The New York Film Festival took some haranguing after announcing the inclusion of only one documentary in their Main Slate a week ago. Rectifying matters is their Spotlight on Documentary lineup, which features new works from Albert Maysles, Les Blank, Frederick Wiseman, Martin Scorsese and assorted filmmaking giants. I will, of course, also be looking forward to the New York premiere of Joshua Oppenheimer’s The Act of Killing follow-up, The Look of Silence, which is said to be an exemplary companion piece, and Arthur Jafa’s Dreams Are Colder Than Death, which is perhaps more topical than ever. Check out the full list of films […]
[Paul Dallas’ first report can be read here.] Time wasted and time well spent — a ratio every festivalgoer has to work out when gambling on what to see and miss. At Locarno this year, one had to decide whether or not to devote five hours and forty minutes to a single competition film, the equivalent of four Italian classics from the wonderful Titanus retrospective. It wasn’t easy when the former was Lav Diaz’s From What Is Before, an early frontrunner and eventual winner of the Golden Leopard, and the latter all screened on 35mm — an increasingly powerful incentive […]
It’s not every day a director comes on stage in Buddhist monk’s garb and slippers, but such was Patrick Lung Kong’s refreshingly idiosyncratic appearance Saturday night at Queens’ Museum of the Moving Image, two days into a two weekend retro of his work. To his right was Tsui Hark, who himself reshaped the Hong Kong film industry multiple times: with 1986’s Peking Opera Blues, a breakthrough moment for international recognition of HK martial arts fare, 1992’s Once Upon a Time in China, and as producer on John Woo’s 1986 A Better Tomorrow, among many other instances. 1967’s The Story of […]
Although Lav Diaz’s artistry is formidable, the first thing anyone ever mentions about his films is their prodigious length: the longest, 2004’s Evolution of a Filipino Family, clocks in at eleven and a half hours. Waggish aficionados refer to last year’s Norte, the End of History as his short — it’s just over four hours long. Apart from the attendant notoriety, this renders Diaz’s films extremely rare. With the exception of Norte, which was picked up for distribution in the US, UK and France, the only chance of seeing his work is at festivals and special screenings. Whenever one of […]
A spinning vortex of yellow leopards could be a metaphor for the feverish mixture of exhaustion and exhilaration experienced at the Locarno Film Festival. The image was a large collage of the festival’s mascot produced by the proprietor of my B&B, which he showed to me one sleep-deprived morning, on my way to a 9 am press screening at the Kursaal Cinema. Speaking of altered states, there’s been a persistent sense of déjà vu at the festival — which is actually a good thing. Seven days into the ten-day celebration, it’s clear that the 67th edition continues its tradition as […]
Here we have the just announced line-up for the main slate of the 52nd New York Film Festival. It’s probably safe to expect some additional titles to be added later on, but the 30 titles below are already no joke, covering a broad swath of some of the most-discussed titles from this year’s festival circuit. Titles and descriptions are from Lincoln Center’s press release, which can be read in full here, with links to any previous coverage of the films as applicable in the title. Gone Girl (Opening Night – World Premiere, previously announced) David Fincher, USA, 2014, DCP, 150m […]
The Camden International Film Festival announced today a partnership with AJ+, the new digital platform from Al Jazeera Media Network. Submissions are now open for a competition that will bring five independent filmmakers to the festival to pitch short doc projects to filmmakers and industry leaders. AJ+ will then commission up to five projects, providing them with $10,000 budgets. From the press release: All selected filmmakers will be provided with an All Access pass to CIFF (September 25-28, 2014) and a stipend to support both travel and accommodations during the festival. This opportunity is for stories driven by strong characters, […]
It’s rare that I can recommend nearly every program at a film festival, but that’s the case with this weekend’s Sundance Next Festival in Los Angeles. With events taking place tonight at the Hollywood Forever Cemetery and then this weekend at the theater at the Ace Hotel, the Next Festival is intimate, very cool and with a strong multidisciplinary bent. Alongside several artistic feature highlights from this year’s Sundance Film Festival are shorts, panels and bands, making each program something of an event. Check out the complete line-up at the festival’s site, and here are a few picks of mine: […]
Perhaps the most salient feature of the Fantasia International Film Festival’s three-week schedule is its total aversion to mornings. In the interest of efficiency, most festivals promptly begin screenings, panels or press conferences at 9 or 10am each day; at Fantasia things get started around quarter past three. Official and unofficial festival after-parties, meanwhile — premiere celebrations, industry events, cocktail breaks, impromptu gatherings for drinks — customarily extend until dawn (or later), with many attendees migrating after last call from pubs to after-hours bars and diners willing to serve up flights of “special tea” (after-hours booze). Everything about Fantasia — […]
The T-Mobile New Horizons International Film Festival takes place in the middle of summer, when the city of Wroclaw (pronounced Vrot-Slav) is pretty warm. Poland generally has a moderate climate, but the administrative seat of the Polish Silesia — the largest city in the western part of the country and Polska’s fourth largest overall — is pretty steamy. One could walk from the Scandic or Monopol hotels — two of the venues in which the festival put up its many guests — and have sweat dot the parts of your shirt that fit snuggly against your skin. It’s a long-contested […]