Directing
Filmmaking - Directing
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The Pact: Miguel Gomes on Cinema and Tabu
Part realism and part fantasy, half 35mm and half 16mm, part post-colonial and part colonial, half a swooning love story and half a clear-eyed political assessment, Miguel Gomes’s Tabu functions, as he puts it in this interview, within a structure of oppositions. Simultaneously a rebuke – and vindication – of the concept that “the personal is the political,” Tabu is a carefully constructed film in two halves, each of which comments upon the absences articulated in the other. We start in present-day Portugal, with Pilar (Teresa Madruga), a middle-aged woman who works for an unidentified lefty non-profit. Pilar is of […]
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50 States, 50 Gay Movies
The last half of my 20s and the first half of my 30s were spent in Los Angeles working in mainstream television (That 70s Show) and film (Jesus People). I never made much money, but I did get to live out my dreams of visiting Kathy Griffin’s house, serving crumpets to my favorite comedic actress, Lisa Kudrow, and brushing my leg up against my favorite dramatic actress, Holly Hunter. In the mid-90s, I took for granted the fact that gay characters were becoming well represented on television. After all, my favorite TV shows were thirtysomething and My So-Called Life and […]
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Five Questions with Aquí y Allá Director Antonio Méndez Esparza
Aquí y Allá (“Here and There”) is a film about home and separation; of returning to where you left and trying to reintegrate with a life that has, for all intents and purposes, gone on without you. Dreams and opportunities; responsibility and consequence; hope and fear–these are all central not only to the film, but to the day-to-day life of every human being around the world. As such, Aquí y Allá exceeds the admittedly weighty (and very touching) premise of Mexican emigration to the U.S.–and all the tensions and the void that can come of it–to strike a relatable chord regardless of […]
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Baltasar Kormákur on The Deep
Since making his transition from actor to writer/director in 2000 with the raucous comedy 101 Reykjavik, Baltasar Kormákur has rapidly established himself as one of the most gifted and versatile European filmmakers. The Icelandic multi-hyphenate has moved with seeming ease from grand family dramas (The Sea) to gritty police procedurals (Jar City) and poignant comedies (White Night Wedding), while also turning out English-language indie thrillers such as 2005’s A Little Trip to Heaven (starring Forest Whitaker, Julia Stiles and Jeremy Renner) and the 2010’s Inhale, with Diane Kruger, Dermot Mulroney and Sam Shepard. Though Kormákur had arguably the biggest film of his career this year with Contraband – the Mark […]
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Five Questions with The Bad Intentions Director Rosario Garcia-Montero
Cayetana de los Heros, the eight-year-old protagonist of The Bad Intentions, is precociously preoccupied with death. She idolizes her nation’s independence heroes, imagining the many exotic ways in which they have been executed for their valor. “Massacre, massacre,” she whispers into the ears of her sleeping cousin. Beautifully shot in steely gray and blue hues that look cold to the touch, The Bad Intentions moves away from the conventional pastel-hued whimsy often used to depict childhood. Death — the fear and the fact of it — quietly pervades the entire film. Cayetana’s divorced parents mean well but have too many […]
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Amy Berg on West of Memphis
Amy Berg’s West of Memphis lays out an overwhelmingly strong case for the innocence of the men known as the West Memphis Three. Charged with the 1993 killings of three boys in Arkansas, Jason Baldwin, Damien Echols and Jessie Misskelley Jr. each spent 18 years in prison. Baldwin, Echols and Misskelley were released in August 2011, but they were forced, under an arcane statute, to accept responsibility for the murders. Now in their mid- and late 30s, Baldwin, Echols and Misskelley are technically still culpable, but Berg’s rigorous, science-based inquiry, should dispel any lingering notion that they were involved in […]
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Made in Bolivia, Short-listed for the Oscars: The Story Behind Salar
We had just lost all of our locations in one fell swoop the day before, and I was walking along the train tracks that cut through the sun-baked adobe village of Chita, pretending to measure the light, but really just trying to re-convince myself that coming all the way to Bolivia to make a short film was a good idea. Since arriving, we had somehow eased our lenses through airport customs, protected our camera from torrential rain and endless sun, teamed up with a film school, and learned to love rice and potatoes with every meal. But that was before […]
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Second-Time Director: Tze Chun and Cold Comes the Night
At Filmmaker we continuously cover the struggles of first-time directors to make their debut pictures. But the second film comes with its own set of unique challenges, issues that will be explored in this five-part series by Kishori Rajan. Below is the first installment, chronicling Filmmaker 25 New Face Tze Chun’s move from the microbudget character drama Children of Invention to a thriller with stars like Bryan Cranston. Look for further articles in the weeks ahead. — SM The late producer Laura Ziskin once remarked that movies “aren’t made, but forced into existence,” an expression never more apt than when […]
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Director John Henry Summerour on Sahkanaga
The following Q&A is an excerpt from a conversation between filmmaker John Henry Summerour and John DeVore, a writer for The Pulse, Chattanooga’s weekly alternative. (DeVore’s Pulse feature on Summerour can be found here.) Summerour discusses the importance of his personal relationship with the South in making his newest film Sahkanaga (“Great Blue Hills of God” in Cherokee), which is inspired by the Tri-State Crematory scandal. In 2002, it was discovered that over 300 bodies that had been committed to the crematory in Georgia for proper disposal were never cremated and instead buried or left in a shed and the […]
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Five Questions with Drivers Wanted Director Joshua Z Weinstein
New York City’s taxi drivers are as ubiquitous as they are invisible. In his new documentary Drivers Wanted, Joshua Z Weinstein takes the passenger seat — often literally — and trains his camera on the men at the wheel, as well as the gristly mechanics and staff who work behind the scenes at a Queens-based taxi company. Though this may be a niche community, larger economic forces are clearly at play: many of the drivers are bankrupt, broke, or struggling to support their families. From the bustle of the garage, full of camaraderie and occasional conflict, emerge several key characters […]
