Filmmaking
Filmmaking
-
Talking the Bigger-than-Ever Tenth Anniversary Edition of DOC NYC
Overwhelming by design — that’s the first impression offered by the 2019 edition of DOC NYC, the packed-to-the-rafters non-fiction film event currently underway in New York until November 15. Celebrating its tenth anniversary, the festival boasts over 300 events, including 28 world premieres, an expanded DOC NYC PRO seminar series, and 46 doc works in progress shown to industry attendees. Says director of programming Basil Tsiokos, “It’s our tenth anniversary, and we wanted to make it bigger and better. We just kept pushing [during the programming process] to include more and more films. “Every year we’ve tried to grow the […]
-
A Film on the Arrogance of Man: Josh Murphy on His Environmental Doc, Artifishal
“We are on a path to where eventually there will be no fish, and we will have spent billions of dollars to get to that point.” This dire warning is from one of the many experts in Artifishal: The Road to Extinction is Paved with Good Intentions, a new documentary from director Josh Murphy and Patagonia that opened on multiple platforms this past week. It premiered last spring at Tribeca, followed by screenings at Mountainfilm Festival in Telluride and the Seattle International Film Festival, near the heart of the film’s action. From there it’s moved into a series of 550 festival […]
-
Shatterbox Shorts-Makers Channing Godfrey Peoples, Veronica Rodriguez, and Tiffany Johnson Talk “Refinery29 + Level Forward Present Shatterbox” at the SCAD Savannah Film Festival
Moderated by Amy Emmerich, President & Chief Content Officer at Refinery29, the SCAD Savannah Film Festival’s “Refinery29 + Level Forward Present Shatterbox,” a program of seven quite diverse shorts followed by a post-screening discussion, was presented at the comfy SCAD Museum of Art theater on an industry-heavy Monday afternoon. The event featured Parisa Barani (Human Terrain), Tiffany J. Johnson and Adrienne Childress (Girl Callin), Kantú Lentz (Jack and Jo Don’t Want to Die), Channing Godfrey Peoples (Doretha’s Blues), and Lizzie Nastro (the Chloë Sevigny-directed White Echo) onstage to discuss their work – as well as working with Refinery29 and Level Forward’s […]
-
“Amy Heckerling Should be Thought of as a John Hughes!”: Words of Wisdom from the SCAD Savannah Film Festival’s Wonder Women Directors Panel
Once again, this year’s not-to-be-missed event at the 22nd edition of the SCAD Savannah Film Festival (October 26-November 2), the nation’s largest university-run film fest, was the Wonder Women Panel Series. Now in its third year, these always informative discussions highlight female power in the cinematic arts, from directing, to producing, to writing, to the below-the-line crafts. And for me one of the standouts was Wonder Women: Directors, featuring seven ladies behind the lens currently upending every preconceived notion about chick flicks in impressively eclectic ways. Taking place on a laidback, late Tuesday morning at a packed Gutstein Gallery, and […]
-
Clip Premiere: Luigi Campi’s My First Kiss and the People Involved
Premiering in New York this Thursday in a one-time event prior to its free streaming launch the next day is Luigi Campi’s coming-of-age thriller My First Kiss and the People Involved. Starring Bobbi Salvör Menuez, it’s the tale of a quiet, recessive young woman (Menuez) living in a group home who goes on the hunt for her missing caregiver. Said Campi in a Filmmaker interview, “The film’s tension arises when violent events that she can’t fully grasp force her to step out of her safe zone. My first connection was to the main character’s unique way of seeing the world, […]
-
Strand Releasing’s “30/30 Vision”: Premiering New iPhone Shorts by Ira Sachs, James Schamus and Elisabeth Subrin
Strand Releasing, the inventive, carefully curated independent distributor known for its release of both American and international arthouse auteurs, turns 30 this year, and to celebrate it has invited its filmmaker friends to create short iPhone films that speak in various ways to Strand’s mission and film culture today. I’m happy to premiere here exclusively at Filmmaker shorts by Ira Sachs, whose Frankie opens this Friday, October 25th; Indignation director, screenwriter and producer James Schamus; and Shulie and A Woman, A Part director Elisabeth Subrin. Previously released have been shorts by Fatih Akin and Karim Ainouz. Comments Strand co-founder Marcus […]
-
Producer Reset: Independent Producers Unplug at the Nevada City Film Festival Filmmaker Residency
Borne of what the festival cites as its fun and nourishing values, the Nevada City Film Festival Filmmaker Residency honors the region’s Nisenan and Chinese-American communities by hosting diverse storytellers, with a priority on filmmakers of indigenous and Asian descent. The Residency originated from producer Karin Chien, NCFF Director Jesse Locks and NCFF Founder Jeff Clark. Wrapping its second year this past August, the 2019 Nevada City Filmmaker Residency turned a creative spotlight onto independent producers. NCFF hosted prolific independent producer Zhang Xianmin from Beijing for a three-week residency in Grass Valley, CA. NCFF also hosted four US indie producers […]
-
Gemini Man: Tax Credits at 120fps
There are only 14 US theaters capable of showing Gemini Man at 120 frames per second—only in 2K, not the intended 4K (Ang Lee is making movies for the future). Going to one of those 14, NYC’s AMC Lincoln Square, is disorienting even before the movie begins. The Dolby theater has its bass jacked to the point that a bumper encouraging the purchase of soda and popcorn generates rumbles so intense the seat pulsates beneath, as if an ice cube dropping into an ice-cold Coke should equal an earthquake right below—it’s all very silly and hyperbolic, and Gemini Man (to its infinite credit) […]
-
Sibling Subterfuge: Choi Woo-Shik and Park So-Dam on Parasite
Bong Joon Ho may have shifted his subject from genetically engineered super pigs (Okja) and setting from a speeding, class-stratified train (Snowpiercer), but it’d be wrong to assign his Palme d’Or winning Parasite to a new league of subtlety. That’s not a knock — vulgarity is the name of the game for this “Korean New Wave,” in which Bong, and now Parasite, have an evolving role. Bong’s metaphors have shrunk in size for his latest, but they’ve increased in number, becoming part of a loud, meta, and self-parodying dialogue. Ki-woo (Choi Woo-Shik), the son in Parasite‘s working-class family, interacts with […]
-
The Future of iPhone Filmmaking with FiLMiC Creator Neill Barham
Since Sean Baker’s Tangerine hit the scene as the first feature film shot on iPhone, more filmmakers have embraced mobile production as a viable filmmaking tool. Steven Soderbergh shot Unsane and High Flying Bird on an iPhone 8. Claude Lelouch shot over 30% of his latest film, The Best Years of a Life, on an iPhone and loved the experience so much that his next film (not yet released) was shot entirely on an iPhone. Behind all these iPhone-lensed features there has always been one go-to app: FiLMiC Pro. FiLMiC Pro unlocks professional-level control over the phone’s camera, including exposure, […]
