Filmmaking
Filmmaking
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25 FILMS I’M LOOKING FORWARD TO AT THE TRIBECA FILM FESTIVAL
At last year’s Tribeca Film Festival I discovered two of my favorite films of the year, Alma Har’el’s Bombay Beach and Panos Cosmatos’s Beyond the Black Rainbow. I’m hoping for at least as good a track record this year, and in surveying the schedule I see more than enough potential candidates. Assuming I can successfully surmount my usual Tribeca challenge — getting into a film-festival headspace while working at home in New York — here are 25 films I’m interested in checking out. As befitting the mission of this magazine, there’s a heavy American independent focus, and I’ve also avoided […]
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Five Questions with The Revisionaries Director Scott Thurman
Every ten years, the Texas Board of Education revises its textbook standards, leaving the curriculum decisions up to a staggeringly small council of fifteen members. And while this practice has been critiqued on a national level before, The Revisionaries shines a particularly introspective light on the entire procedure. Focused around Board of Education member, devout Evangelical Christian, and all-around complex figure Don McLeroy, this new documentary from director Scott Thurman and the Silver Lining Film Group is sure to stir up debate at the Tribeca Film Festival and beyond. Filmmaker: What originally interested you about the Texas Board of Education? […]
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Five Questions with First Winter Director Ben Dickenson
To properly evoke the apocalyptic landscape and tone of his directorial debut, filmmaker Benjamin Dickinson lived like he filmed – amidst the chilling rural winter that his characters find themselves trapped within. Opting to forgo electricity and even food while filming the movie’s most desperate sequences, Dickinson and his crew lend what should prove to be a hard won authenticity to First Winter. Premiering in competition this Thursday at the Tribeca Film Festival, First Winter stars Lindsay Burdge, Paul Manza, and Kate Lyn Sheil. Filmmaker: Talk to me a bit about the genesis of First Winter. Where did the idea […]
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The Blue Velvet Project, #104
Second #4888, 81:28 The red, terrifying beauty of the bridge truss as Frank and his gang take Dorothy and Jeffrey on a joy ride “out to the fuckin’ country.” These shots of the truss underside, bathed in light that may as well emanate from hell, are a sort of reverse-universe visual analogy of the earlier nighttime shots of the underside of trees as Jeffrey walks down his street. In Robert Bolaño’s novel 2666, in the section “The Part about the Critics,” each of the three main characters has a different and disturbing dream on the same night: Espinoza dreamed about […]
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COULD YOU BE LOVED: KEVIN MACDONALD’S “MARLEY”
At first it seems curious that the starting point of this brilliant, definitive documentary about the late Jamaican reggae sensation Bob Marley is archival footage of Cape Coast Castle in Ghana, the facility from which 60 million Africans were crammed through the Door of No Return to commence lives of total servitude in the West. Marley was the offspring of a black Jamaican mother and a white English father (who posed as a captain), whom he met only a handful of times. In the film there is no mention of slavery in the family history. Late in this elegantly elliptical movie, Marley […]
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YOUTUBE ALLOWS DIRECT KICKSTARTER, INDIEGOGO LINKING
Big news for crowdfunders — Google announced today that YouTube videos can now be directly linked to projects on Kickstarter and Indiegogo. (Actually, in Google speak, that’s “Using annotations to help fund your creative projects.”) Given the expansive reach of the user-generated video giant, this means that many more eyeballs will land on projects seeking coin on these platforms. From Google’s announcement: Over the past year, crowdsourced fundraising has exploded as great way to raise money for creative projects. We’ve seen lots of you using platforms like Kickstarter and Indiegogo to fund projects, and we want to make it easier […]
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Five Questions with Nancy, Please Director Andrew Semans
Sometimes the simplest premises can be the most devastating. Andrew Semans’ debut feature Nancy, Please follows Paul (Will Rogers), a Yale PhD student as he tries (or, kind of tries) and utterly fails to complete his dissertation. His excuse for this lack of productivity? He’s accidentally left an essential annotated copy of Dickens’ Little Dorrit at his old apartment. Worse still, the book is now in the care of his ex-roommate Nancy (Eléonore Hendricks), a woman who he views as something of a sociopath. As Paul’s attempts to get the book back grow more and more desperate, Semans plumbs the […]
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Panasonic Not So “In” to Large Sensor Cameras?
The first day of NAB and it appears that this year Panasonic has nothing to say to indie filmmakers. Going in to the show, Canon and Sony had already pre-announced several new cameras, yet there had been nothing from Panasonic. And now the show has opened and Panasonic has only three things to talk about; the first is the AG-HPX600 2/3 CMOS P2 HD camcorder with 10-bit 4:2:2 AVC-Intra recording. At seven pounds, it’s described as the lightest professional shoulder camcorder, but it’s not really an indie filmmaker camera. They also announced the microP2 card and microP2 card adaptor. With […]
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BlackMagic Surprises With Cinema Camera Announcement
DP’s are probably aware of Blackmagic Design’s capture and playback devices such as the HyperDeck Studio or UltraStudio SDI. They may have even heard of their Davinci Resolve color grading software. But I don’t think anyone expected Blackmagic to announce a digital camera, which is what they did yesterday at NAB. The Blackmagic Cinema Camera features: • Super wide 13 stops of dynamic range allows capture of increased details for feature film look. • High resolution 2.5K sensor allows improved anti aliasing and reframing shots. • Built in SSD allows high bandwidth recording of RAW video and long duration compressed […]
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Five Questions with Rubberneck Director Alex Karpovsky
Over the last few years, actor Alex Karpovsky has slowly grown into one of the most recognizable faces in American indies. And with a recurring role on Girls, Lena Dunham’s upcoming HBO series, he stands poised to break through to a wider audience. As if he wasn’t busy enough, Karpovsky has found time to migrate behind the lens for Rubberneck, his directorial followup to 2009’s Second City improv documentary Trust Us, This is All Made Up. A psychological thriller about an unhinged scientist (Karpovsky, directing himself) who grows increasingly obsessed with a co-worker he’s recently had a one-night stand with, […]
