Distribution
Filmmaking - Distribution
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The Berneys Return to Distribution with the Revived Picturehouse and a Netflix Deal
Distribution veterans Bob and Jeanne Berney are returning to the business of releasing movies with Picturehouse, reviving the distribution brand Bob Berney headed in the mid-’00s. Reports Michael Ciepley in the New York Times, the Berneys, along with a group of investors, have bought the Picturehouse name and logo from Warner Bros. and have signed a deal with Netflix, which will release the company’s films following their theatrical release. A first picture is already lined up: “a 3D action movie,” Metallica Through the Never, starring the band. From the New York Times: On Tuesday, Mr. Berney said he is seeking […]
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Will Data Caps Kill Indie Film?
Do you watch movies downloaded via the Internet to your laptop, tablet, smartphone or even TV set? If so, have you received a love letter from your Internet Service Provider (ISP) informing you to either go on a digital data diet or plan to pay more to suck down more streaming 1s and 0s? If not, it will arrive shortly. The leading ISPs are changing the usage and pricing models they have long used, shifting the industry from one with “unlimited” plans to “limited” deals. The effort to impose data caps – sometimes called data throttling – may have significant, […]
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Immersive Storytelling for The Lost Children Pt. 2
Part 1 of this series laid out the overall plan for The Lost Children Premier event at Film Society of Lincoln Center in January 2013. In this post, I’m going to focus on some thinking behind the live immersive portion of the event. As I’ve been working on this, I’ve been thinking a lot about this term “immersive.” Any great piece of art can be immersive. Any time you get sucked into an amazing movie to the point that you forget you’re actually watching a movie, that is immersive. I remember having that experience with No Country for Old Men. But here, I’m […]
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Immersive Storytelling for The Lost Children
My feature film The Lost Children will have its New York City premiere with the Film Society of Lincoln Center in January, 2013. The premiere will not be a film screening alone. It is presented by Convergence: Film Society of Lincoln Center, which is an arm of the FSLC devoted to immersive and transmedia storytelling. Like many organizations in New York City, FSLC is reaching out and exploring new storytelling methods. The 50th anniversary of the NYFF included its first ever series of panels on transmedia. This year, the Tribeca FF is accepting basically any type of project. And the […]
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Top 10 Things Learned in the IFP PMD Lab
I have had the good fortune to be involved in IFP’s Independent Filmmaker Labs for the past several years now and, during that time, I have seen innumerable benefits to the films and filmmakers who participate. The Labs provide an opportunity for first-time filmmakers to not only receive feedback on their films from their peers and experienced filmmakers, but it is also the first lab to prepare filmmakers for the essential work of distribution and marketing. This year we launched the IFP PMD Lab (Producer of Marketing and Distribution), the first of its kind. The PMD Lab worked in conjunction with the Filmmaker Labs, […]
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IFP Distribution Lab Recap: The Final Frontier
It had been two days since the last day of the IFP Distribution Lab – ending the yearlong 2012 IFP Fellowship for 10 documentaries and 10 narrative films from first-time directors. With two days left in New York, I found myself sitting in a small theater in Brooklyn looking nervously at the backs of heads. A small handful of people had cruised over on this rainy Sunday for a test screening of my first feature documentary, Brave New Wild. Every time a punchline went unheeded, I swigged a Dixie cup full of cheap red wine. It’s very scary to show […]
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Ed Burns, New Era Distribution Pioneer
If you had asked me in the early days of Filmmaker which director would go on to be the one creating a micro-budget, self-sustaining business model, I’m not sure I would have answered “Ed Burns.” His The Brothers McMullen was realized for pennies and broke through the mainstream with Fox Searchlight at its back, and from that point on, Burns seemed to be set for the mainstream studio world. He acted in Saving Private Ryan, married supermodel Christy Turlington, and embarked on a follow-up feature starring Cameron Diaz. But here we are, nearly two decades later, and Burns is not […]
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Internet Alternatives
The major telecommunications companies, led by AT&T and Verizon, are consolidating their control over the Internet. These companies are working closely with the American Legislative Exchange Council (ALEC) to further control the telecom market. Together, the giant telephone and cable companies are reducing the number of Internet Service Providers (ISPs), privatizing the nation’s telecom infrastructure (i.e., the Public Switched Telephone Network or PSTN), pushing new “data caps” limitations to raise rates and moving aggressively to end net neutrality. And they are succeeding. In the face of this campaign to reduce industry competition and customer choice, efforts are underway throughout the […]
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“Blacklists,” Caveh Zahedi and Thom Powers
As one of the three journalists contacted by documentary film programmer Thom Powers last Spring about Caveh Zahedi’s The Sheik and I, I wanted to weigh in on the controversy that erupted this week following Zahedi’s accusation that Powers has “blacklisted” his picture, which opens today from Factory 25. After watching Zahedi’s YouTube video and then reading Powers’ response, I decided to talk to both men to explore the situation in more detail. Then, in the midst of writing this, I noticed Eric Kohn’s post at Indiewire this morning, which exhaustively discusses the film, the timeline of Powers and Zahedi’s […]
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The Neverending Story of Self-Distributing The Upsetter
Indefatigable in their desire to find larger and larger audiences for their film, Adam Bhala Lough (Bomb the System, Weapons) and and his co-director Ethan Higbee have been self-distributing The Upsetter: The Life & Music of Lee “Scratch” Perry for what feels like an eternity. The film had its world premiere at SXSW in 2008 and bounced around the festival circuit for the next year and a half, picking up Benicio Del Toro as an executive producer and narrator along the way, while winning generally positive notices in most of its stops. When Lough (one of 2003’s “25 New Faces of Independent […]
