Filmmaking
Filmmaking
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A Conversation with Milyoni’s David Raycroft, Part Two
In this part two of a two-part interview with David Raycroft, co-founder and Vice-President of Product and Operations of Milyoni, the company responsible for streaming Warner Bros’ The Dark Knight and Harry Potter titles through Facebook, Raycroft talks about the company’s Video on Demand streaming solution. Also check out part 1 he talks about their iFanStore, which allows the easy set up of a storefront on Facebook that integrates with your own fan page. Filmmaker: How has the Warner Brothers Dark Knight experiment been going? How would Milyoni measure the success of that project? How would Warner Brothers? Raycroft: We […]
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The Arbor — A Hammer to Nail Review
“Time heals all wounds,” goes an old adage with which everyone involved in The Arbor would likely take issue. Clio Barnard’s cinematic assemblage on English playwright Andrea Dunbar is certainly a document of sorts, but to call it a documentary would be to slight it: The Arbor is equal parts fact, reenactment, and archival footage. Adding to the genre-blending is a series of audio interviews recorded with Dunbar’s siblings, children (particularly Lorraine, in many ways the main “character” of the film), and acquaintances which Barnard then had actors lip-synch onscreen. The result is at first off-putting, eventually immersive, and unlike any […]
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Milyoni’s David Raycroft on the Facebook iFanstore
After reading that Warner Bros was streaming The Dark Knight and soon thereafter the Harry Potter films though Facebook, I immediately thought it was a genius move. More information is shared on Facebook, and this would be a great way to close the window between discovery and consumption. In addition, on Facebook distributors and filmmakers are provided very meaningful analytics — and then, of course, there’s the monetization aspect. In Part One of this two-part email interview I talk to David Raycroft, co-founder and Vice-President of Product and Operations of Milyoni, the company that made this all happen. He talks […]
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POLY STYRENE, R.I.P.
Singer Poly Styrene (Marian Joan Elliott-Said), best known for her work in the iconic punk band X-Ray Spex, died today from breast cancer at 53. From Dangerous Minds: Poly upended every stereotype of the female rock and roll front person. She looked like an innocent school girl but when she opened her mouth she had a soul searing wail that made John Lydon sound like a squealing mama’s boy with his dick stuck in a zipper. Poly had one of the greatest punk rock voices in all of rock and roll. From banshee to wounded vulnerability, Styrene emoted with a […]
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KICKSTARTER: “BE LIKE AN ANT”
Rocks. That’s what you get when you support Mike Plante’s hour-long portrait film, Be Like An Ant. But they aren’t just everyday rocks. They are rocks from underneath the subject of the film’s home, and he has selected, polished and cut them. Here’s how Plante describes his project: The story: Post-Vietnam, Paul bought a trailer for his family to live in. Annoyed by how bad living inside a mobile home during winter could be, he took matters into his own hands and started to build a house – around the trailer. He never made any blueprints. As the house took […]
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KICKSTARTER: “THE HAPPY SAD”
Amidst all the online talk about DIY and arguments over who is “indie” and who isn’t, sometimes real directors quietly and steadfastly pursuing an independent agenda don’t get the attention they deserve. One such director is Rodney Evans, whose 2004 Brother to Brother ambitiously fused an exploration of the Harlem Renaissance with a contemporary tale dealing with gay African-American identity. Now he’s got a new movie, and he’s using Kickstarter to raise funds for actors’ salaries and equipment rental. Here’s how he describes the picture, titled The Happy Sad. Armed with roses and art, Stan brunches with his girlfriend Annie, […]
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KICKSTARTER: “IN THE FOREST ONE NIGHT”
A number of former “25 New Faces” are involved with the production of Sarah Daggar-Nickson’s short film, In the Forest One Night. They include the cinematographer Sean Kirby and executive producers Lars Knudsen and Jay Van Hoy. Also involved are producers Tory Lenosky and Andrea Roa, and production designer Amanda Ford. Rewards include the director’s own DVDs and books of poetry, and a pitch-meeting with the two exec producers. According to her Kickstarter bio, Daggar-Nickson “specializes in stories from the darker side of life, where hope shines a little brighter.” I like that. Check out the video and consider supporting.
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DAVID LOWERY’S “ST. NICK” OPENS AT reRUN
Opening today at Brooklyn’s gastropub theater, reRun, is David Lowery’s first feature, St. Nick. Here’s Alicia Van Couvering’s introduction to her interview with Lowery for Filmmaker at the film’s festival premiere: There is almost no dialogue in the first half of David Lowery’s feature debut, St. Nick. A young boy and a girl enter an abandoned house, clean it up, build a fire, forget to open a window and fill the house with smoke, figure out a chimney and watch the embers turn into flames. They sleep, they forage for food; somehow they survive, until reality starts bearing down on […]
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Incendies — A Hammer to Nail Review
Deep in the heart of the ongoing trend of immensely popular adapted art-house material, there lies a kernel of Hollywood thinking. Films like The Millennium Trilogy or Never Let Me Go subscribe to the same model as blockbuster hits like The Harry Potter series or Watchmen, meticulously attempting to follow the original text in order to satisfy fans of the source material. Adapted from Wajdi Mouawad’s monologue-heavy stage play, Incendies is the rare anomaly of a film that attempts to evoke not the most accurate recreation of its source material, but the most accurate interpretation. Director Denis Villeneuve, the French-Canadian […]
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TIM HETHERINGTON, R.I.P.
While traveling today I heard the very sad news that photojournalist and documentary filmmaker Tim Hetherington, winner of the Sundance Documentary Grand Jury Prize, with Sebastian Junger, for their documentary, Restrepo, was killed while covering the conflict in Libya. Lauren Wissot interviewed Hetherington and Junger earlier this year for Filmmaker, and she began her piece like this: “Most documentary filmmakers attempt to see the world through the lens of the subjects they’re shooting, but few put their lives on the line to do so.” Of the film, which looked at the conflict in Afghanistan through the viewpoints of U.S. soldiers […]
