Filmmaking
Filmmaking
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Bruce Sinofsky, 1956 – 2015
Documentary director Bruce Sinofsky, whose Paradise Lost Trilogy collaborations with Joe Berlinger caused the release of the wrongly-convicted West Memphis Three, died this morning of complications from diabetes. Sinofsky’s passing was reported by Berlinger on Twitter. Sinofsky and Berlinger were nominated for an Academy Award in 2011 for the final film in the Paradise Lost trilogy, Paradise Lost 3: Purgatory — the culmination of a filmic and legal odyssey that began in 1996 with Paradise Lost: The Child Murders of Robin Hood Hills. In a 2011 Filmmaker interview, Sinofsky remembers the series beginning: When we went down to Arkansas, for […]
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“I Had to Be Initiated, Shave My Head, Be Frightened”: Teboho Edkins’ Gangster Project at transmediale 2015
Since 1988 transmediale has been one of Europe’s premiere events for showcasing transmedia and technology for art and narrative and nonfiction storytelling. Director Kristoffer Gansing (who spoke with Filmmaker last year) and his team continue to assemble cutting-edge films, installations, performances, workshops, and other events, turning the House of World Cultures in Berlin into a hub for all things new media. It ran from January 28 through February 1, and I spoke with a number of artists who presented video-based pieces at the festival. Teboho Edkins (on the right, above) is an American-born filmmaker who grew up in Lesotho, South Africa, Germany, and France. His work blends […]
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Andrew S. Allen and Jason Sondhi on the Relaunch of Short of the Week
“A new way to watch films” is what the venerable platform for short films, Short of the Week, promises in its freshly relaunched edition, online now. Founders Andrew S. Allen and Jason Sondhi have done a top-to-bottom redesign — a clean look that also makes both searching and streaming easier. Indeed, the new Short of the Week acknowledges that a viewer today is as likely to watch a short on a large phone or streamed through a device like Chromecast to a television as on a laptop window. Filmmaker readers should recognize both Allen and Sondhi’s names as the two […]
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Shooting Romance in NYC with the iPhone 6
Here’s a nifty behind-the-scenes featurette on the iPhone 6 shooting of Tristan Pope‘s short film, Romance in NYC. The film is shot entirely from the first-person perspective, like Lady in the Lake and Enter the Void, and the mobility of the iPhone enabled the director/camera operator to play the role of the first-person protagonist. As you’ll see in the video, Pope lets his own hands and arms enter and exit frame, aided by variety of gear — including a Gorillapod — as well as well-choreographed production assistants.
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Filmmakers, Learn How the FAA Plans to Regulate Drone Filmmaking
For over a year the FAA has been fighting a rearguard action against the proliferation of drones. The agency has had regulations in place stating that unmanned aircraft systems (UAS) — also called unmanned aerial vehicles (UAV), or drones — can’t be used for commercial purposes, and they have mostly pursued a policy of “educational chats” for people who have caught their attention (typically videos on YouTube that get picked up by the media). Their bark hasn’t been without some bite, too. In one case they fined a pilot $10,000 for flying a drone through the University of Virginia. Interestingly, […]
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Sparks Announces Music-Film Collaborations with Guy Maddin and Leos Carax
Pioneering electro-disco band Sparks just wrapped a two-night stint in Los Angeles of an orchestral concert version of their pioneering 1974 album Kimono My House. In an interview with Chris Willman at Billboard, the band (brothers Ron and Russell Mael) teases two upcoming film projects. The first is with Guy Maddin, news of whom seems to regularly filter out into the film blogosphere. The second, however, is with Leos Carax, who usually holds his upcoming project cards closer to the vest. Here’s Russell Mael on both projects: The other thing we’ve been doing is two movie musical movie projects. One […]
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Miami 2.0: Transmedia at FilmGate Interactive
Part conference, part festival – and packed with live events, workshops, parties, and even a “Tech Playground” – FilmGate Interactive uniquely combines cutting edge storytelling with a laidback Miami Beach vibe. I must admit, after reading my colleague Randy Astle’s fascinating interview with FilmGate Interactive founder and executive director Diliana Alexander, my mind’s bar was set high for this young transmedia fest, but this three-year-old event still managed to exceed my expectations and then some. Along with an enthusiastic grassroots team, producer/programmer Alexander — a world traveling Bulgarian and recent Miami transplant — has an uncanny knack for making FilmGate […]
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Quyen Tran on Shooting Frankie Shaw’s Sundance-Winning SMILF
Frankie Shaw’s short film SMILF won the Short Film Jury Award at this year’s Sundance Film Festival. It’s a funny and revealing comedy about a young mom struggling to connect to her old sexual self while being homebound caring for her young son. L.A.-based cinematographer Quyen Tran shot the film, and below she discusses shooting coverage with only one actor, working with one light and filming while nearly nine months pregnant. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? […]
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Cinematographers Jimmy Chin and Renan Ozturk on Shooting the Sundance-Winning Doc, Meru
Over a period of years, three climbers — Conrad Anker, Jimmy Chin, and Renan Ozturk — make repeated efforts to scale a 21,000 foot peak in Northern India, Mount Meru. Jimmy Chin and Elizabeth Chai Vasarhelyi’s Meru is the chronicle of that quest, a story of not just mountain-climbing athleticism but also friendship and camaraderie. The winner of the U.S. Documentary Audience Award at the Sundance Film Festival, Meru, strikingly, was lensed by two of the film’s three climbers, with one of them suffering severe injuries on the climb — an accident that is part of the film’s story. Below, […]
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Director/Cinematographer Matthew Heineman on Shooting Sundance Award-Winning Doc Cartel Land
A tense, cinematically-styled verite documentary about the Mexican drug wars, Matthew Heineman’s Cartel Land was one of the big winners at Sundance this year, nabbing both the Directing and Cinematography Awards. Strikingly, both positions were filled by the same person: Matthew Heineman, who also produced and edited. (For Cartel Land, Heineman shares the d.p. credit with Matt Porwoll.) Below, the multi-hyphenate talks about why, for him, shooting isn’t entirely about the image; why being his own d.p. calmed him down during the tenser moments of production; and the benefits of capturing a flat image through Canon Log. Filmmaker: How and […]
