Filmmaking
Filmmaking
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The 25th SCAD Savannah Film Festival Presents Wonder Women: Producers (the Christine Vachon Edition)
Moderated by Darrien Gipson, Executive Director of SAGindie, this year’s Wonder Women: Producers discussion at the SCAD Savannah Film Festival was a must-catch, mostly for two glaringly obvious reasons, with the first being the wide diversity of the participants. Alongside white Brits Alison Owen (Elizabeth, Saving Mr. Banks, perennial panelist and SCAD Savannah Film Festival Advisory Board member) and manager/producer Laura Berwick (Belfast, All is True, and Sir Kenneth’s longtime rep), there was the English-Jamaican writer/actress/producer Nicôle Lecky (Mood, The Moor Girl) and American actress/producer Jurnee Smollett (Lovecraft Country, Birds of Prey). Then there was the second reason—the presence of “grande dame” of indie […]
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“We Had Made This Film Against All Odds… Why Not Take On This Last Chapter of the Film’s Journey Ourselves?”: You Resemble Me Producer Elizabeth Woodward on Embracing Self-Distribution
With You Resemble Me currently playing at the Angelika Film Center, Filmmaker presents two guest posts about the film’s self-distribution, one by the film’s writer and director, Dina Amer, and, below, one by producer Elizabeth Woodward. After a beautiful premiere in Venice, 30 festival awards from over 70 festivals around the world, our special film You Resemble Me did not have any meaningful distribution offers on the table. We could not believe that our only option was to take a deal that not only would place the film in a catalog of films that we didn’t feel were of the […]
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“We are Proving the Market Wrong and Hopefully Inspiring Other Filmmakers”: Writer/Director Dina Amer on Bringing You Resemble Me to Screen
It’s been nearly seven years since I embarked on the journey of my directorial debut, You Resemble Me. It has been a thorny and steep hill to climb. My film is about a woman caught in the center of a terrorist attack, notorious after being named the first female suicide bomber in Europe. I’m a Muslim Egyptian American–not a fluent French speaker–and yet I found myself drawn to a story, at once delicate and destructive, one with roots buried deep in French soil, layers of history — of, for many, injury — that are still raw. The decision to make the […]
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Filmmaker Recommends 13 Films to Stream for Halloween
With “Halloweekend” upon us, Filmmaker recommends 13 horror films perfectly catered to the season. As the site’s newly-minted Web Editor, I wanted to infuse the list with long-time personal favorites of my own and recent genre standouts. It also felt important to highlight our existing coverage of these films/filmmakers, while also ensuring that each title is readily available to stream for all those who’re interested in checking them out. Due to these self-imposed restrictions, a number of horror highlights (at least in this writer’s opinion) were regretfully omitted in the end: Álex de la Iglesia’s Day of the Beast (1999), […]
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“We Used Almost Every Lens Set They Had in Their Inventory”: Cinematographer James Kniest on The Midnight Club
If you’ve begun watching The Midnight Club on Netflix, you may have noticed the tag “Part of the Flanaverse” affixed to the new series. Though the individual entries in said universe aren’t particularly interconnected, the sheer breadth of writer/director Mike Flanagan’s output for the streamer certainly justifies the “Flanaverse” moniker. The Midnight Club marks Flanagan’s fourth Netflix series, in addition to the four Flanagan-directed movies currently residing on the platform. Based on the young adult novel by Christopher Pike, Flanagan’s newest show follows a group of terminally ill teens at a remote cliffside hospice facility who meet in secret each […]
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Watch: Rachel Gordon and James-Michael Boyer Explain Documentary Educational Distribution
Rachel Gordon, author of the recently published and recommended The Documentary Distribution Toolkit: How to Get Out, Get Seen, and Get an Audience and James Boyer, director of operations at distributor Collective Eye Films, join D-Word founder Doug Block for this useful conversation about documentary distribution and all of its related subjects. In the talk, Boyer talks about things like needed deliverables, how his company makes acquisitions and the role of festivals in launching films, and Gordon talks about the realities of self-distribution, grassroots marketing techniques, and identifying and interacting with educational instructors who may be able to place films […]
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Trailer Watch: Justin Benson and Aaron Moorhead’s Something in the Dirt
After premiering at Sundance earlier this year, Justin Benson and Aaron Moorhead‘s Something in the Dirt now has a trailer ahead of its theatrical release. It’s the fifth feature from the filmmaking duo, who previously helmed Resolution (2012), Spring (2014), The Endless (2017) and Synchronic (2019). Like much of their filmography, Something in the Dirt features a strong sci-fi slant, this time focusing on a man named Levi (Benson) who moves into a shady no-lease apartment in the Hollywood Hills. He quickly befriends his neighbor John (Moorhead), and the two begin investigating a seemingly paranormal presence that has manifested in […]
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Guest Post: Thomas Kim On Raising Funds for His First Feature, Isle Child Via WeFunder
You have a killer idea. A great script. Actors or producers that love it. You get it budgeted… then get realistic and drop that number down to something more reasonable. You open an LLC, a bank account, and now you own 100% of nothing but a great idea. If you have representation, you send out your materials to potential financiers in hopes that just one of them tells you an astounding, “Yes!”. But as an emerging feature filmmaker, the odds are not in your favor, especially in an industry that’s relying more and more on pre-vetted IP, in-house development and […]
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Field Trip
Technically, Sara Velas is not an educator, nor does she work for a film school. She doesn’t fret about curricula, teaching styles or shifts in filmmaking technology. Instead, she operates the wondrous Velaslavasay Panorama in the West Adams area of Los Angeles, where, semester after semester, I take groups of students on a field trip to experience old-school immersive media and think about ways in which media forms shift and change over time. Ninety feet in circumference, Shengjing Panorama—the panorama currently on view—features a painting of the Chinese city of Shenyang between the years of 1910 and 1930. Created in […]
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25 New Faces of Film 2022
Click here to read this year’s edition of the 25 New Faces of Film.
