Filmmaking
Filmmaking
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“The Psychedelic Colors of the Earth”: Cinematographer Jarred Alterman on Bisbee ’17
Documentary filmmaker Jarred Alterman began his career on an unlikely note: as the director of more than a dozen episodes of Tim Heidecker and Eric Wareheim’s animated show Tom Goes to the Mayor. Alterman would later serve as the DP on Contemporary Color, a 2016 concert film starring David Byrne. He collaborated on that film with Robert Greene, the esteemed documentary filmmaker and indie film editor. Alterman shot Greene’s latest non-fiction creation, Bisbee ’17, which screens in competition at Sundance. Alterman spoke with Filmmaker about the film’s western aesthetic, singular setting and unique blend of scripted and documentary scenes. Filmmaker: How and why […]
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“The Story Is Not about the Actual Shooting”: DP Patrick Scola on Police Brutality Drama Monsters and Men
One of Filmmaker‘s 25 New Faces of Independent Film in 2015, Reinaldo Marcus Green makes his feature debut as a writer/director with Monsters and Men. The film tells the story of a police shooting and its aftermath in the community of Bed-Stuy, Brooklyn. Green hired cinematographer Patrick Scola (Southside with You) to shoot the film, which screens in competition at the 2018 Sundance Film Festival. Ahead of the film’s premiere, Scola spoke with Filmmaker about how he sought to blend both “naturalism” and “heightened reality” in the film’s visual approach. Filmmaker: How and why did you wind up being the cinematographer of your […]
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DP Matías Mesa on Shooting Sundance Drama The Queen of Fear
The directorial debut of Argentine actress Valeria Bertuccelli, The Queen of Fear holds its world premiere at Sundance 2018 as part of the World Cinema Dramatic Competition. The film was co-directed by Fabiana Tiscornia and stars Bertuccelli as an actress set to open a one-woman show. Matías Mesa, the film’s cinematographer, has DP’d a number of Spanish-language shorts and features in addition to his camera operator work on Okja, Triple 9 and The Road. Below, Mesa speaks with Filmmaker about lighting a blackout sequence and the visual influences on The Queen of Fear. Filmmaker: How and why did you wind up being the cinematographer of […]
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“The Big Cameras Get Stopped in Security”: Alexandria Bombach on Shooting and Directing On Her Shoulders
Documentary filmmaker Alexandria Bombach released her debut feature, Frame by Frame, in 2015 to major acclaim on the festival circuit. The film screened at more than 30 festivals, including SWSX, Hot Docs, AFI Docs and the Camden International Film Festival, where it won the award for Best Documentary Feature. Bombach debuts her second feature, On Her Shoulders, in the U.S. Documentary Competition lineup at Sundance 2018. Below she discusses acting as her own cinematographer, the influence of Errol Morris’ Interrotron and filming in the “impossible heat” of a refugee camp in Athens. Filmmaker: How and why did you wind up being […]
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No Poster is Better than an Amateur Poster: Five Takeaways from the IFP Narrative Lab
My first feature film, Kids Go Free to Fun Fun Time, is a drama/romance that takes place in three different countries, showing how a couple’s relationship evolves over the course of a decade. I have been working on this film for longer than I’d like to admit. I had little luck getting the funding or support needed to get the film done, but then I got accepted into the IFP Narrative Lab, and my world completely changed. To talk about everything I learned during the IFP Narrative Lab would take about 40 pages, so I’m going to try and boil it […]
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Time’s Up for the War on Stories
Christina Kallas, writer-director of multi-protagonist feature films 42 Seconds of Happiness and The Rainbow Experiment, which will have its world premiere at Slamdance on Saturday, January 20, takes a look at the current shift in storytelling and shares her thoughts on how to pursue a more inclusive cinema by redefining the past. A few years ago I wrote a series of articles including an eight-point plan of action for Ted Hope’s Truly Free Film blog, “How to Change the World (And Most Importantly, Why).” As one of my sources, I used the 2013 USC Annenberg Inclusion Initiative’s study, which is […]
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NYFCC Awards and an Alternate Top 10 of 2017
Attending the New York Film Critics Circle awards dinner when you’re a) not a NYFCC member b) have no interest in awards season is an interesting proposition. Theoretically awards season spans just half a year, kicking off with the Telluride Film Festival and concluding with the Academy Awards, but there’s an argument to be made that it’s now a 14-month affair. Awards season begins in January, with Sundance and attendant coverage with headlines reading “Here’s your first best picture nominee of the year,” temporarily goes into hibernation while the previous year’s awards season wraps up, resumes with fevered speculation at […]
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The 50 Most Anticipated American Films of 2018
Last year I put together a list of my 50 most anticipated American films of 2017, and this year the fine folks at Filmmaker invited me back for a new edition. Before we get started, I’ll share some quick notes about methodology. First, this list is entirely the work of one person. It’s not aggregated through dozens of industry insiders or compiled via ballots or anything fancy like that. As a result, I’m sure it’s woefully incomplete. I have no doubt that there are still a bunch of American films out there waiting to be discovered that will bowl me […]
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2017 in Ten Double Features
Why not pair, rather than pit against one another, the great films of a given year? This was the question that led me to reconsider the year-end top-10 list in terms of double features. In 2016 and 2015 I ranked my favorite double features of the year on this very site. I love the double bill for its flexibility. You can pair films based on any connective tissue: style, setting, subject matter, theme, time period, director, star. Viewing and thinking about films this way urges you to consider them anew. What do we think of the suburban woes of Lady […]
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Top Ten Films Directed/Co-Directed by Women of 2017
Many might see 2017 as a tumultuous year for women in film, but it wasn’t. I see it as the year that women in the industry began the long journey towards ending the tumult, starting with the huge artistic risks they have taken in their work. Each film I chose for this list holds a purely individual voice, each voice starting a conversation about the future of not just women in film but the future of film as a whole. 2017 was only the beginning of hearing our stories, and we have a lot more to say. 10. Kiss and […]
