Filmmaking
Filmmaking
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Filmmaker Recommends 13 Films to Stream for Halloween
With “Halloweekend” upon us, Filmmaker recommends 13 horror films perfectly catered to the season. As the site’s newly-minted Web Editor, I wanted to infuse the list with long-time personal favorites of my own and recent genre standouts. It also felt important to highlight our existing coverage of these films/filmmakers, while also ensuring that each title is readily available to stream for all those who’re interested in checking them out. Due to these self-imposed restrictions, a number of horror highlights (at least in this writer’s opinion) were regretfully omitted in the end: Álex de la Iglesia’s Day of the Beast (1999), […]
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“We Used Almost Every Lens Set They Had in Their Inventory”: Cinematographer James Kniest on The Midnight Club
If you’ve begun watching The Midnight Club on Netflix, you may have noticed the tag “Part of the Flanaverse” affixed to the new series. Though the individual entries in said universe aren’t particularly interconnected, the sheer breadth of writer/director Mike Flanagan’s output for the streamer certainly justifies the “Flanaverse” moniker. The Midnight Club marks Flanagan’s fourth Netflix series, in addition to the four Flanagan-directed movies currently residing on the platform. Based on the young adult novel by Christopher Pike, Flanagan’s newest show follows a group of terminally ill teens at a remote cliffside hospice facility who meet in secret each […]
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Watch: Rachel Gordon and James-Michael Boyer Explain Documentary Educational Distribution
Rachel Gordon, author of the recently published and recommended The Documentary Distribution Toolkit: How to Get Out, Get Seen, and Get an Audience and James Boyer, director of operations at distributor Collective Eye Films, join D-Word founder Doug Block for this useful conversation about documentary distribution and all of its related subjects. In the talk, Boyer talks about things like needed deliverables, how his company makes acquisitions and the role of festivals in launching films, and Gordon talks about the realities of self-distribution, grassroots marketing techniques, and identifying and interacting with educational instructors who may be able to place films […]
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Trailer Watch: Justin Benson and Aaron Moorhead’s Something in the Dirt
After premiering at Sundance earlier this year, Justin Benson and Aaron Moorhead‘s Something in the Dirt now has a trailer ahead of its theatrical release. It’s the fifth feature from the filmmaking duo, who previously helmed Resolution (2012), Spring (2014), The Endless (2017) and Synchronic (2019). Like much of their filmography, Something in the Dirt features a strong sci-fi slant, this time focusing on a man named Levi (Benson) who moves into a shady no-lease apartment in the Hollywood Hills. He quickly befriends his neighbor John (Moorhead), and the two begin investigating a seemingly paranormal presence that has manifested in […]
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Guest Post: Thomas Kim On Raising Funds for His First Feature, Isle Child Via WeFunder
You have a killer idea. A great script. Actors or producers that love it. You get it budgeted… then get realistic and drop that number down to something more reasonable. You open an LLC, a bank account, and now you own 100% of nothing but a great idea. If you have representation, you send out your materials to potential financiers in hopes that just one of them tells you an astounding, “Yes!”. But as an emerging feature filmmaker, the odds are not in your favor, especially in an industry that’s relying more and more on pre-vetted IP, in-house development and […]
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Field Trip
Technically, Sara Velas is not an educator, nor does she work for a film school. She doesn’t fret about curricula, teaching styles or shifts in filmmaking technology. Instead, she operates the wondrous Velaslavasay Panorama in the West Adams area of Los Angeles, where, semester after semester, I take groups of students on a field trip to experience old-school immersive media and think about ways in which media forms shift and change over time. Ninety feet in circumference, Shengjing Panorama—the panorama currently on view—features a painting of the Chinese city of Shenyang between the years of 1910 and 1930. Created in […]
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25 New Faces of Film 2022
Click here to read this year’s edition of the 25 New Faces of Film.
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Trailer Watch: Jerzy Skolimowski’s Eo
Watch the trailer for 84-year-old Polish auteur Jerzy Skolimowski’s Eo, the director’s first film in seven years. The titular donkey is originally part of a traveling circus troupe (under the loving care of a young woman named Kasandra) before he’s shuttled off to a string of different owners. These subsequent caretakers oscillate between cruelty and tenderness, randomly determining the sweet donkey’s quality of life. Greatly influenced by Robert Bresson’s 1966 film Au Hasard Balthazar, Eo premiered at Cannes earlier this year, where it tied for the Jury Prize with Felix van Groeningen and Charlotte Vandermeersch’s The Eight Mountains. In his […]
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Anxiety of the Outspoken: Director Kathryn Ferguson and the Example of Sinéad O’Connor
It would be nearly impossible to name another musical performer deserving of a deep dive into her formative years than Sinéad O’Connor. Every step of her life — shuffled between an array of parochial schools, a childhood subject to her mother’s chaotic transference of her own abusive childhood onto her daughter — would in retrospect seem to have been an accretive stage in O’Connor’s becoming. A popular culture firebrand, demonized, her message mischaracterized to the point of parody, met with a withering disdain in the highest corners of western media, O’Connor’s own words have always spoken for themselves. Her message […]
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Metrograph Tribute to the Brothers Young Recalls Heroic Era in Indie Filmmaking
Since the passing in January of Irwin Young, chief mensch at New York’s fabled DuArt Film Lab, there has been an outpouring of tributes and reminiscences, including a packed memorial at Lincoln Center in May. But no tribute has been more on point than “The Process: A Tribute to Robert and Irwin Young,” the Metrograph’s recent 24-film series dedicated to Irwin, the lab’s owner, and older brother, director Robert M. “Bob” Young, for the epic contributions they jointly made to the American indie film scene from the 1960s through the 1990s. For the big screen is precisely where the Young […]
