Distribution
Filmmaking - Distribution
-
Dennis Dortch on the Secrets of Web Success
Dennis Dortch is the director of the Sundance film A Good Day to Be Black & Sexy, available to watch on Netflix now. He also has created a veritable empire on YouTube with his channel Black & Sexy TV consisting of two successful web series, The Couple and The Number, and two more on the way. He and his team are currently crowdfunding a film based on The Couple. In this interview he talks about the difference between creating a film and creating content for the Web, how to juggle multiple web series at a time and how to keep […]
-
Another Web is Possible
Most mobile and wireline users rely on a commercial Internet Service Provider (ISP) to access the web. Such ISPs include big dogs like AT&T and Verizon, Time Warner and Comcast, as well as small fries like Earthlink and Juno. However, there is a second class of ISP that is little discussed: nonprofit ISP. Nonprofit ISPs involve two different types of providers – municipal or community networks and nonprofit corporations. In 2001, there were only 16 government-run networks in nine states. Today, there are an estimated 150 communities around the country with their own publicly-owned broadband networks. In the face of […]
-
5 Things to Know Before Submitting to The Tribeca Film Festival
Here’s Tribeca Film Festival Director of Programming Genna Terranova on her way to work while imparting some useful info about submitting to the 2013 edition. Early deadline, believe it or not, is October 19.
-
The Screen Matters
The way we watch TV shows is changing. Whether one is watching a movie or other program over a TV set, a PC or a mobile device, the size of the display screen matters in terms of a viewer’s appreciation of a show. A recent study by two ad service firms, YuMe and IPG Media Lab (IPG Mediabrands), analyzes consumer viewing experiences, comparing four TV screens – traditional TV, online TV, a PC and a smartphone. As it reports, “while the size of the video screen did drive more excitement, variables such as ad clutter, creative content, and context had […]
-
An Independent Filmmaker Confronts Piracy
Producer Matt Compton says he knew the feature he produced — a “thinking man’s horror film,” Midnight Son, directed by Scott Leberecht — would eventually be pirated. “I always knew the film would end up on the torrent sites,” he writes in an email, “and that there would be nothing I could do about it. If the major studios can’t stop piracy, surely an indie producer such as myself can do nothing.” But he wasn’t prepared for his film to show up three weeks before the film was commercially available, when whatever word-of-mouth to be gained by the filesharing couldn’t […]
-
Wong Fu Productions on Why Filmmakers Should Embrace YouTube
Our friends at the National Film Society sent over this video interview with the filmmakers who go by the name of Wong Fu Productions. If you don’t know them, what’s wrong with you? They have 1.2 million subscribers and over 190 million views. Here, they give us tips on audience building and navigating the waters of the video sharing giant.
-
Movie Business Shrinking
A curious occurrence took place in the wake of the Aurora, CO, mass killing on the opening night screening of the latest Batman release, The Dark Knight Rises. Revenue from opening weekend ticket sales was $211.8 million, slightly less than the $222.2 million for The Dark Knight. This was the highest box office gross for a conventional 2D movie for 2012. While the large turnout for the movie can be linked to a response to the shootings as much as the appeal of the movie, the numbers hide a darker truth. The movie business is shrinking. Ticket sales and DVD […]
-
Mission Accomplished: Lorrel Manning and Michael Cuomo on Happy New Year
I first met writer/director K. Lorrel Manning and actor/producer Michael Cuomo at the Santa Fe Independent Film Festival, where we found ourselves the fish-out-of-water New Yorkers in a sea full of Southwest cinephiles. Their SXSW 2011 (sold out) hit Happy New Year is grounded in star Cuomo’s nuanced portrayal of a fictional outsider named Cole Lewis, a sergeant who served in the Iraq and Afghanistan wars and now finds himself battling demons both mental and physical in the psych ward of a veterans hospital. I spoke with the two about their veterans outreach effort, Indiegogo versus Kickstarter, and the best […]
-
Prescreen Suspends Operations
Prescreen, the independent film discovery and distribution platform, has suspended operations, reports Rip Empson for Techcrunch. Beginning as a kind of film-of-the-day online distributor and developing into a marketing and discovery platform integrated with Facebook Open Graph, Prescreen both rented films and offered audience data to filmmakers developing their marketing plans. In his piece, Empson talked with Prescreen founder Shawn Bercuson: While Prescreen saw interest both from users and filmmakers (and the co-founder added that some of its investors were willing to re-up), timing is crucial. The space is hot, and Bercuson believes that it’s inevitable that a platform like […]
-
Gary Hustwit’s 10 Web Tips For Doc Filmmakers
I dropped in on the IFP Documentary Labs a couple of times, and one of the highlights for me was the “Web Tools for Documentary” workshop run by guest speaker Gary Hustwit, a filmmaker who used the web to great effect in the production and self-distribution of his “Design trilogy” of Helvetica, Objectified and Urbanized. Hustwit, who worked in publishing and distribution before he moved behind the camera, really knows this stuff inside out – and considers his engagement with the web an integral part of what he does now. “I think of all this stuff as filmmaking – […]
