Festivals & Events
Festivals & Events
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Sharks, Angels and Breastmilk – The Life of an Indie Producer
This is a picture of LA-based producer Jodi Redmond breast-feeding her three-month old daughter, Collette, while she waits for her next meeting at No Borders. Colette has been to three markets around the world already. When I saw Jodi, it really brought into sharp focus how committed indie producers need to be to their projects to get them made. It’s also a perfect metaphor for what’s going on at Independent Film Week. Arriving in New York after a very gentle and lovely time in Halifax felt like a very frontal attack on my senses. It was a classic case of […]
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Ian Harnarine’s Toronto Film Festival Diary
Hi, my name is Ian Harnarine and I’m one of Filmmaker magazine’s “25 New Faces of Independent Film” for 2012. My short film Doubles With Slight Pepper won the award for Best Canadian Short Film at the 2011 Toronto International Film Festival (TIFF) and also won the Genie Award (Canada’s Oscar). I am adapting the short film into a feature and was invited back by the festival to compete in their PITCH THIS! competition. I will compete with five other filmmakers that each have six minutes to pitch their feature film idea to a live audience of over 200 industry […]
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Independent Film Week Advice
Hello, Jesse Epstein here. I’m blogging on behalf of “Team Skeeter” at the IFP Independent Film Week. We’ve been here with our feature documentary, Mosquito, which is currently in production. It’s been quite an intense week so far (and it’s only Tuesday!). We had our screening today, had meetings yesterday and today, and more meetings are lined up for tomorrow and Thursday. We’re learning a lot and feeling very grateful to be here with the project. But let me back up… The night before Film Week started I found myself unexpectedly extra-motivated for my two morning meetings because I was […]
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“How the Critics Saved My Film” Panel
Yesterday I attended the “How the Critics Saved My Film” Film Week panel, featuring the pre-eminent critic for the New York Times A.O. Scott (I discovered with pleasure yesterday that his friends call him “Tony”), critics David D’Arcy and Miriam Bale, and filmmaker Alex Ross-Perry. One subject that wasn’t addressed in the panel, but that is pertinent to all of this, is the quality of writing in film criticism. Since I am a filmmaker (whose films will need to be saved), the way a review is written feels important to me, and it’s not just because I like good writing. […]
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Eyes Wide Open: Appreciating Independent Film Week
At the risk of sounding like the luckiest, happiest, most ridiculously annoying girl in the world… WANNA KNOW WHAT I LOVE MOST ABOUT INDEPENDENT FILM WEEK?! I could run through a list… but I’ll cut to the chase: What I love most is watching people’s eyes widen as I describe my project in my one-on-one industry meetings. It’s one of those little things that I never anticipated. I mean yes, I’m sitting with people who already had a clue about my project and chose to have a meeting with me because there was something about it that appealed to them. […]
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The Potion to a Pitch
Independent Film Week kicked off on Sunday at Lincoln Center and co-writer/co-producer of Brooklyn Flee, Devon Kirkpatrick, and I sat in a room full of Emerging Narratives filmmakers nervously awaiting our moment to practice pitch our scripts in front of an esteemed industry panel. We spent two hours the day before sketching out our thoughts over bad guacamole and happy hour Chardonnay, attempting to figure out what makes a good two minute pitch. After a few hours, Devon and I parted ways needing to take a moment to center ourselves before a hectic week. I went home to fall asleep […]
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Rickey Henderson and 8 Tips for Pitching
Part of the No Borders orientation the first day is getting up in front of all the other participants in the program and pitching your project. I am very glad they made us do this–it prepared us for a week of meetings and pitching–but this was something Kat [Candler] and I were not exactly prepared for. To our credit, this fact was buried in a rather lengthy email (way to keep us on our toes, IFP). You could feel the collective nervousness from the group, but regardless, it was no big deal and it went great, no one fell off […]
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The Opportunity of a Lifetime
Is there such a thing as an opportunity of a lifetime? During the first two days of IFP’s Independent Film Week, it became clear that the answer is yes and no. Yes, a conversation, a short film, a meeting, a festival acceptance, can be the opportunity that changes everything, but a career isn’t just a year or one film – it’s a lifetime of dedication to craft. In his impressively extemporaneous speech, J.C. Chandor (above) recalled not the glories of having his first feature, Margin Call, nominated for an Academy Award for Best Screenplay, but the 15 years he spent trying to […]
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Delirium
I haven’t taken many classes on pitching. Wait. I’ve never taken any classes on pitching. Pitching is meant to be a precise, pressurized maneuver that either takes your project to the next stage or closes another door in its face. It is the subject of much study, stress and numerous overpriced workshops. Naturally, one always feels some amount of pressure before a pitch–similar to what I experienced as a dancer prior to going on stage each evening. Regardless of how many past meetings were nailed or how many accolades were received, one rarely goes into these “performances of passion” without […]
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The Best and Worst of the Toronto International Film Festival
Maybe I’m just a delusional film buff, but after a quarter-century of attending the Toronto International Film Festival – now affectionately called TIFF, a less compensatory moniker for Canadians with a complex than the laughably arrogant Toronto Festival of Festivals label of yore – I believe that the event and its component parts echo the unique demographic of this large North American city. The festival’s multiple ethnic and racial sections coexist snugly. More than any other big international film festival, TIFF – proudly uncommercial – is built upon a carefully balanced assortment of heterogeneous cinemas: national and generic, mainstream and esoteric, the spanking new and […]
