The IFP and Power to the Pixel present today the Cross-Media Forum. You can read the complete line-up here and also check it out via the livestream below. See you there… or online. Live Broadcasting by Ustream
I’ve been mulling this topic over for a while, as I encounter many filmmakers — usually independent filmmakers — who kind of sneer at the word “transmedia.” They think it’s just marketing, or they don’t understand why people can’t just sit and watch a good film. I wanted to talk a little about this, as I certainly think there are some filmmaking topics transmedia developers need to keep in mind to make the work as a whole really soar. I’ve noticed a number of common traits in several recent high profile transmedia projects that I think can be improved. I’m not […]
Check out select stories from our new Spring issue. Some of the stories you can read now include Mark Ruffalo talking about his directorial debut, Sympathy for Delicious; the team behind The Myth of the American Sleepover discuss their intimate film on teenage life; David Leitner highlights the latest crop of large-sensor HD cameras; Anthony Kaufman reports on the resurgence of studio indies; Lance Weiler explains how filmmakers can build audiences outside of the theater experience; and we look at the Tribeca Film Festival as it celebrates its 10th anniversary this year. To read the complete issue on your desktop […]
David Leitner examines the latest crop of large-sensor HD cameras.
Within the space between social networks and our increasingly ubiquitous mobile devices lies a new opportunity for filmmakers.
Emotional and involving yet also clear-eyed and with a cool wisdom, Janet Grillo’s Fly Away is a sharply observed and strongly acted tale of a mother learning to allow her autistic teenage daughter to transition into the adult world. Beth Broderick plays Jeanne, a single mom with her own home-office corporate consulting business. Ashley Rickards is her daughter Mandy, and the two have a tight, well-ordered relationship, with Jeanne trying to grow her business during the day while Mandy attends a special needs school. But when Mandy begins a series of violent outbursts at that school, Jeanne’s almost preternatural composure […]
NOTE: Between the time I began reading Neu Sex and beginning this piece and the time I finished it, Sasha Grey publicly announced her official retirement from the adult video industry. If there is a certain bit of schizophrenia that follows below, this might account for that. I’ve noticed a recurring theme in the criticisms that have awaited the publication of porn star/legit actress Sasha Grey’s first book of photography, Neü Sex: this book would never have been published if she wasn’t a hardcore porn performer; she’s whoring her body to gain publicity; there are so many other talented young […]
(A Screaming Man was picked up for distribution by Film Movement. It opens theatrically at the Film Forum on Wednesday, April 13, 2011. Visit the film’s official page at the Film Movement website to learn more. ) For the first half of Mahamet-Saleh Haroun’s A Screaming Man, you might think Haroun’s sole mission is to deliver one of those poignant little personal fables that feel warmly contained within their own worlds. But something happens along the way. The news reports of civil unrest that filter through the background of so many early scenes maneuver their way into the forefront, to […]
The line up for the 64th Cannes Film Festival was announced today in Paris. Some of the familiar faces headed to the South of France this year include the Dardenne brothers, Nicolas Winding Refn, Pedro Almodovar and Terrence Malick who all have films in competition. Jodi Foster‘s The Beaver and Rob Marshall‘s installment of the Pirates of the Caribbean franchise will play out of competition. While Gus Van Stant, Bruno Dumont and Sean Durkin will have films in Un Certain Regard. The complete list of titles are below. The Cannes Film Festival will take place May 11-22. Competition: “La […]
Here’s a weird clip — Sean Combs stopped by the taping of Carson Daly’s interview with Bellflower director Evan Glodell at SXSW and wound up handing him $1,000. Both Alicia Van Couvering and I liked this movie at Sundance, so Diddy’s largesse is for a good cause.