Kicking off this week in Williamsburg, Brooklyn, the Northside Film Festival once again has invited a number of community partners, including Filmmaker, to curate programs of new independent, foreign and retrospective titles. Filmmaker‘s pick is Nicolas Provost’s bracing The Invader, a kind of African immigrant on Taxi Driver, which is receiving its New York premiere. Provost is a Belgian visual artist and filmmaker who recently moved to Bushwick, and he’ll be attending the Q&A. Below are five picks — including The Invader — you can plan your calendar around this week. Go Down Death. Amidst all the cookie-cutter indies, Aaron […]
Something of a cinematic wunderkind, BAMcinemaFest (June 19-28) is the offspring of the three-year marriage, consummated in Brooklyn in 2006, between the Sundance Institute and BAMcinematek. The festival jumped past the Sundance-only model, adding submissions and films from SXSW, Toronto, and True/False. Curator Florence Almozini expertly cherry-picks the best indies from the previous year; each is a New York premiere. Around the time the betrothal was dissolving, Almozini explains, “We were looking at the NYC festival scene to find our own niche. We felt that no other festival was actually focusing on new U.S. indie films. BAMcinemaFest as a showcase […]
It’s a tough thing, being the Brooklyn Film Festival. Perched right at the beginning of the summer, the festival, which just concluded its 16th year, has the potentially world-class brand of Williamsburg Cool to exploit. According to most casual observers, it has never been able to adequately do so. The New York cinerati just doesn’t take the event seriously. If they don’t, who else will? The reasons for its reputation remain somewhat murky, but most lay the blame on the festival’s programming. The festival certainly suffers from its placement in this regard, between its newer, more prestigious Gotham neighbors Tribeca […]
Closing this past weekend with the North American premiere of Sofia Coppola’s The Bling Ring, a rousing if troubling film from the talented poster child of Hollywood nepotism, the Seattle International Film Festival ended another stellar edition in appropriately laidback style for this sneakily large, aesthetically pleasing, generally all-too-inviting, pot-positive town. SIFF is a mammoth event, a well-oiled machine, smartly run and elegantly programmed; if there is a festival with a more devoted community of volunteers and board members, cultish cinephiles and casual participants making it into a unique and unusual thing, I don’t know of it. More on that […]
Ten features shot by the late cinematographer Harris Savides are included in “Harris Savides: Visual Poet,” a series opening at MoMA today. Writes curator Anne Morra: A Savides shot is often characterized by a sensitivity to design and the striking mutability of light, and a special attention to the actor’s place in the composition. The films in this special tribute represent the wide range of his work, and the many directors who chose his camera to reflect their most personal stories. The series opens with Jonathan Glazer’s Birth, which was the film concentrated on by Zach Wigon in Filmmaker‘s remembrance […]
Is your short online and your heart is set on premiering it for audiences at the Cannes, Berlin, Edinburgh, Maryland or Chicago International film festivals? Well, kiss those dreams goodbye as those five festivals are among a number of fests that disallow shorts that the filmmakers have previously placed online. The good news, however, is that an increasingly number of important festivals, including Sundance and SXSW, accept online shorts. The folks at Short of the Week have compiled the Essential List of Festivals and Online Eligibility, a list that concludes that two thirds of today’s fests welcome such submissions. View […]
Never one to shy away from difficult topics, Italian actress Valeria Golino chose the subject of euthanasia for her feature directorial debut, Miele. Showing the human stories behind an issue few want to discuss, with Miele Golino succeeds in creating a film that is both touching and sincere. Playing in this year’s Un Certain Regard in Cannes, it tells the story of a young Italian women, Irene (Jasmine Trinca), who travels once a month to Mexico to buy over-the-counter barbiturates designed to put dogs to sleep. Back home, Irene goes by the name Miele, or “Honey,” delivering the drugs to terminally ill […]
Few movies were so widely talked about at Cannes as Ari Folman’s The Congress, a part live-action, part-animated adaption of Stanislaw Lem’s sprawling sci-fi novel. It’s a film that explores society’s obsession with celebrity culture, its constant need for escapism, and what effects technology may have on the future of storytelling. In addition to the gorgeous, other-worldly animation, the acting is stunning, with unforgettable performances by Robin Wright as the aging actress, Harvey Keitel as the hustling agent, and Danny Huston as the scary studio executive, Jeff. Huston nails the character of Jeff, creating both a serpentine man who’s all […]
It’s been five years since Ari Folman came out with the Academy Award-nominated Waltz with Bashir, an animated personal combat story. He’s back with an incredibly ambitious project, The Congress, that blends real life with fantasy in an adaptation of Stanislaw Lem’s celebrated book. The movie opens with actress Robin Wright being scolded by her agent, played by Harvey Keitel, for all the poor choices she’s made throughout her career. Faced with a sick child and no job prospects, she meets with Jeff, the studio head of Miramount, a daunting figure played impeccably by Danny Huston. Jeff is sick of […]
“A great film is made with love and time. Then it knocks you on your ass.” Such was the guerrilla tagline for the seven-year-old Little Rock Film Festival, and the same could be said regarding fests themselves – and writing about them, for that matter. Truth be told, I was initially on the fence about heading south to cover a festival in a state I was hard-pressed to locate on a map, and knew only through its past racist history and present-day Jeff Nichols films. Fortunately, my sister pointed out why passing up the chance to visit Little Rock would […]