Festivals & Events
Festivals & Events
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Fashionable Outsiders: A Conversation with Refinery 29’s Amy Emmerich and Comedian and Author, Jacqueline Novak
On Sunday, September 18th, IFP Film Week will host a discussion between Refinery29’s Chief Content Officer, Amy Emmerich, and stand-up comedian and author Jacqueline Novak, who recently released her non-fiction memoir, How to Weep in Public: Feeble Offerings on Depression from One Who Knows. Novak’s corresponding video series on mental health was developed and produced with Refinery29, and is just one example of how the popular lifestyle media site has turned its focus toward video content with full force. Their video production unit, R29 Originals, has released so far over a dozen original content series. The site aims to “debut […]
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The Female Gaze, Anyone? Isabel Sandoval on her IFP Film Week Project, Lingua Franca
Me and You and Everyone We Know. Pariah. Obvious Child. Lingua Franca. The first three titles? Music to my ears. That last one? Sounds like Beethoven’s Symphony No. 5 to me, mostly because it’s my third feature screenplay (and English-language debut). It’s also been selected for No Borders at IFP Film Week, where those amazing films got their start. As a NYC-based Filipina filmmaker, I can’t be in better company this week. My debut feature, Senorita, a pulpy political noir that’s a love child of Fassbinder’s Lola and late-’90s Almodovar, had its world premiere in competition at Locarno. It has […]
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IFP Film Week: Lance Weiler on His Emergent Creative Process
In 1983, Lance Weiler’s van burst into flames during a family vacation. Eleven months later his house burnt to the ground. His latest project, “Where There’s Smoke,” mixes theater, film, gaming, and emergent technology story in an attempt to uncover the truth about those two incidents. On Sunday, September 18 as part of the IFP Film Week’s Screen Forward Conference, Weiler will discuss the creative process behind the immersive storytelling project and present hands-on opportunities for participants to experiment. Weiler has been the creative force behind some of the most innovative projects in the new immersive storytelling space. An alumni of the Sundance Screenwriters Lab, Weiler is […]
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Twelve Programs and Events To Anticipate at IFP Film Week and Screen Forward Conference
In writing last year about IFP’s Film Week and Screen Forward Conference, I dubbed it the long-running event’s “most refined articulation yet,” a streamlined affair that, with “deceptive modesty,” did all the things IFP Film Week has historically done to support filmmakers and their projects with programming specific to today’s multi-platform world. Realizing that I sound like Apple designer Jony Ive in the sentence above, I guess I should then liken last year’s edition of IFP Film Week to the “most singular, most evolved” (per Ive) new iPhone 7, an event where the chassis remained the same but new tech […]
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“Five Things I’d Like to Happen at IFP Film Week”: Reinaldo Marcus Green Handicaps His Week Ahead
Each year, Filmmaker invites several of the the various participants at IFP Film Week to guest blog our our site. Just before Film Week kicks off tomorrow, director and 25 New Face Reinaldo Marcus Green, a two-time IFP Film Week veteran, weighs in with this first post. Here, he fully expects to have a mind-blowing week even as he, wisely, downscales his to-do list from 10 action items to five. Check back this week for more guest posts from Green and others. — Editor I grew up an athlete and the attitude I adopted regardless of what sport I was […]
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No Sleep Till Brooklyn: the IFP Talks Its New DUMBO-Based IFP Film Week
In 1979, in a rented Manhattan screening room, there was the IFFM — the Independent Feature Film Market, five days of film screenings that connected new emerging American feature film markets with a burgeoning array of distributors and overseas buyers. A year later, the IFP — first the Independent Feature Project and now the Independent Filmmaker Project — was officially born, and for much of its early existence it was defined by the IFFM. The Market moved to the Angelika Theater, screenings went from 1979’s 20 to the dozens, and the chaos of rabid filmmakers targeting anyone with an industry […]
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IFP Film Week: Gabo Arora and the UN’s First Virtual Reality App
“We’re great with empathy, but we really want action because we’re the UN. We need to shift the needle on things,” said filmmaker and United Nations creative director Gabo Arora about the UN’s first virtual reality app, UNVR, which launches today. The app launches with four VR films, including Clouds Over Sidra, which was created by Arora and filmmaker Chris Milk as a collaboration between the UN Millennium Campaign and UNICEF Jordan. Shot at the Zaatari refugee camp, Clouds Over Sidra tells the story of life inside the camp through the eyes of a 12-year-old girl named Sidra. The Sidra Project, which uses the […]
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TIFF Critic’s Notebook 6: Yourself and Yours, Safari
Prior to arriving for my first TIFF, I’d been told the only films you needed to show up early for were those with either celebrities or “awards season buzz,” and this has proven to be completely true. Most P&I screenings appear to be occupied by buyers who arrive late and leave early. For sheer impatience, perhaps no one will beat the guy who entered The Human Surge five minutes late, gave it two, and then bounced, but there’s been heavy competition for worst manners: I’m particularly anti-fond of the guy who spent a portion of Ulrich Seidl’s Safari reading Yelp reviews before presumably heading out […]
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TIFF Critic’s Notebook 5: (Re)Assignment, Daguerrotype, The Human Surge, My Entire High School Sinking Into the Sea
Decried as an offensive trivialization of trans reassignment surgery by GLAAD as soon its premise was announced, Walter Hill’s Re(Assignment) makes the subtextual defense for itself early on. Institutionalized for two years, surgeon Rachel Ray (Sigourney Weaver) — a formerly respected practitioner stripped of her license — is being questioned by a shrink (Tony Shalhoub) as to why four corpses were found in her illicit medical officet. Ray was performing gender reassignment surgery on the willing and unwilling, but she wasn’t just a doctor, she insists; she was also an artist, and — quoting Edgar Allan Poe — declares that proper art is […]
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TIFF Critic’s Notebook 4: Austerlitz, Planetarium, Tramps
Sergei Loznitsa’s Austerlitz, a record of tourists visiting the Sachsenhausen concentration camp, could be loglined as a movie about why it’s a transparently bad idea to take selfies at Holocaust sites, but that would be reductive and far too banal a point to need making at feature length. The film is in low-contrast black-and-white, and how could it be in color? The visual language of extant Holocaust footage is B&W, so Loznitsa maintains visual and historical continuity. The opening movement is not that far off from, of all things, In the City of Sylvia, with long shots of tourists milling about in multiple compressed planes the […]
