The on-stage pitch has become a staple of documentary film forums, like IDFA and CPH:DOX, and pitch panels long ago snuck into events like IFP’s Screen Forward Conference (previously the Filmmaker Conference). But the on-stage pitching of web series is something relatively new at these more film-oriented events. Befitting the IFP’s conference name change, three filmmakers storytellers took the stage Sunday at noon at the Bruno Walter Auditorium to impress a panel of web content professionals with their ideas of episodic tales to be streamed online. But given the Wild West nature of web series, where buyers, monetization strategies and […]
With just a few hours notice, Michael Moore threw an impromptu party for his fans at the Toronto International Film Festival this week. Announced on Facebook, an afternoon People’s Party welcomed the first 100 folks who lined up outside a Mexican restaurant down the street from the TIFF Bell Lightbox. Also getting in were the first 100 ticket holders from the premiere of his latest doc, Where To Invade Next. The film’s a road trip that spotlights economic and political policies in other countries that Moore feels America should have. For instance: Italy, where workers get 35 days annual paid […]
[This is the first of two guest blog posts from Michael Curtis Johnson, who will be participating in Independent Film Week with his feature Hunky Dory.] Los Angeles. Sunrise. Goodbye kisses. This will be the longest I’ve been away from my wife and two daughters since they were born. I’m catching a flight to New York for the second phase of IFP’s Narrative Filmmaker Labs and Independent Film Week with my first feature film Hunky Dory, a drama about a glam rock dilettante and his eleven-year-old son. IFP’s Filmmaker Labs are a year-long mentorship program that helps first-time directors and their teams […]
Soon-Mi Yoo’s Songs From the North joins a small group of recent films that attempt to understand North Korea despite a lack of readily available resources. (The Interview will not be mentioned except just this once, because c’mon.) Jim Finn’s The Juche Idea combines real North Korean footage with CCTV-level, rigorously stilted fake propaganda and musical numbers of the director’s own puckish division, attempting to define something about the nation by producing materials ostensibly following the titular gibberish ideology; Mads Brügger’s annoying and unlightening The Red Chapel sends the Danish provocateur to the DPRK along with comedians to find out What’s Really Happening, mostly by […]
According to the FBI’s former most wanted man (after Osama Bin Laden), Jimmy “Whitey” Bulger, notorious head of South Boston’s Irish-American Winter Hill Boys, ratting was the most heinous of offenses. Never mind that Jimmy (Johnny Depp) was a heartless killer and gangland powermonger: He considered loyalty a sacred bond. He did, however, define and redefine treachery to suit his own survival. He drew a distinction between his interpretations of informing — a business move in which he keeps the feds abreast of illegal actions in exchange for taking down the ruling North End Italian mob (whom he charmingly refers to […]
When Brad Barber and Scott Christopherson launched a Kickstarter in February to finish their documentary Peace Officer, I felt that they were on to something. The film is the first documentary since the deaths of Michael Brown and Eric Garner to deal with the growing militarization of the police in the United States, and it could not be more timely. The film follows William “Dub” Lawrence, the retired sheriff of Davis County, Utah — the sparse suburbs just north of Salt Lake City — who, in an attempt to protect citizens against high-risk situations like terrorists or hostage takers, created the county’s SWAT team […]
In order to make the submission deadline for the Toronto International Film Festival, writer/director Joe Begos and producer/editor Josh Ethier had a locked cut of The Mind’s Eye seven weeks into the editing; the effort paid off as the psychokinetic thriller is getting a World Premiere as part of Midnight Madness programme. The cinematic tale features Zack Connors (Graham Skipper) attempting to use his special abilities to prevent the mysterious Dr. Slovak from descending into a psychic rage. “Joe is a visual director who shoots and operates on his own films,” explains Ethier, who has collaborated with Begos ever since […]
The LG34UC87, an ultra-wide monitor, is designed with the needs of editors and gamers specifically in mind. At 34 inches, the curved display eliminates the need to set up two side-by-side monitors, reducing your workflow to one manageable screen that appears in 3440x1440p resolution. The IPS display gives you over 99% of the space of sRGB in over twice the space available on a 16:9 full HD resolution display. With a wide screen, the need to move from one open program to another is eliminated, and you can complete your video without the need for any additional rendering, making the […]
Today teenagers interested in the world of special effects are a few tutorials and some affordable software away from getting their feet wet. In 1977, the requirements were a bit more elaborate. It involved woodshop, sheets of styrene, and maybe a few surreptitious pictures taken at a screening of Star Wars. That’s how a teenaged Bill George got his start – making models from scratch dedicated to George Lucas’s space opera. Four years later, George was working on the crew of Return of the Jedi. Now in his 33rd year at Industrial Light & Magic, George has been a part […]
A world premiere in the Vanguard section at TIFF, Harrison Atkins’ Lace Crater traffics at the intersection of supernatural horror and that lo-fi millennial genre proliferated by its producer, Joe Swanberg. During a weekend trip to the Hamptons with friends, Ruth (Lindsay Burdge) has an unexpected dalliance with a burlap wrapped ghost, resulting in a strange STI that no doctor can diagnose. Ahead of Lace Crater‘s TIFF premiere tonight, Filmmaker spoke to Atkins about his interest in sci-fi tinged love stories, and his collaboration with Swanberg. Filmmaker: The geography of the house in the Hamptons is central to establishing the dynamics between your characters. Did you write […]