Festivals & Events
Festivals & Events
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5 Questions for Indie Memphis’s New Executive Director Kimel Fryer
The 2022 edition of the Indie Memphis Film Festival kicks off this Wednesday, October 19, with a robust lineup that features buzzy festival titles, local gems and an exciting assortment of repertory programming. More specifically, the opening night film is Phil Bertelsen’s The Picture Taker, serving as the centerpiece selection is Indie Memphis alum Elegance Bratton’s The Inspection and closing out this year’s fest is Elvis Mitchell’s documentary Is That Black Enough For You??? Other program highlights are Alice Diop‘s recently-added Saint Omer, Nikyatu Jusu‘s Nanny (featured in our Fall 2022 Issue, along with fellow Indie Memphis selections Aftersun and […]
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DOC NYC Announces the Main Slate for Its 2022 Edition
DOC NYC, the largest documentary film festival in the U.S., has announced its main programming slate. The festival will run in-person from November 9-17 at the IFC Center, SVA Theatre and Cinépolis Chelsea. The festival will continue online through November 27 after the in-person portion concludes. The 2022 lineup features 101 feature-length documentaries, including 15 Short List titles that have yet to be announced. The thirteenth edition of the festival features more than 200 films in total—29 world premieres at 27 U.S. premieres among them —as well as several events, with filmmakers regularly in attendance. Many popular competition categories and […]
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SXSW Film & TV Festival Director Janet Pierson Becomes Director Emeritus, Claudette Godfrey Promoted to Director
Today, the South by Southwest (SXSW) Conference and Festivals announced that Janet Pierson, long-time VP, Director of the SXSW Film & TV Festival will shift to the role of Director Emeritus. Film Festival Programming Director Claudette Godfrey will now assume leadership of the SXSW Film & TV Festival. The 2022 edition of the SXSW Film & TV Festival marked Pierson’s 15th year as Festival Director. Her 45-year career has included various roles in the independent film landscape, notably as exhibitor, producer’s rep, executive producer and segment producer and segment director of IFC-Criterion’s Split Screen. According to a press release announcing […]
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Global Conversations: Camden International Film Festival and Points North Pitch 2022
Two long, anxious years of ever-shifting pandemic regulations, shutdowns and travel obstacles turned the expansive, buoyant and super-social Camden International Film Festival into a largely local and virtual affair. Though the festival—an essential annual magnet for the nonfiction film community—did a stellar job meeting the challenge, any Zoom subscriber knows the workarounds get wearying. There’s nothing like the real thing. No doubt that accounted for the “extra” vibe at this year’s gathering, the first full-fledged staging of the festival since 2019. As always, the 18th edition was situated in a cluster of picturesque towns in north coastal Maine: Camden, Rockland […]
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U.S. in Progress Wroclaw Announces 8 Selected 2022 Edition Projects
The American Film Festival in Wroclaw, Poland has announced the eight feature film projects selected for the 12th edition of the U.S. in Progress co-production forum, taking place November 9 – 11, 2022 at the festival. Invite-only work-in-progress screenings of American independent films in their final editing stages, curated from a record number of submissions, will be screened for European and Polish film professionals, festival programmers and buyers. Additionally, projects will compete for in-kind awards of post-production service pcckages. The selected projects are: Crooked Finger directed by Julia Halperin and Jason Cortlund, produced by Julia Halperin and Todd Remis Falling […]
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Sundance Institute Announces the 2022 Documentary Fund Grantees
Today, the nonprofit Sundance Institute announced the 35 projects that will receive a total of $1,396,500 in unrestricted grant support through this year’s Sundance Institute Documentary Fund. The grantees are in various stages of production: Five in development, 15 in production, 10 in post-production and 5 actively pursuing audience engagement and social impact campaigns. The Open Society Foundations, the John D. and Catherine T. MacArthur Foundation Gucci, the Kendeda Fund and Luminate came together to make this year’s grants possible. 2022 marks the 20th anniversary of the Documentary Film Program (DFP), and the grantees receiving funding this year prove how […]
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Crafting a Life as a Filmmaker: Ashley McKenzie on Queens of the Qing Dynasty
Queens of the Qing Dynasty, the second feature from Nova Scotia’s Ashley McKenzie, is a unique work of independently produced Canadian cinema. Both a stark about-face from the hardscrabble realism of her 2016 debut Werewolf—about a pair of strung-out young lovers living hand-to-mouth on the margins of Cape Breton—and a decisive break from the docufiction trends of art cinema at large, Queens is rigorously composed and austerely dramatized, an artful fable pitched somewhere between comedy and tragedy. Starring newcomer Sarah Walker as Star, a neurodivergent teen who develops a deep connection with her caregiver An (Ziyin Zheng, also making their […]
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14 Films (and Other Recommendations) at the 60th New York Film Festival
With the opening night of the 60th New York Film Festival upon us, Filmmaker would like to recommend 14 titles to catch during the 17-day engagement, which runs from September 30 through October 16 in-person at Film at Lincoln Center. Over the course of our previous festival coverage from this year—including Sundance, Cannes, Venice and TIFF—many of these films have been featured on our site in critical dispatches and reviews. Below, we share links and excerpts from these director interviews and festival dispatches, highlighting Jerzy Skolimowski’s Eo, Véréna Paravel and Lucien Castaing-Taylor’s De Humani Corporis Fabrica, Kelly Reichardt’s Showing Up […]
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NYFF 2022: White Noise
Can product placement ever transcend advertising? Pepsi’s vintage logo—a comically over-present staple of ’80s and ’90s commercial Hollywood filmmaking—is continuously conspicuous in Noah Baumbach’s adaptation of Don DeLillo’s White Noise. As a period marker, this makes sense: the novel was published in 1985 and the film’s production design places it in the early ’80s. Thematically, it’s obviously relevant: DeLillo’s first-person narrator, J.A.K. Gladney (Adam Driver), regularly has his thoughts interrupted by lines that simply list corporate names or interpolate overheard advertising chatter. DeLillo originally thought of naming the book Panasonic, writing to his editor that “The word ‘panasonic,’ split into its component […]
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Metrograph Tribute to the Brothers Young Recalls Heroic Era in Indie Filmmaking
Since the passing in January of Irwin Young, chief mensch at New York’s fabled DuArt Film Lab, there has been an outpouring of tributes and reminiscences, including a packed memorial at Lincoln Center in May. But no tribute has been more on point than “The Process: A Tribute to Robert and Irwin Young,” the Metrograph’s recent 24-film series dedicated to Irwin, the lab’s owner, and older brother, director Robert M. “Bob” Young, for the epic contributions they jointly made to the American indie film scene from the 1960s through the 1990s. For the big screen is precisely where the Young […]
