Every year The Slamdance Film Festival is responsible for premiering at least a half dozen films that go on to lengthy fest circuit runs (The Guatamalan Handshake, Without, The New Years Parade, Stranger Things), cult viability (Murder Party, Snow on tha Bluff) and in the case of the 2008 selection Paranormal Activity, massive box office success. This year will likely be no exception. But after surveying a third of the ten narratives and eight documentaries in the always eclectically programmed festival’s 2012 slate, no true standout has emerged, although a number of solid efforts are on display. Before its screening, buzz (at least in […]
I first met Bingham Ray in 1992, when I interviewed him and October Films partner Jeff Lipsky about their company’s expansion and move to New York. It was for Filmmaker‘s second issue, and in our talk, Bingham was all the things he’s now being remembered for — committed, combative, intelligent and garrulous. He was pitching me on his upcoming slate, a diverse lot that included Alain Corneau’s Tous Les Matins Du Monde, Mike Leigh’s Life is Sweet, and a shorts package that included Michael Moore’s Pets or Meat. The ostensible hook for the article, though, was Ray and Lipsky’s move […]
The following statement was issued by Joana Vicente, Executive Director of the IFP: The board of directors and the staff of the IFP are shocked and extremely saddened by the death of indie veteran Bingham Ray. Bingham was a stalwart champion of independent film throughout his lifetime. He was an honorary board member of the IFP and was honored with a career tribute at the 2002 Gotham Awards. Bingham brought the independent film community together and always reminded us of the highest standards we should pursue as filmmakers with vision. He was not only an extraordinarily passionate figure, with an […]
Some very sad news. A statement just released by the Sundance Institute reports: “It is with great sadness that the Sundance Institute acknowledges the passing of Bingham Ray, cherished independent film executive and most recently Executive Director of the San Francisco Film Society. On behalf of the independent film community here in Park City for the 2012 Sundance Film Festival and elsewhere, we offer our support and condolences to his family. Bingham’s many contributions to this community and business are indelible, and his legacy will not be soon forgotten.” Ray was a true indie film pioneer, as well as a […]
Patrick Epino and Stephen Dypiangco of the National Film Society are back with a video interview with director Brian Knappenberger, whose hacker documentary We Are Legion premieres in competition at Slamdance this week. During the interview, which will give those of you not in Park City a good idea of the snow situation, Patrick and Stephen speak with Knappenberger about hacker group Anonymous, infusing comedy into documentary, and SOPA. The full interview:
Second #3290, 54:50 Sandy’s reaction, as she listens to Jeffrey’s theory about the significance of the severed ear. “I think she [Dorothy] wants to die,” he says. “I think Frank cut the ear I found off her husband as a warning to stay alive.” That’s a key sentence, almost lost in the film’s narrative momentum. The severed ear isn’t intended simply to secure a ransom, as might be expected, but rather as a message to Dorothy not to die. As the object of Frank’s furious desire, Dorothy is just another one of his addictions, his fascinations. Sandy’s face, softly lit […]
The films that make up Sundance’s Shorts Program II all address issues of basic intimacy and loneliness. Whether telling the story of a homecoming between wife and husband, an unexpected encounter with a stranger, or in one case, the way technology’s interference in everyday life renders a relationship unidentifiable, these young filmmakers are all attempting to understand emotions that still remain mysterious. Take Brie Larson, Sarah Ramos, and Jessie Ennis’ The Arm, for example. The film begins misleadingly. A narrative seemingly about a power struggle between two male teenage friends turns quickly into a darkly humorous depiction of a subject […]
“Work from your most generous place,” producer and keynote speaker Sarah Green advised during today’s annual Sundance Producers Brunch at the Sundance Film Festival. Green has had an amazing year, producing the works of masters old and young (Terrence Malick’s Tree of Life and Jeff Nichols’ Take Shelter), but her speech focused not on her accomplishments but on the sustenance provided by her web of professional associates and collaborators. She laughingly described her own beginnings, watching “Maggie Renzi get City of Hope financed over lunch. I thought it was easy.” She talked about mentoring the producer Georgia Kacandes from APOC […]
Filmmaker has partnered with Patrick Epino and Stephen Dypiangco of the newly-founded and ambitiously-named National Film Society for a series of video interviews at Sundance. In this first video, Patrick and Stephen catch up with comedians Tim Heidecker and Eric Wareheim on the red carpet before their Billion Dollar Movie premiere. Tim and Eric are their usual absurdest selves, and for their part, Patrick and Stephen turn in what just might be the most laid-back red carpet interview I’ve ever seen: Tim and Eric’s Billion Dollar Movie is available on VOD starting January 27th. And for some bonus hilarity, check […]
“When we started Bloody Disgusting back in 2002, we were the only ones doing it daily,” says Bradley Miska about the origins of his all-horror site. Sites like Ain’t It Cool News, Dark Horizons and Jo Blo were around too, but as its name would suggest, Bloody Disgusting hammered a wooden stake in the burgeoning field of online horror coverage and now, 10 years later, it is reaping the rewards. Management company The Collective “bought into” Bloody Disgusting five years ago, says Miska, and today the co-owned website is just one part of a gory mini-empire that also includes a […]