Below, Jamie Stuart sits down with writer/director Tom McCarthy and actor Paul Giamatti to discuss their very-well-received Sundance premiere, Win Win, and the difficulties of dramatizing virtuous people.
When first-time Sundance filmmakers ask me for advice on attending the festival, I always tell them, “Get to know the volunteers.” Park City can be a difficult place to navigate. Seasoned vets already know the tricks for making their way around, and sage guidance from the volunteers can be the only for newcomers to level the playing field. But there’s another reason I recommend people get to know the volunteers. And that’s because they’re really interesting people. While a lot of festivals rely on recently graduated local students whose ranks turn over every year, Sundance has a cadre of volunteers, […]
To grow up or not to grow up? Three days into Sundance, three very different films have asked this same question. Bellflower, The Future and The Lie are all, nominally, about the same thing: white people in Los Angeles, unsure of their relationship, trying to reconcile their adulthood with their self-image. Surely these topics – who am I? who should I be with? — are not new to cinema, but their prevalence in the films here at Sundance and in recent American indies can sometimes overwhelm. Last year’s The Freebie, for instance, followed a Los Angeles couple on a journey […]
In our first video interview from the 2011 Sundance Film Festival we sit down with Miranda July to talk about her latest film, The Future.
On the night the latest edition of the Sundance Film Festival kicked off, I was approached by a man in a beat-up looking bubble coat and slacks three thousand miles away in a Crown Heights, Brooklyn laundromat. He extended his hand, in which he was holding six plastic sheets with DVDs in them, and tersely said, “Movies.” I looked down at the half-a-dozen bootleg discs in his hand, most of which were sequels to “urban” thrillers I had never heard of in the first place. “I’m good,” I brusquely whispered, causing him to saunter off into the fluorescent hum and […]
Known as a West coast performance and video artist in the decade before her 2005 award-winning debut feature, Me and You and Everyone We Know, Miranda July seems to jump effortlessly from one medium to another. Her collection of short stories — No One Belongs Here More Than You — won the Frank O’Connor International Short Story Award in 2007, and more recently she designed an interactive sculpture garden that was on view in the 2009 Venice Biennale before moving to Union Square this past summer. At this point, there are very few career moves for Miranda July that would […]
Below we posted four teasers from Mark Pellington’s Sundance feature, I Melt with You. They consisted of the male leads, and now counterpoint is provided by Sasha Grey.
Jamie Stuart went out this morning and took these beautiful shots from our condo. Keep an eye out in the coming days for videos by Stuart from the fest on our Sundance page.
There are four films at Sundance that venture, at least nominally, into the world of cults. Cult recovery (MARTHA MARCY MAY MARLENE), cult membership (HIGHER GROUND), cult discovery (THE SOUND OF MY VOICE), and cult leadership (RED STATE.) But as the crowds swell in Park City, as bus load after bus load of excited devotees alight, something is clear: there are an awful lot of identical grey sweaters, blue lanyards, knit hats and striped scarves. Together but alone, the committed stand in line for days, freezing cold, blind with hope.