This week Canon announced a new mid-level DSLR, the EOS 70D. The latest in their series of black, semi-pro DSLRs, the 70D has a 20.2 megapixel sensor, a DIGIC 5+ image processor and built-in wi-fi support. Expected to ship in September with an estimated retail price of $1,199, you’d be forgiven if you assumed this latest DSLR will have little impact on the video production field. You might be wrong. Canon remade the video industry with the 5D Mark II, but for the last two or three years their DSLR updates have offered virtually no improvement in video capability or […]
In part two of our interview with brothers Michael and Shawn Rasmussen, the writers and directors of Dark Feed, they talk about the lessons learned during the production and post-production of a low-budget movie. Filmmaker: How large was the crew for the Dark Feed shoot, and how many days of shooting were there? Michael: There was Shawn and I, and we had two sound people – one to hold the boom and one to work the recorder – and a d.p. to also run camera. We had people come in and do other jobs like set building, but on a […]
When you put over 20 independent filmmakers in a room behind closed doors, the kind of honesty and frankness about the industry that emerges is hard to find anywhere else. There’s also a lot of humor, albeit ranging from the cynical to the scatological. The words below are some of those tidbits I overheard during my week at the June IFP Narrative Lab that capture much of the essence of the week and are, I think, solid pieces of advice for filmmakers in post: “[Film distribution is] a new diaper to change every day. Your film keeps on pooping.” – […]
Amazon is upping the ante in the original content wars. On June 27, the giant online retailer’s movie group, Amazon Studios, started accepting 2- to 15-minute sizzle reels or pitches for feature-length films. Its Hollywonk blog said it was seeking projects that “express an idea that’s begging to be seen on the big-screen, in full-length, full-budget form.” Amazon’s current development slate includes a mixed bag of movies: the horror flick, ZvG: Zombies Vs Gladiators, a thriller, Burma Rising, a sci-fi, Hiber, and a family comedy, It Came in the Mail. “Amazon Studios wants to discover great talent and produce programming […]
Many filmmakers make a low-budget movie in the hopes of getting to L.A. and working on a big-budget movie. The Rasmussen brothers went in a different direction. Going out to L.A. they wrote and sold a script that was made into The Ward, directed by John Carpenter. But they wanted to do more than just write the script, so after completing their next screenplay they came back to Boston and made the movie Dark Feed on a shoestring. The Rasmussen brothers, Michael and Shawn, spoke to us recently about this experience, and what they have learned about making a movie […]
Jem Cohen’s highly recommended Museum Hours — the winner of the Filmmaker-sponsored 2013 Cinema Eye Heterodox Award — opens in theaters today from Cinema Guild. Below is an excerpt (about half) of my interview with Cohen in the current print issue of Filmmaker. You can read the whole interview in the issue, and in the iPad version there’s also a 12-minute video with Cohen explicating various scenes in the film. What does it mean, in 2013, to photograph — to reproduce — a painting? Does it, as Walter Benjamin wrote in his 1936 essay “The Work of Art in the […]
There is a camp for everything. Dance, wrestling, Jesus — you name it, your kid can camp it. In Judd Ehrlich’s charming Magic Camp, the kids have no desire to be the next LeBron James or Sidney Crosby, however; they want to be like one of the Davids, Blaine or Copperfield. Held each summer in Bryn Mawr, PA, Tannen’s Magic Camp, a spinoff of the famed Gotham magic store, teaches teenagers, mostly boys, the fine art of making a rabbit disappear into their ear or a wand suddenly appear in their hand. You think it’s difficult to saw someone in half? Just […]
As an undergrad at NYU, Timur Civan studied sculpture before moving into video. “I became really interested in video because I was able to bring time into my sculptural work,” he says. Civan has produced a wide variety of work, from short films, music videos, and corporate videos, to commercials and documentaries. He recently DP’d Vincent Laforet’s intro for the M?VI digital 3-axis gyro-stabilized camera gimbal. He has an affinity for experimenting with unusual gear, and finding new in-camera effects. Civan spoke to us briefly at a recent presentation he gave at Rule Boston Camera: Filmmaker: How did you first get […]
Making the movie was easy, crowdfunding is hard. Ok, that’s a ridiculous oversimplification, but not completely untrue. I’m currently in the midst of a crowdfunding campaign to raise post-production funds for my first feature film, Sidewalk Traffic (a comedy/drama about a struggling filmmaker and new father in post-Great Recession NYC), which I wrote, co-produced and directed this past winter. Realizing the lifelong ambition of directing my first feature film meant making a substantial financial investment (though well short of what an MFA at an elite film school costs), informing my wife and two young daughters that I would be for all […]
Adobe Creative Cloud, the latest update to the Adobe application suite of programs, was released last week. This release marks a major change for Adobe away from a “purchase” model to a subscription model; if you want the latest versions of their applications you must now pay a monthly fee to use the software. You can license an individual application for $20 a month, or the whole suite for $50 a month. Clearly, even if you think you only need After Effects and Premiere Pro, you might as well spring for the whole set, and if you have a previous […]