Now in its 10th year (though still in November, AKA doc-tsunami festival month) the upcoming DOC NYC is celebrating the anniversary with a wealth of nonfiction riches. Boasting a whopping 300-plus films and events — including 28 world premieres and 27 US premieres — this year’s edition will also be hosting an eclectic array of guests. On hand will be everyone from musician Robbie Robertson — star of Daniel Roher’s Once Were Brothers: Robbie Robertson and The Band, which opens the fest — to fashion force-of-nature André Leon Talley (who starred in Kate Novack’s The Gospel According to André just […]
by Lauren Wissot on Nov 6, 2019When one thinks of Idaho, potatoes — not pregnancy — immediately comes to mind. Made in Boise, however, the latest from award-winning filmmaker Beth Aala, will forever change how one views this rugged northwestern locale. Following four gestational surrogates, all devoted mothers with children of their own, who carry babies for women and men (often gay singles and couples) both nationwide and around the world, the doc is an eye-opening look at how this red state-based “unofficial surrogacy capital” of the US is redefining family in surprisingly progressive ways. Filmmaker caught up with Aala (Rancher, Farmer, Fisherman, Supermensch: The Legend […]
by Lauren Wissot on Oct 28, 2019When one thinks of the World Economic Forum many words come to mind: Davos, global elite, Bono. One term that decidedly does not is transparency. Which is what makes Marcus Vetter’s The Forum all the more remarkable. With this fly-on-the-wall doc the German director (The Forecaster) becomes the first filmmaker ever to be granted behind-the-scenes access to the exclusive organization. Vetter follows the WEFs octogenarian founder Klaus Schwab from the run-up decision-making (Who to pair with Netanyahu? Who’s moderating the Bolsonaro? Who gets a souvenir cowbell?) all the way through the glitzy event itself (one attended by both the Amazon-pillaging […]
by Lauren Wissot on Oct 28, 2019Tell Me Who I Am, the Telluride-premiering feature from Academy Award-nominated (for Best Documentary Short Subject) director Ed Perkins, digs into the stranger-than-fiction saga of Alex Lewis, one half of an identical set of twins, who at the age of 18 lost his memory in a motorcycle accident. Upon awakening from a coma the only person Alex was able to recognize was his brother Marcus — the mirror image he would come to rely on to relearn pretty much everything, from the mundane (down to brushing his teeth) to his very sense of self. In turn, Marcus devotes himself wholeheartedly […]
by Lauren Wissot on Oct 20, 2019Having committed adultery and conceived a child out of wedlock, a couple is forced to choose between keeping secrets and family ties — or being true to love and residing in exile. Though that could be the plot of an old-fashioned romance novel (or modern-day soap opera), it’s actually the all-too-real situation the protagonists at the heart of Eva Mulvad’s documentary Love Child are forced to reckon with. Over the course of six years Mulvad (the Danish documentarian behind lighter dramatic fare such as the Grey Gardens-in-Portugal standout The Good Life, and more recently, A Cherry Tale and A Modern […]
by Lauren Wissot on Sep 12, 2019Long a thorn in the establishment’s side, veteran foreign correspondent Robert Fisk has spent the past four-decades-plus reporting “subjectively” from frontlines the world over, most notably in the Middle East. An Arabic speaker, who interviewed Osama bin Laden three times before 9/11, Fisk has forever served “on the side of the suffering,” political implications be damned. Unsurprisingly, this has caused the Beirut-based Brit to become a controversial, if highly respected, figure, labeled both human rights advocate and terrorist sympathizer alike. Now in his seventies and still dodging bullets, both literally and figuratively, Fisk continues to file columns for The Independent […]
by Lauren Wissot on Sep 9, 2019Winner of the Caligari Film Prize at this year’s Berlin Film Festival, Heimat is a Space in Time is German documentarian Thomas Heise’s absorbing look at 20th-century history in his homeland via his own family’s artifacts — most notably astonishingly intimate letters that sweep us from the rise of Nazism, to the Cold War division of the country, to life on the Stasi-controlled side of the Berlin Wall. Three generations of firsthand accounts, read in unobtrusive voiceover, are gracefully interwoven with family photos and archival images to create a nearly three-and-a-half-hour cinematic epic — one that unfolds in digestible parts like a […]
by Lauren Wissot on Sep 6, 2019Currently playing on SundanceTV, the Blumhouse-produced No One Saw a Thing is a true crime series directed by Avi Belkin, whose unexpectedly riveting Mike Wallace Is Here premiered earlier this year at Sundance (and launched in theaters just last month). It revisits a surreal episode in American vigilante history in which the small town bully of Skidmore, Missouri was shot to death while sitting in his truck, his wife by his side. This occurred back in 1981 —and to this day no one’s been charged. Even though a good chunk of the population witnessed the murder. While this mystery remains unsolved, […]
by Lauren Wissot on Aug 26, 2019One Child Nation, winner of this year’s Sundance U.S. Grand Jury Prize (and premiering theatrically August 9th via Amazon Studios), is a striking cinematic examination of China’s three-and-a-half decade long, one-child policy by filmmakers Nanfu Wang (Hooligan Sparrow, I Am Another You) and Jialing Zhang (Complicit). It’s also a stunning uncovering of the multi-layered machinations required for a government to negate reproductive autonomy. And ironically, as the NYC-based Wang herself points out towards the end of the film, advocates of China’s (now defunct) policy and the US’s (very much alive) anti-abortion stance both subscribe to a core belief in state […]
by Lauren Wissot on Aug 8, 2019Nabbing this year’s top doc prize at Cannes (as well as at SXSW), For Sama is a harrowing, on-the-ground look at the disintegration of a society through one young woman’s eyes. That woman, Waad Al-Kateab, also happens to be the film’s co-director (along with Emmy Award-winning, BAFTA-nominated filmmaker Edward Watts). Incredibly, and courageously, as her beloved city of Aleppo came under attack by Syrian forces, Al-Kateab decided to pick up a camera and create a heartfelt record — or rather “love letter” — to her unborn daughter Sama. What she captured was not just the clear-eyed reality of losing friends […]
by Lauren Wissot on Jul 25, 2019