Authors — Danielle Lurie
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Interview with Laggies Writer Andrea Seigel
Filmmaker: Why this movie? Why did you decide to do it? Seigel: I guess I first started thinking about writing this movie after a year of attending a bunch of wedding and baby showers and just feeling really confused by them, like, “Are people actually enjoying this?” Filmmaker: Do you think a male director might have handled the making of this film differently? How did being a female filmmaker effect how this film got made do you think? Seigel: I think it would depend on the person. But I do know it was a little tougher on Lynn, being a female filmmaker directing […]
by Danielle Lurie on Jan 22, 2014 -
Interview with Web Junkie Director Shosh Shlam
Filmmaker: Why this movie? Shlam: Internet addiction is both a personal and social phenomenon. It is a universal issue that is becoming progressively all encompassing as the boundaries between the real and the virtual become increasingly blurred. Through this process, we could not help but feel that something is lost in the physical, “real,” everyday lives of those living in the western world. This phenomenon, these feelings are what inspired us to take this journey. Filmmaker: How much of your crew was female? Was hiring women a consideration for you? Shlam: We were four women: two directors, one producer and one editor. Hiring […]
by Danielle Lurie on Jan 22, 2014 -
Interview with Web Junkie Producer Neta Zwebner-Zaibert
Filmmaker: Why this movie? Why did you decide to do it? Zwebner-Zaibert: Now more than ever, we need films that investigate and expose the side-effects of our relationship with technology. Internet overuse is a social issue around the globe that has only emerged in the past few years; we have no idea what effects it may have on us or what we will know about the phenomenon in the future. As such, we need to exercise caution when creating policies around it. Also, as a young mother, I spend a lot of time thinking about my daughter’s future and how the Internet will impact her […]
by Danielle Lurie on Jan 22, 2014 -
Interview with Listen Up Philip Producer Katie Stern
Katie Stern is that inexplicable combination of inviting, accessible, and tough as nails. When I went to photograph her at the color correction of the film she produced, Listen Up Philip, she was wearing all black, despite my suggesting filmmakers wear a splash of color. “It’s just what I’m used to wearing,” she says, a true New Yorker. “But I did wear lipstick – and that’s not normal for me.” In the color correction suite, Stern was the only woman in a small sea of men, including the film’s director, Alex Ross Perry. The film was on the big screen, […]
by Danielle Lurie on Jan 22, 2014 -
Interview with Rich Hill Director Tracy Droz Tragos
Filmmaker: Why this movie? Why did you decide to do it? Tragos: I made my first documentary Be Good, Smile Pretty after discovering a picture of my father the day he was killed in Vietnam. The film was well received and won the Emmy Award for Best Documentary in 2004. It was difficult to find another film project with such a deep connection – and then came motherhood. I wanted to give my daughters a different childhood than I had had – with a mom who was fully present. That was my choice then – but sometimes I wonder if I […]
by Danielle Lurie on Jan 22, 2014 -
Interview with Watchers of the Sky Director Edet Belzberg
Filmmaker: Why this movie? Why did you decide to do it? Belzberg: I read Samantha Power’s book A Problem From Hell when it came out and was just pulled towards the story of Raphael Lemkin in it. It didn’t feel like a choice — I had to tell his story. Filmmaker: How much of your crew was female? Was hiring women a consideration for you? Belzberg: Most of my crew on this film were women. It wasn’t intentional, but that is how it worked out. There are a few notable exceptions, but the vast majority of the people who worked on the […]
by Danielle Lurie on Jan 22, 2014 -
Interview with Love Child Director Valerie Veatch
Filmmaker: Why this movie? Why did you decide to do it? Veatch: I am drawn to stories or characters that I feel have been misrepresented and I like the task of creating a more challenging, complex, layered depiction of stories that causally circulate our media scape. Love Child is the story of an infant who died as a result of neglect due to “Internet Addiction” while her young parents were raising an online virtual child. Her name was Sarang, which means “love” in Korean. I heard the story on the Italian news media while staying in Rome. The ruling in the […]
by Danielle Lurie on Jan 22, 2014 -
Interview with Song One Director Kate Barker-Froyland
When I asked where the most film-related location for our photoshoot might be, director Kate Barker-Froyland suggested that we meet in Williamsburg. Her feature debut, Song One, starring Anne Hathaway, is a film about the love of music which weaves its story through Brooklyn and lower Manhattan, which are areas that Barker-Froyland herself frequents often. We met for breakfast at the Reynard Restaurant in the Wythe Hotel on an assaultingly cold winter’s morning. Still, Barker-Froyland was upbeat and ready to take to the city streets in just her sundress, wind chill notwithstanding, to get the right shot. While most filmmakers […]
by Danielle Lurie on Jan 21, 2014 -
Interview with The Sleepwalker Director/writer Mona Fastvold
Filmmaker: Why this movie? Why did you decide to do it? Fastvold: I’ve always been compelled tell a story about the complex relationship between sisters (I’m one of five). It’s a unique and naturally beautiful bond; the strange way siblings so easily regress into childhood patterns and the intense love and jealousy between them… All that instinctual competitiveness and care. Filmmaker: How much of your crew was female? Was hiring women a consideration for you? Fastvold: In fact, the crew was female by majority but that was just by chance! Filmmaker: How did you go about raising funding for it? Fastvold: I had made a […]
by Danielle Lurie on Jan 21, 2014 -
Interview with Mr leos caraX Director Tessa Louise Salomé
Filmmaker: Why this movie? Why did you decide to do it? Salomé: The movie picked me up. As I was working on Holy Motors, I started to collect bits and pieces, archives, anything that was part of Leos Carax’s universe. When I realized how much I had gathered, it became obvious that I couldn’t stop there. I dived right into his world… and without even noticing it, I started to make the film. It was exciting to unravel some of the mysteries surrounding him. Seeing all of his movies again was an extraordinary experience: they haven’t aged a bit. They may even be more […]
by Danielle Lurie on Jan 21, 2014
