Filmmaking
Filmmaking
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The Blue Velvet Project, #61
Second #2867, 47:47 For the first time since Frank’s prolonged assault on Dorothy, the camera has shifted perspective, freeing us from Jeffrey’s gaze. A new space opens up, one that has not been revealed entirely before, with the kitchen in the implied space behind the camera, and the dark, cave-like shadow of the apartment door area occupying the frame’s center. Jeffrey—still in his black socks, humanized—crawls toward Dorothy who will, when he caresses her head, jolt as if bitten by a snake. The implication is that she is still enmeshed in Frank’s world, even though he is no longer physically […]
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JANUARY 2012 VOD TITLES
Now on our VOD calendar are titles available for the month of January 2012. Some highlights: Nicolas Winding Refn‘s ’80s flavored pulp thriller Drive, Danfung Dennis‘ fantastic doc Hell and Back Again, Tim and Eric’s Billion Dollar Movie (which will also be at Sundance), Moneyball, The Ides of March and Steven Soderbergh‘s disaster movie Contagion. For titles from previous months go to our VOD Calendar homepage.
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PORTRAIT OF THE ARTIST (ENTREPRENEUR): CORY McABEE
As 2012 dawns and the conversation in the film (and greater artistic) community shifts from ‘DIY’ to the advent of the ‘artist-entrepreneur’, I find myself pondering the meaning of all this in my own career and life, while thinking about one of my most enduring inspirations to go it my own way, my friend Cory McAbee. The bulk of this post was originally drafted in the fall of 2009 right after the release of Cory McAbee’s film, Stingray Sam, and was written simply as a fan of Cory’s work and aesthetic. I was first introduced to Cory’s work when The American Astronaut garnered some […]
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My 10 Favorite Movie Moments of 2011
As 2011 comes to a close it’s time to look back on the year in movies. It’s always tough for me to come up with a yearly best movie list because I never feel I’ve seen everything by Jan. 1. By this time of year I’m still trying to finish watching the award contenders (still on my list: Hugo, War Horse, Moneyball, Tinker Tailor Solider Spy, The Help). So here are 10 movie moments from 2011 (in no particular order) that have stayed with me. “I Want You To Help Me Find A Killer of Women” I know you’re probably […]
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ON KEEPING YOUR NEW YEAR’S RESOLUTIONS
In case you stumble upon my January 1, 2011 post on “New Year’s Resolutions for Independent Filmmakers,” you might want to bookmark this blog post by Richard Wiseman, in which he discusses ways to keep your New Year’s vows. Here are the first three, and the complete list is at the link. And check out the video below, in which Wiseman explains the experiment he constructed around this topic. 1) Make only one resolution, your chances of success are greater when you channel energy into changing just one aspect of your behaviour. 2) Don’t wait until New Year’s Eve to […]
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Our Top Ten Posts of 2011
As 2011 comes to a close, here, based on Google Analytics, are this site’s top ten posts of the year. 1. 25 New Faces of 2011. I mean, of course — what else would have been our top traffic-getter of the year? As it does every year, the unveiling of our 25 New Faces list outpaced everything else on the site by almost three to one. And one thing I’m especially proud of — at the time we pick them, the people on this list are real discoveries. As I look at lists with similar ambitions on other sites, I’m […]
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The Blue Velvet Project, #60
Second #2820, 47:00 Throughout this entire sequence, we never once see Dorothy from Frank’s point of view. In fact, the camera stays positioned entirely on Jeffrey’s side of the room, adopting, if not his precise point of view from within the closet, then at least his general angle of vision throughout. Even when we see Dorothy’s face close up, it is not from Frank’s point of view; we are never permitted to cross the invisible line that divides the room to see things from Frank’s side. On one level, this increases our identification with Jeffrey; for the most part, […]
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THE “PARIAH” TEAM TALK
Just before its Sundance premiere, the team behind Pariah — writer/director Dee Rees, producer Nekisa Cooper, and actresses Adepero Oduye and Kim Wayans — sat down with Jamie Stuart and me to discuss their film’s path to the big screen. Check it out, and make sure to see the film itself, which opened yesterday in limited release from Focus Features. (Note: video contains one mild spoiler.) [jwplayer config=”FM Player” file=”https://filmmakermagazine.com/videos/PARIAH_FINAL_CUT.mov” image=”https://filmmakermagazine.com/news/wp-content/uploads/2011/12/Adepero-Oduye-Still.jpg”]
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The Best Animated Films of 2011
It’s a good time to be making animated films, enough so that even regular indie filmmakers may want to sit up and take notice. Animation has always been on the cutting edge of film artistry and technology, and in a year that saw innovative use of motion capture, rotoscoping, CGI, and 3D (in documentaries, no less), an animated picture may be indie film’s next big thing. 2011 was also exciting because it gave us a wide open field for cartoons. For over a decade Pixar has dominated feature animation, but there’s now room for newcomers and underdogs to enjoy their […]
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The Blue Velvet Project, #59
Second #2773, 46:13 There is a tendency, with the passage of time, to soften the edges. If Blue Velvet is remembered as notorious, it is notorious in a faintly wholesome, Frank Capra, nostalgic way. The danger of nostalgia is that it drains away the extremes, and leaves you with a comfortable—but inauthentic—middle ground. Blue Velvet earns its tender glow only because that glow has had its origins in the black evil furnace of Frank. The frame brings to mind Walton Ford’s painting Malmaison (2008), and the momentary gap it suggests between victim and prey. That gap, that space . . […]
