Actors
Interviews - Actors
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Back to One, Episode 202: Alison Pill
I was lucky to catch Alison Pill on Broadway, 16 years ago, in The Lieutenant of Inishmore, and then became enamored with her work in shows like In Treatment, The Newsroom, Devs, and movies like Scott Pilgrim vs. The World and Milk, to name just a few. Nowadays she plays Dr. Agnes Jurati on the series Picard, and stars with Sarah Gadon in Michael McGowan’s new film All My Puny Sorrows. She shares what she believes to be the secret ingredient that made that film work, and talks about how adopting a physicality for a character is foundational to her […]
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Welcome to the Dollhouse: Kentucker Audley and Albert Birney on Strawberry Mansion
In the year 2035, dream-auditing is a prolific but thankless business, especially for James Preble (Kentucker Audley). Scrummaging through an individual’s archived dreams via an endless collection of VHS tapes, Preble finds himself constantly stuck between mundane reality and the elusive world of someone’s REM cycle. The primary goal of slumming through this government job? Dream taxation. One afternoon, as he visits the home of Arabella Isadora (Penny Fuller and, in the dream world, Grace Glowicki), a welcoming but mysterious dream tax evader, the lines between consciousness and unconsciousness grow blurred. A love story, a comedy, a 1980s children’s fantasy […]
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Echoes
What is a sound if only you can hear it? And if you heard such a sound, would you think it came from outside, somehow bypassing everyone else as it enters your brain? Or would you think it emanated from within, never escaping your own field of perception and thus becoming your own private mystery—or, as Memoria director Apichatpong Weerasethakul writes, your own “sonic companion?” The Cannes-premiering Memoria, starring Tilda Swinton and now in release from NEON, originated from the director’s musings about his own auditory disturbances, a series of enormous bangs that erupted in his sleep and would put […]
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Back to One, Episode 186: Eric Roberts
Barring any unforeseen circumstances, Eric Roberts will soon have more credits as an actor than anyone else who has ever lived anywhere in the world. An intensity matched only by raw talent on display in films like Star 80, The Pope of Greenwich Village, and Runaway Train established him as a respectable actor’s actor in Hollywood. And, as he talks about in this episode, once video replaced film, and more people began shooting, they wanted Eric Roberts in their movies. And once he became privy to how many offers were coming in, he started saying yes. Work begot work fairly […]
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Back to One, Episode 184: Chris Diamantopoulos
Chris Diamantopoulos was always an actor. Never held another job. He was working on the stage at an early age—touring companies, Broadway—then transitioned to television, film, and eventually voice overs. Never stopped. Some highlights: Russ Hanneman on Silicon Valley, Reinhold on Community, Moe in The Three Stooges, the official voice of Mickey Mouse, and right now you can see him playing bad guys in Netflix’s Red Notice and True Story. We recorded this interview hours before he started a new job and he takes us through what’s on his mind on the night before day one. He talks about how […]
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Back to One, Episode 182: Léa Seydoux
Léa Seydoux was a talented young French actor when she reached planet-wide stardom with her incredible performance in Blue Is The Warmest Color (she even shared the Palme d’Or at Cannes, which had never been awarded to actors before). Since then she has invaded Hollywood, starring in James Bond movies and Wes Anderson films, but also continuing to turn in exceptional performances for international directors like Yorgos Lanthimos, Arnaud Desplechin, Ildikó Enyedi, and, for her latest film, France, Bruno Dumont. In this episode, she talks about the “sweet craziness” of working with Dumont, the importance of learning the “language” of […]
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“I Had the Will and the Emotional Momentum… the Movie was Hyper-Topical, Being Made Basically in Real Time”: Dasha Nekrasova on Her Jeffrey Epstein Horror Film, The Scary of Sixty-First
Dasha Nekrasova wanted all the exteriors in her directorial debut to have the ambience of Christmas in New York. First up: leering gargoyles lining the 15-foot front door of Jeffrey Epstein’s Upper East Side apartment building. Clearly, Nekrasova doesn’t share the same merry Christmas cheer as most. In The Scary of Sixty-First, two roommates move into a semi-furnished apartment that may have been owned by the pedophile billionaire. When an amateur detective hyped up on amphetamines and conspiracies shows up to investigate Epstein’s life and death, the roommates are infected with the haunted truth of their new home. Creating a […]
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Back to One Episode 179: Alex Hassell
Shakespeare on the stage is his first love, but Alex Hassell loves the camera and it loves him back. Currently he plays Vicious in Cowboy Bebop, the live-action remake of the popular Japanese anime series. On this episode, he talks about being attracted to roles that are difficult, how years of stripped-down live theater work at The Factory formed him as an actor, why he’s more at ease when he doesn’t know what’s going to happen next, his valuable contribution to Joel Coen’s The Tragedy of Macbeth, and how the particular challenges of acting on film excite him. Plus much […]
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Back to One, Episode 178: Jon Bernthal
From The Walking Dead and Punisher to The Wolf of Wall Street, Small Engine Repair, The Many Saints of Newark, and this month’s King Richard, Jon Bernthal has established himself as the hard-working, all-in, go-to, actor’s-actor of the moment. In this episode, he talks about some of the elements he uses—generosity, energy management, isolation, fear-as-fuel, group strength—to do his work, the one thing all great directors have in common, why he’d be just as grateful doing regional theater, plus much more! Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google Play, and Stitcher. And […]
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Back to One, Episode 177: Ruth Negga
Ruth Negga loves words. And even someone who doesn’t particularly love words falls in love with the ones spoken by Ruth Negga. It’s not just her Irish accent. She uses words like a master craftsman uses tools. A profound humbleness. No pretension. Just the right tool, used at the right time, to make you understand, to make you believe. Obviously this goes for her acting work too. But, in true master-craftsman-style, there’s no sign of craft. You just believe. Loving got her an Academy Award nomination, her Hamlet got raves on both sides of the pond, and now Passing, Rebecca […]
