement, the media and entertainment industries are now certainly well aware of the “boy wonder syndrome,” as it’s been called. But bias is still glaringly with us, sometimes in subtle ways. Not only were no women directors nominated for Oscars this year, as has been widely […]
by Anthony Kaufman on Feb 21, 2019 -
Remembering Mark Urman, 1952 – 2019
Mark Urman, the film publicist, marketer, distributor, father and husband, was one of the significant figures of the indie film boom of the 1990s and 2000s, participating directly in its rise and adapting to its shifts over the decades. His death last weekend at the age of 66 came as a shock to his colleagues in the industry and a great loss to his friends and family. “We’ve all been shedding tears,” says Jamie Patricof, producer of Half Nelson, one of the breakthrough indies Urman shepherded. “He was such a unique voice in our business, and he was really able […]
by Anthony Kaufman on Jan 16, 2019 -
Can Critics’s Awards and Top Ten Mentions Boost Revenues for Independent Films?
Do critics matter? Maybe. But do critics’ top ten lists matter? There’s little doubt within the industry that an Academy Award nomination (or win) can provide an extraordinary boost to a film’s profile, especially smaller independent films who need the long tail of awards recognition more than most. Think of last year’s The Florida Project or Faces Places. But what about all those year-end numerical rankings and lists, proffered by that dwindling professional entity known as the film critic? He’s no Oscar, but when the New York Times’ A.O. Scott puts your little film at the top of his year-end […]
by Anthony Kaufman on Jan 14, 2019 -
Are Film Festivals Struggling?
When the Los Angeles Film Festival shuttered after 18 years, the independent film community mourned. There were “R.I.P. LAFF” posts on Facebook, lots of sad emojis and expressions of shock (“absolutely floored,” said one filmmaker). But the closure of LAFF, along with the recent consolidation of the American Film Institute’s two festivals, AFI Fest and AFI Docs, suggests broader challenges for film festivals across the United States, from potential shifts in corporate and individual giving to the incapacity for sustained growth. The good news is that film festival attendance appears to be thriving. “We’ve grown every year, in attendance and […]
by Anthony Kaufman on Dec 17, 2018 -
Sundance Hits and Misses: How MoviePass, Politics and Streaming Boosted the Indie Theatrical Box Office of 2018
It wasn’t supposed to happen this way. After theatrical box office numbers for indies looked hopeless last year, 2018 proved all the doomsayers wrong. That’s thanks to such non-Hollywood hits as Hereditary, a Sundance Midnight entry partially financed and released by A24, which grossed more than $44 million in the United States and $35 million internationally. And it’s thanks to Searching, a Screen Gems acquisition out of the NEXT section, which grossed $26 million domestically and another $42 million abroad. Even Sundance’s 16-film Dramatic Competition — which offers a decent test sample of the overall truly indie marketplace — saw […]
by Anthony Kaufman on Dec 17, 2018 -
Five Misconceptions of Errol Morris’s American Dharma and Why It’s Still Without Distribution
This past fall, the stage was perfectly set for the launch of Errol Morris’s latest documentary, American Dharma: An Oscar-winning director takes on Steve Bannon, perhaps the most controversial figure of the Trump Presidency; the film nabs Oscar-season festival premieres at Venice and Toronto; and it’s an acquisition title launching during one of the hottest documentary markets in a decade. On Twitter, excited fans declare, “Can’t wait!” while the New York Times, Los Angeles Times, Boston Globe, and several other major press outlets all publish interviews with Morris where he sets up the project as a portrait of Bannon’s “bullshit,” […]
by Anthony Kaufman on Dec 5, 2018 -
Checkpoints: Independent Film’s Gatekeeper Problem
The good news: Film festivals and film-support organizations in the United States have never been more vocal in their support of underrepresented filmmakers. At Sundance 2018, the number of films made by women (37%) and people of color (more than 30 projects) was at an all-time high. And other events are following suit. But the bad news is that the independent film business’s gatekeepers—the programmers and critics who have the power to make or break these films in the marketplace—remain an #IndustrySoWhiteandMale. To be sure, there have been gains in these areas. This May, Sundance hired Kim Yutani as its […]
by Anthony Kaufman on Sep 17, 2018 -
Wide Open or Ajar: Theatrical Windows in the VOD Age
It used to be so simple: Release a movie in theaters and, several months later, it would come to your local video store. Nowadays, each and every film’s release pattern and chosen distribution platforms are—or, at least, should be—idiosyncratic, unique, and specifically tailored. “The first thing you have to ask yourself,” distribution consultant Michael Tuckman says, “is who is your audience, and work backwards from there to figure out what windowing you’re going to do.” If the target audience is a young demographic who spend most of their time on devices, then, according to The Orchard’s Paul Davidson, “a SVOD […]
by Anthony Kaufman on Jun 11, 2018 -
Was 2018 the Year of the Woman at the Sundance Film Festival?
After the Sundance Film Festival’s awards ceremony, when female directors swept all the top categories, the response was ecstatic. “Women dominated Sundance,” cried the headlines. Social media blew up with congratulatory hashtags #womeninfilm and #femalefilmmakerfriday. “It felt like a revolutionary moment,” says Celine Rattray, who produced Sara Colangelo’s directing-award winner The Kindergarten Teacher. At the festival’s opening press conference, Robert Redford’s most memorable line was: “The role of men right now is to listen.” But did the film industry hear that? More than two weeks after Sundance concluded, five of the festival’s female-led jury winners had still not closed distribution […]
by Anthony Kaufman on Mar 8, 2018
