Post-Production
Filmmaking - Post-Production
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How to Rebuild The Sound of an Arena Concert: Sound Designer Lawrence Everson on Contemporary Color
Contemporary Color follows ten color guard troupes from across the country as they perform in multiple concerts put on by David Byrne in Toronto and Brooklyn. Crafted to appear to take place over one night at the Barclays Center in New York, the Ross brothers’ documentary places as much emphasis on the process of the show as it does the concert itself. Swiftly moving through the interior of the arena, into the stands, onto the stage, and even away from the arena entirely, Contemporary Color creates a visual landscape that sometimes moves into the abstract to recreate the environment of the performance. […]
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New OSX App Hedge Manages File Transfers
Released this week, Hedge is an OS X app for streamlining the process of importing camera footage and making backups. Hedge will transfer multiple disks at the same time and verify each copy. Paul Matthijs Lombert came up with the idea for Hedge, and is CEO of the developer, The Sync Factory. He answered the following questions via email. Filmmaker: Where did the idea for Hedge come from? Matthijs Lombert: I’ve been an acoustician and mastering engineer for over ten years. I originally came up with the idea for Hedge when working on a Dutch multicam documentary. I designed the audio […]
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2016 Karen Schmeer Film Editing Fellowship Awarded to Eileen Meyer
The 2016 Karen Schmeer Film Editing Fellowship has been awarded to film editor Eileen Meyer, best known for her work on the award-winning documentary Best of Enemies. In announcing the news, the awards committee said, “Eileen impressed us with her confident spirit, strong work ethic, and the ways in which she has been pushing herself to new professional heights. We also loved her playful and insightful editorial style in her work as an editor of Best of Enemies.” Meyer will receive the fellowship on Tuesday, March 15, 2016 at the SXSW Film Festival Awards Ceremony in Austin, Texas. In addition to a […]
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“Directors and VFX Artists Can Come Together as a Team”: Using Fusion to Composite Effects for Yellow Day
Magnetic Dreams is an effects house based in Nashville Tennessee. With experience in both 2D and 3D animation, they did most of the compositing for the film Yellow Day using Blackmagic Design’s Fusion. Fusion is a compositing program that, since its acquisition by Blackmagic Design in 2014, has seen a significant price drop – you can get a version for free — and the release of a Mac version. We spoke with compositing supervisor Joel Gibbs and one of the owners of Magnetic Dreams, Don Culwell, about working on Yellow Day, what it’s like to learn and use Fusion, and […]
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Structuring Uncle Howard in Production and Post using William Burroughs’s The Western Lands and Akira Kurosawa’s Ikiru
One of the earliest challenges in making Uncle Howard was figuring out how to tell a story around a main character who is essentially absent. My uncle, Howard Brookner, was a fairly obscure director, whose work went missing to varying degrees, and who had died some 25 years ago. Yet, to me and others around him, he left a very strong memory and spirit. How to show this? For inspiration, my producer, Paula Vaccaro, and I turned to Howard’s friend and former film subject, William S. Burroughs (Burroughs: The Movie, 1983), whose book, The Western Lands, was the last he wrote before dedicating himself […]
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Dial it Down a Little: Disney Lets You Shape Actors’ Performances with New Face Director Software
The director Ruben Östlund shoots wide in 4K, composing the individual shots for films like Force Majeure by, in post-production, pushing in and moving from side to side. Now, Disney Research has developed a new tool, Face Director, that offers directors even greater possibilities; it crosses the final frontier in post-production manipulation: actors’ performances. Whereas, previously, directors would shape a performance by using multiple takes or, in post, skillful editing and music, with Face Director directors can alter performance by modulating them between two extremes. From Disney’s page: We present a method to continuously blend between multiple facial performances of […]
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Look Into the Cut: Jessica Brillhart on Editing VR
From classical Hollywood continuity editing to Eisensteinian montage, from the quick jump cuts of the French New Wave to the even more accelerated and spatially destabilized editing of the Hollywood blockbuster, filmmakers from the dawn of cinema have had to embrace, even if only on a subconscious level, some theory of editing. What, then, of today’s nascent medium of Virtual Reality (VR)? Some are calling VR the next phase of cinema, but many VR works are more akin to video games, where cuts are hidden within approaching horizon lines. Or where, inelegantly, an edit is simply a transition from one […]
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Free Animated Icons, After Effects Presets and More for Your Video Project from PremiumBeat (Sponsored Post)
PremiumBeat, a royalty free music library, offers a variety of affordably licensable cues that can be used in your video project. In addition, the company is offering a number of other useful tools for free that can be of use for your video editing projects. Here are five of the most recent packages from their site: 20 free hand-made animated icons that can be dropped into your package. The icons are all pre-rendered footage, meaning they’ll work in any video editing or motion graphic software. The icons were all created in After Effects and you’ll see the project file included […]
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Win An Ultra-Wide LG34UC87 Monitor And $10,000 To Promote Your YouTube Presence (Sponsored Post)
The LG34UC87, an ultra-wide monitor, is designed with the needs of editors and gamers specifically in mind. At 34 inches, the curved display eliminates the need to set up two side-by-side monitors, reducing your workflow to one manageable screen that appears in 3440x1440p resolution. The IPS display gives you over 99% of the space of sRGB in over twice the space available on a 16:9 full HD resolution display. With a wide screen, the need to move from one open program to another is eliminated, and you can complete your video without the need for any additional rendering, making the […]
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“We’re Making Fat Cells, Arteries, and a Heart:” Bill George on Innerspace
Today teenagers interested in the world of special effects are a few tutorials and some affordable software away from getting their feet wet. In 1977, the requirements were a bit more elaborate. It involved woodshop, sheets of styrene, and maybe a few surreptitious pictures taken at a screening of Star Wars. That’s how a teenaged Bill George got his start – making models from scratch dedicated to George Lucas’s space opera. Four years later, George was working on the crew of Return of the Jedi. Now in his 33rd year at Industrial Light & Magic, George has been a part […]
