I am a New Orleans based writer-director who is putting together a follow-up feature to my film Laundry Day. In 2021 I attached executive producer Corky Kessler and raised money to attend Sundance for the first time (I know, I… Read more
Color Congress, “the newly formed documentary intermediary organization,” announced today $1.35 million in two-year unrestricted grants to small-budgeted majority people of color and POC-led doc organizations across the U.S. The 17 grantees, selected from a pool of 120 applying organizations,… Read more
Twenty nonfiction feature projects have been awarded grants totaling $600,000 by the Sundance Institute’s Documentary Film Program in its latest funding round. The grants target projects in all phases of filmmaking, from development to distribution and impact. Disability, feminist history,… Read more
SFFILM, in partnership with the Kenneth Rainin Foundation, announced today the 20 projects that will receive SFILM Rainin Grants totaling $490,000. The grants will support the makers’ screenwriting and development activities, with these grants remaining among the very few that… Read more
The Sundance Institute announced today the 22 projects from filmmakers all over the world that will receive funding from its Documentary Fund. Filmmakers from 19 countries with projects in all stages of production will receive unrestricted grant support totaling $525,000. “At Sundance Institute, we know that these unprecedented times demand creative and nimble support,” said Documentary Film Program interim Director, Kristin Feeley, and Documentary Film Fund Director, Hajnal Molnar-Szakacs in a press release. “We’re fortunate to have a collaborative and strong network of partners that allow us to ensure material support for these filmmakers as they develop bold new work, […]
The New York State film tax credit was reduced from 30% to 25% and qualification requirements made tougher in budget legislation signed last week by Governor Andrew Cuomo. Alarmingly for filmmakers shooting low-budget in New York City, new rules make pictures budgeted in the six figures ineligible for any New York tax credit at all. Projects that shoot a majority of their days in the five boroughs of New York City, Westchester, Rockland, Nassau, or Suffolk counties will be subject to a new minimum spend requirement of $1 million, and projects that shoot the majority of their days in any […]
The following article, filmmaker and author Matt Szymanowski points out, is not strictly an article about making a proof-of-concept short or getting representation. He says that if you only want to know about those subjects you can read these informative articles here and here, and here, and here. (There’s also an article on the subject here at Filmmaker.) Instead, Szymanowski, who has covered his filmmaking process several times in these pages, has written an article about how he made his own proof-of-concept short, how it helped him land legal representation, and how it has led to conversations with literary managers and agents. […]
If there’s one basic, all-encompassing piece of advice to take away from the IFP Week 2019 panel “Where Do We Go From Here?” concerning those crippling migraines known as tax incentives it’s this: Talk to someone. Even if you’re that rare filmmaker with a head for business, tax incentives (and grants, and rebates) can be mind-foggingly complicated. “Talk to someone” and variations on it are uttered again and again by the three panelists and their moderator, John Hadity, an industry veteran who knows as much about the subject as they do. “All the programs, they sound familiar,” Hadity said. “But […]
Wavelength Productions, the 90% female-helmed production company whose credits include the 2019 Sundance titles Knock the House Down, Where’s My Roy Cohn and Selah and the Spades, announced today the WAVE grant “dedicated to supporting women of color in telling their own ‘great f**king story.’” The grant, which is accompanied by 40 hours of professional mentorship by the Wavelength team, will award $5,000 to a first-time female filmmaker of color to support her very first documentary or narrative film, which should run between six and 20 minutes. “At Wavelength Productions, we know that women have the power to not just […]
Flies Collective, the Brooklyn-based production company and micro-budget funding body led by principals Daniel Patrick Carbone, Matthew Petock and Zach Shedd, announced today the four films that will receive a total of nearly $20,000 in fiscal support via the group’s annual film grant. The films are Sarah Friedland’s Familiar Touch, Max Walker-Silverman’s Chuj Boys of Summer, Brittany Shyne’s Seeds, and Sophia Feuer’s Space Lady. Said the Flies Collective team in a joint statement, “The whole idea behind the grant was that we wanted to offer no-strings-attached support to projects that don’t typically fall within the parameters of traditional grants. This […]