At a DOC NYC panel titled “Out of the Box Funding,” moderator Julia Labassiere (Chief Executive of BAFTA NY) defined the prhase as “anything besides getting a commission (for example, from HBO or National Geographic, etc.).” Marilyn Ness, producer of Cameraperson and Trapped, started the panel off by noting that there are no shortcuts to obtaining so-called “out of the box” money: “It’s a lot of work.” Here are ten tips for how to successfully bring in this type of funding. First Money: Friends, Family and Affinity Groups When you begin a new film, you have to figure out your […]

You’re a filmmaker. You’ve made one or two films, maybe even more. Or maybe you’re working on your first one and trying to figure out how to build a sustainable career. For now, you’re struggling: struggling to make ends meet, to find work that utilizes your skills, to keep your head above water while also finding the time, the energy, and the resources to work on your next project. If this sounds like you, welcome to the club. You’re not alone. Producer and director Esther Robinson led a panel discussion at DOC NYC about how to sustain yourself financially, while […]

In early 2015, Kino Lorber mounted a successful crowd-funding campaign for Pioneers of African-American Cinema. The campaign raised over $53,000, far surpassing its original $35,000 goal. Now Kino Lorber is hoping to repeat that success with its new Kickstarter campaign for their upcoming release Pioneers: First Women Filmmakers. So far, they’ve raised more than $20,000 towards the $44,000 goal. “You wouldn’t know it looking back at the last 90 years of film history, but at one time, it was not uncommon to have women behind the camera in Hollywood,” says writer-director Ileana Douglas in the campaign video (above). Presented in association with the […]

As Hollywood is rightfully called out on its underemployment of women, virtual reality companies like Mechanical Dreams Virtual Reality (MDVR) are actively courting underrepresented voices. The Seattle-based virtual reality content company housed by the University of Washington and the start-up incubator CoMotion is producing six innovative 360 films, five of them directed by women. The company’s first production, Tracy Rector’s Ch’aak’ S’aagi (Eagle Bone), one of the first VR pieces ever by a Native American filmmaker, was recently selected as one of five VR projects to screen at TIFF as part of its inaugural POP VR section at the festival. MDVR is currently raising money on […]

Chicken & Egg Pictures will begin accepting submissions for the Accelerator Lab for first and second-time women nonfiction filmmakers on October 11. This program brings together ten projects helmed by first or second-time directors, with a special focus on underrepresented voices. “Completing and launching a documentary takes grit, nerve, and creativity; it also takes money, connections, and time. We offer women directors the tools to realize the full potential of their projects, both as works of art and as catalysts for change,” writes Chicken & Egg Pictures on its web site. Each participant will receive a two-part grant for the production […]

The Wexner Center in Columbus, Ohio has announced its 2016-17 Wexner Center Artist Residency Award recipients in performing arts and film/video. The recipients are Faye Driscoll (Performing Arts), John Canemaker (Film/Video), Kevin Jerome Everson (Film/Video), and Sam Green and Kronos Quartet (Film/Video). Selected by the center’s curators and director to fulfill the center’s role as a creative research laboratory for artists, the residency awards provide significant sums of money (from $25,000 to $100,000) and space — along with technical, intellectual and professional support — to develop new works on-site. Kelly Reichardt was the recipient of last year’s residency award, which she used […]

Producers Dan Schoenbrun and Vanessa McDonnell have launched a Kickstarter campaign for The Eyeslicer, a new variety series by and for indie filmmakers. Among the filmmakers set to contribute are David Lowery, the Zellner Brothers, Lev Kalman & Whitney Horn, Yen Tan, Calvin Reeder, Shaka King, Ornana, John Wilson, Jennifer Reeder, Leah Shore, Colin Healey, Lauren Wolkstein, and Chris Radcliffe The campaign is aiming to raise $28,000 to fund season one and if all goes smoothly, the 10-episode, 10-hour first season will launch in January. Schoenbrun (a contributor to Filmmaker) and McDonnell recently collaborated to create collective : unconscious, an anthology feature film where they […]

For the second year in a row, Adobe Project 1324 and Sundance Institute are teaming up for a short film challenge to find bold new voices in the next generation of filmmakers. If you’re a filmmaker between the ages of 18 and 24, you can create and submit an original one to eight minute film exploring the theme “What’s Next?” “We encourage you to respond as broadly or specifically to the prompt as possible,” advises the Adobe Project 1324 web site. According to the Sundance Institute, films will be evaluated for technical excellence, demonstration of an original voice, innovative storytelling and strong […]

Last month, The Redford Center announced the launch of Redford Center Grants, a grant program aimed at supporting the production of films that seek to raise global awareness of environmental issues. Funded by The New York Community Trust, The Redford Center Grants program will support filmmakers with feature-length projects that are in early stages of development and that are focused on driving awareness, education and action on environmental topics. Though there is no specification that the films must be non-fiction, on the list of Films We Love, The Redford Center highlights documentaries such as Super Size Me, Gasland, Virunga, The Cove, and […]

At Filmmaker we have covered Section 181, the United States’ film tax credit incentive, quite extensively, but this article by entertainment attorney Daniel J. Coplan, Esq. is both a great overview of how the incentive actually works for individual investors as well as an explanation of one underknown element. The latter concerns the ability of some investors to deduct against ordinary income, not passive income. In short, if you’re raising private equity for a U.S. film this year, read on. (This piece was originally published on LinkedIn and is reprinted with permission.) The purpose of this short article is to […]