Filmmaking
Filmmaking
-
Moara Passoni on the Origins of the Brazilian Filmmakers Collective
Today the short film streaming platform Argo launches two new playlists of films by eight members of the Brazilian Filmmakers Collective. Below, Moara Passoni, one of Filmmaker‘s 25 New Faces, discusses the genesis of the group. — Editor Toward the end of 2013, I moved to New York to launch director Petra Costa’s first feature-film Elena. At the time, we used to joke that we were “the incredible army of Brancaleone” — young Brazilians, mostly women, out to conquer Hollywood. We managed a thumping opening weekend, but it didn’t go far beyond that. That would all change some years later, […]
-
Marcel the Shell with Shoes On‘s Team on IP Development at Gotham Week 2022
Several years back, Jenny Slate and Dean Fleischer-Camp traveled with friends to attend an out of town wedding. Opting to scrimp on lodging costs, the duo shared a crowded hotel room with four other friends. Slate just happened to be the only girl in the group, which led to her adopting a “teeny-tiny” voice to communicate her comparative petiteness to the other men in the room. The voice, a running joke for the rest of the weekend, became the eventual creative spark that would launch a web series, children’s books and feature-length film released by A24. Soon thereafter, the first […]
-
“What if the Worst Thing That Could Happen Actually Happened?”: Director/Co-writer Christian Tafdrup on Speak No Evil
Two European families—one Danish, one Dutch—meet during a picturesque Italian vacation in Christian Tafdrup’s Speak No Evil. Their bond is immediate, and soon enough the Dutch couple enthusiastically invite the Danes to visit them in Holland. The gesture is friendly enough, but the sincerity of the statement isn’t necessarily taken at face value. Shortly after the Danes—Bjørn (Morten Burian), Louisa (Sidsel Siem Koch) and their daughter Agnes (Liva Forsberg)—return to their well-kept abode, they receive a postcard in the mail. As it turns out, the Dutch family was completely serious about their offer, inviting them to visit their home in […]
-
“In Movies, Comedy and Tragedy Are All the Same”: Jean-Luc Godard Interviewed by Hal Hartley
In Spring of 1994, as Filmmaker began its third year of publication, we received a call: would we be interested in interviewing Jean-Luc Godard? Yes, we excitedly said, and when Hal Hartley agreed to be the interviewer, and the interview was a go, we made the film our cover. (In Filmmaker’s history, it’s sandwiched between Rose Troche’s Go Fish and Rick Linklater’s Before Sunrise.) Rereading the interview today, I’m struck — although I shouldn’t be! — by the prescience of Godard’s musings on the future histories of cinema, the ways that it will be mediated by technology and its changing […]
-
Doc Society Climate Story Fund Awards $645,000 in Grants to Nine New Projects
The Doc Society Climate Story Fund announced today nine new creative projects from around the globe that will receive a combined $645,000 in grants, with each work demonstrating a concerted effort to advance climate justice and protect biodiversity. This is the second cohort to receive the Climate Story Fund, which supports work from a wide array of storytelling mediums, including musical dramas, podcasts and documentaries. The fund prioritizes storytellers from underrepresented communities on the front lines of the global climate crisis, with the intent of providing much-needed support from production to impact campaigns. There is special emphasis on projects that […]
-
“Cops and Prosecutors Truly Work the Same Side”: Ingrid Raphaël and Melissa Gira Grant on Their FOV Doc They Won’t Call It Murder
When 16-year-old Julius Tate, Jr. was killed during a SWAT raid by undercover Columbus police officers in December of 2018, citizens swiftly gathered to protest the unjust killing of a child. One year later, during an anniversary vigil mourning Tate’s loss, Ingrid Raphaël, co-creator of No Evil Eye and Film Futura, and Melissa Gira Grant, a New York-based reporter covering police brutality, came together to co-direct and collaborate on They Won’t Call It Murder, a documentary short from Field of Vision that captures the enduring grief and activism that surviving families of police violence undertake. The film, embedded above, makes […]
-
With Airline Sales, Watergate Film 18 1/2 Soars Into the Mile-High Club
At a time when big-budget Hollywood films have no guarantees of being seen by audiences at all, it’s gratifying that independent films can still find unique ways to connect with the public, largely by controlling their own destinies. I’m happy to say that after playing 25 festivals on four continents, touring with a 60-city theatrical release this summer and releasing on VOD in four countries, my Watergate thriller/comedy 18½ will also start “airing” this September on JetBlue Airways, Virgin Atlantic, Air New Zealand, Qatar Airways, Emirates and Singapore Airlines, among others. For the next several months, there’s a good chance […]
-
(Screen)Play Press Launches, Announces Six Inaugural Titles
Mexican-American filmmaker Eva Aridjis announced today the launch of (Screen)Play Press, which will publish scripts that have not yet been developed into feature films. Founded by Aridjis and fellow filmmaker/screenwriter Christine Vartoughian over a cup of coffee this past May, the first six titles published by (Screen)Play Press specifically spotlight scripts written by women. Each title will be available in paperback and e-book versions. “What we’d really love to emphasize is how many great un-produced screenplays we know are out there, and our desire to get these stories out into the world regardless of whether or not a film version […]
-
A Schoolhouse for Cinephiles: In Praise of Light Industry
After 11 years of residence in Greenpoint, co-founders Ed Halter and Thomas Beard are moving their microcinema, Light Industry—dedicated to screening film and electronic art in Brooklyn since 2008—to Williamsburg. Ed and Thomas found inspiration for Light Industry in Amos Vogel, who founded the New York Film Festival, pioneered early alternative film spaces such as Cinema 16 and once wrote that “the avant-garde’s delight in the unpredictable, its insistence on the deconstruction of ossified codes, its probing of the unacceptable, signify gestures of freedom in an increasingly commercialized cinema.” I would repeat this remark, word for word, about the indispensable […]
-
The Evolution of Impact: The Future of Social Change and Nonfiction Storytelling
The conversation about documentary impact has undergone a number of shifts since impact producing began to emerge as a practice within the documentary field around 20 years ago. Today it is almost expected that a social issue documentary film will be accompanied by an impact campaign to help ensure its story will reach audiences and motivate them towards social change, deeper engagement with a story’s themes and further learning. But earlier, things were different—the argument had to be made that some documentary filmmakers should focus on impact and to develop best practices for engaging audiences around a film and its […]
