Nothing I heard or saw at the 80th Venice Film Festival felt more momentous than the news that came from Berlin after four days of screenings. On September 2, Berlinale artistic director Carlo Chatrian announced he’d step down after next year’s edition, citing issues with the new management structure proposed by Germany’s minister for culture and media Claudia Roth. His premature departure will mark the end of a five-year journey that turned the festival into an event miles away from the tacky extravaganza of its Dieter Kosslick era. Shepherded by Chatrian and executive director Mariëtte Rissenbeek, the Berlinale had found […]
In terms of acquisitions, the most financially significant screening of last year’s TIFF was an industry-only one of The Holdovers, a Miramax-developed title whose worldwide rights promptly sold for $30 million to Focus Features; this year, it returned for press and public inspection following its Telluride premiere. It is, as previously announced, a crowdpleaser directed by Alexander Payne, designed for career rejuvenation after the ambitious, unwieldy and expensive commercial failure of 2017’s Downsizing, and effectively written under his instruction by sitcom writer-producer David Hemingson. He cannibalized what was initially written as a prep school-set pilot by, among other things, following Payne’s directive to […]
Ryusuke Hamaguchi‘s Evil Does Not Exist begins by removing every element that might be reasonably expected from his work by now. Instead of long group dialogue sessions and theatrical/ therapeutic role-play, Evil starts with a generously prolonged, people-free dolly shot through a forest, the camera pointed straight up at the sky as it’s broken up by branches passing overhead. With a higher-resolution camera and some fancy post work, the forest could be a formalist spectacle—tree limbs overlapping and dissolving, the lattices created in the process, etc. But visual high definition has never been one of Hamaguchi’s priorities, as his movies remain oddly […]
The Toronto International Film Festival is fully underway beginning today, and while the vibe will certainly be different without as many Hollywood stars on the red carpet — a number of films have qualified for SAG-AFTRA interim agreements while probably at least as many either were not able to or decided not to try — there’s as always a strong lineup of films to look forward to. Below, Filmmaker‘s editors have compiled a list of 20 films to watch out for, many of which ones that have premiered at other festivals along with several world premieres we are hearing particularly […]
Film at Lincoln Center announces exclusively via Filmmaker this year’s participants for both the Artists Academy and Critics Academy, which will take place during the 61st annual New York Film Festival. Led by filmmaker Stacey Marbrey, the 2023 Artists Academy will entail a three-day workshop that will feature insight from working filmmakers, industry professionals and Artist Academy alumni. Specifically, some of the 2023 Academy mentors are film executive and former president of IFC Films Arianna Bocco and Emmy Award-winning producer Liz Nord. Per a press release, this year’s Artists Academy will include “panels, case studies, roundtable discussions, and networking opportunities […]
Initially, Poor Things seems like it might be a Yorgos Lanthimos provocation about the value of provocation, a suspicion prompted when medical student Max McCandless (Ramy Youssef) first sees Bella Baxter (Emma Stone) and, awestruck, describes her as a “very pretty retard.” Given the film’s steampunk trappings, the 19th-century setting doesn’t offer “period verisimilitude” as a cover for vocabulary that feels suspiciously like a Red Scare shout-out. Bella is seen naked for the first time while unconscious; depending on how you want to take this visual language, the viewer could be aligned with a non-consensual gaze. Learning through transgression turns out to […]
The conclusion of Fantasia International Film Festival’s 27th edition brings the temptation to paint a “big picture overview” of the state of the film industry in general, in particular the genre community. The Montréal-based three-week event has never been about blinding star power (while Nicolas Cage was scheduled to be onhand to receive this year’s Cheval Noir Career Achievement Award, the actor had to cancel due to the ongoing SAG-AFTRA strikes), instead putting directors and audiences front and center. Like last year, a highly anticipated A24 horror release made an appearance just days before opening theatrically (last year Halina Reijn’s […]
Taking place from August 11-18, this year’s 29th edition of the Sarajevo Film Festival, the largest film fest in (and focused on) Southeast Europe, unsurprisingly presented a wealth of cinematic gems to choose from. (And in a variety of venues, from the storied National Theater, built during the Austro-Hungarian takeover, to the evening-only Open Air Cinemas.) That is, when one wasn’t scrambling to catch the numerous talks and masterclasses—taught by this year’s Honorary Heart of Sarajevo recipients/hot tickets Mark Cousins, Lynne Ramsay and Charlie Kaufman—or attending the equally busy CineLink Industry Days (which, like the festival itself, is smartly geared […]
Festivals have a baked-in tension between the works they’re meant to showcase—marginal relative to the marketplace, hence the (sometimes pejorative) descriptor “festival film”—and the sponsorships necessary for them to operate, the larger and more corporate the better. Cracks will inevitably emerge; thus, attending Locarno with his latest, The Old Oak, socialist Ken Loach spent part of his press conference dutifully denouncing sponsors UBS Bank, prompting two Swiss journalists sitting next to an attending friend to draw their breath sharply in protest: “UBS is an ethical bank.” Another tension is between the ideal of a “festival film”—work at the boundaries of what’s […]
Film at Lincoln Center announces today the Currents lineup for the 61st New York Film Festival, which will take place at FLC and select theaters across NYC from September 29 through October 15. Comprised of 11 features and 36 shorts, the 2023 Currents lineup—which serves to highlight “filmmakers and artists working at the vanguard of the medium”—will feature films from 23 countries and compliment the NYFF Main Slate. “The filmmakers in this year’s Currents lineup range from well-known veterans to prodigious newcomers, and the films encompass narrative, documentary, and experimental modes, sometimes recombined and redefined,” said Dennis Lim, Artistic Director, […]