As part of our spotlight on volunteerism with Kenneth Cole, here we profile Rhys Southan, who’s working this year to help the Sundance Film Festival’s jury members.
Fresh off the whirlwind opening weekend of the 2011 Sundance Film Festival, here are my admittedly skewed impressions of this year’s cinema extravaganza — which seemed queerer than ever despite (or perhaps because of) my being unable to see many of the LGBT films on view. Fear not. I have a well-developed facility for chiming in relevant commentary on films I’ve never seen, and at least one worthy observation on the presentation of the LGBT films at this notoriously queer “straight” festival. So here from the perch of January is a glimpse at the queer year in film ahead. On […]
Vilmos Zsigmond, the Oscar-winning cinematographer of such films as Close Encounters of the Third Kind, The Deer Hunter, McCabe & Mrs. Miller, The Sugarland Express and The Long Goodbye, dropped by unexpectedly to discusses his work and a special screening of Summer Children at Slamdance. Here is the uncut footage. Shot by Jamie Stuart.
As part of our spotlight on volunteerism with Kenneth Cole, here we profile Brenda Berliner, who is volunteering at the Sundance Film Festival this year in the press office.
After its first weekend has drawn to a close, the 2011 Sundance Film Festival has seen a flurry of buying activity from movies both expected to sell for significant amounts (Jesse Peretz’s My Idiot Brother, which went to the Weinstein Company for $7 million) and movies no one expected to go for as much as they did (Drake Doremus‘ Like Crazy, which without a significant movie star in it went for $4 million to Paramount). While I haven’t seen either film, they both seem to have both their admirers and detractors. In a U.S. Dramatic Competition heavy on formally ambitious […]
As part of our spotlight on volunteerism with Kenneth Cole, here we profile Knar Kitabjian, who is volunteering at the Sundance Film Festival this year at the Music Cafe.
Now up on the site are select stories from the Winter 2011 issue. Michelle Williams talks about her upcoming film Meek’s Cutoff, as well as the challenges of trying to shake her Blue Valentine character to prepare. We chat with Apichatpong Weerasethakul about his Palme d’Or winner, Uncle Boonmee Who Can Recall His Past Lives. DP Eric Lin (The Exploding Girl) talks shop with Monogamy cinematographer Doug Emmett. As well as interviews with Limitless director Neil Burger and Mike Ott‘s Gotham Awards’ Best Film Not Playing at a Theater Near You winner, Littlerock. Lance Weiler also delves into his project, […]
Quintessential Sundance experience: I arrived in Park City earlier today. Got my badge. Went to The Troll Hunter because, well, I like monster movies. And trolls? I love trolls! The Troll Hunter is kind of like Troll 2, except with, you know – good special effects, decent actors, a coherent story…that being said, I’m a die-hard Troll 2 fan and will continue to sing its praises. But I digress. After The Troll Hunter, I saw a film that will probably go down as the worst of the festival. Tons of walkouts. Awkward laughter. Not really a “so-bad-it’s-good” movie. Just awful. […]
On Friday night the IFP and 7 For All Mankind put the spotlight on seven talents that soon will get your attention. Nestled in the TR Suites in Park City, the 7 Fresh Faces In Film party rocked late into the night. Attendees included industry vets like producers Ted Hope, Vanessa Hope, and Jamie Patricof; Visit Films topper Ryan Kampe; Slated’s Duncan Cork; new media expert and consultant Brian Newman; filmmaker and distribution guru Jon Reiss; the much buzzed about cast of Pariah and even Olympic snowboarder Shaun White. But the night belonged to these seven faces. Olivia Crociccha – […]
Lance Weiler talks about his new interactive project, Pandemic.