Cinematographers
Interviews - Cinematographers
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“On Every Movie I Do, I Try to Test Every Single Camera I Can Get My Hands On”: DP Pawel Pogorzelski on Nobody
In the middle-aged revenge fantasy movie, the protagonist’s onslaught of violence is a reluctant one. In your John Wicks or Takens, these are men forced back into action by a transgression so grievous it demands brutal retribution. They don’t want to, but they have to. As director Ilya Naishuller points out, Nobody is an inversion of that formula. When Bob Odenkirk’s retired assassin Hutch is jarred from suburban drudgery by a home break in, he loses only a few bucks, a kitty cat bracelet and some pride. Hardly a kidnapped daughter or a murdered puppy. Hutch doesn’t have to dust off […]
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Wagner Moments: DP Manuel Alberto Claro on Melancholia at Ten Years, Lars Von Trier and Depression
Melancholia premiered in Cannes ten years ago this month and was immediately overshadowed by the infamous press conference in which its provocative Danish director, Lars Von Trier, said “I am a Nazi.” Yet, as the film rolled out across the world, its visceral and moving portrayal of depression found its way into audiences’ hearts. It stands the test of time as a rare example of a beautiful film about mental illness. The equivocation of a realistic depiction of depression in Part One as it engulfs Justine (Kirsten Dunst) on her wedding day with the science-fiction concept of the world ending […]
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“How Big Can We Get? What Crane is Available for This Day?” DP James Laxton on The Underground Railroad
Developed and directed by Barry Jenkins, and adapted from Colson Whitehead’s Pulitzer Prize-winning novel, The Underground Railroad takes viewers into the world of slavery in the Deep South prior to the Civil War. Like Whitehead’s novel, the series integrates fantasy and mythological elements with real-life events. The Underground Railroad focuses on Cora Randall (played by Thuso Mbedu), who escapes from a cotton plantation in Georgia and travels through the Carolinas, Tennessee and Indiana to avoid recapture. Other characters include escaped slave Caesar (Aaron Pierre), slave hunter Ridgeway (Joel Edgerton) and Homer (Chase Dillon), Ridgeway’s young African-American companion. Cinematographer James Laxton has […]
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“It Was Surreal Seeing Rehearsals with Actors Kissing While Wearing Face Shields and Masks:” DP Laura Gonçalves on Lensing Genera+ion
Now streaming on HBO Max, Genera+ion follows Orange County, California, high school students searching for their identities in a world of lockdowns, relentless social media, and clueless parents. The series was developed by Zelda Barnz and her father, Daniel Barnz, (a Filmmaker 2007 25 New Face). Executive producers include Daniel’s husband (and Zelda’s father) Ben Barnz and Lena Dunham. The first eight episodes began filming in September 2020. The second half of season one wrapped in early April. Four cinematographers have worked on Genera+ion, including Sean Porter for the pilot, Yaron Orbach, Xavier Grobet, and on three episodes in season one […]
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“Stupid Questions are the Best Questions, and Mistakes are What People Call ‘Style'”: Christopher Doyle on Pandemic Production, Creativity and Shooting Gus Van Sant’s Gucci Series
The seven-episode Ouverture of Something That Never Ended has garnered millions of views since it was posted on YouTube in November. Sponsored by Gucci, the series marks the latest collaboration between director Gus van Sant and cinematographer Christopher Doyle, HKSC, following the features Paranoid Park and Psycho. (Overture is co-directed by Van Sant and Gucci creative director Alessandro Michele,) Shot on location over a three-week period in the fall, the series was Doyle’s first chance to work under new Covid-19 protocols. Extensive testing and social distancing were among the steps taken during the production. With over 100 films to his […]
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“Shooting at Magic Hour Can be Very Nerve-racking”: DP Dariusz Wolski on News of the World
Repeat business: It’s a hallmark in the long career of Dariusz Wolski. If the Polish-born cinematographer shoots one movie for you, there’s a decent chance he’ll be back for another. He’s lensed two movies for Tim Burton, Tony Scott and Alex Proyas; four alongside Gore Verbinski; and six for Ridley Scott. Yet it’s a new collaboration with director Paul Greengrass—and a new genre, the Western—that earned Wolski his first Academy Award nomination after more than 30 years shooting features. Wolski picked up the Oscar nod yesterday for News of the World, a post-Civil War tale of a traveling entertainer (Tom […]
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“The Flash Frames are Like Magic — You Can Almost Smell Them in the Film”: DP Andrew Dunn on Shooting Lee Daniels’s The United States vs. Billie Holiday
Musician Billie Holiday’s troubled life has been the inspiration for many films, including the biopic Lady Sings the Blues, starring Diana Ross. In The United States vs. Billie Holiday, director Lee Daniels takes a different tact, tying the singer’s troubles to a Federal vendetta against her song “Strange Fruit.” Anchored by Andra Day’s remarkable performance as Holiday, the movie offers a vivid account of Black culture from WWII to the singer’s death in 1959. Holiday’s brutal childhood, the pervasive discrimination she experienced, and a milieu that romanticized drugs all contributed to an addiction that landed her in prison. This is […]
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“How Do You Connect with Someone with a Camera? It’s a Hard Thing to Talk About”: DP Joshua James Richards on Shooting Nomadland
A compelling portrait of one woman’s survival in the new economy, Nomadland won the Golden Lion at the Venice Film Festival and the People’s Choice Award at the Toronto International Film Festival. Adapted from a book by Jessica Bruder, it was written, edited and directed by Chloé Zhao. This is the third collaboration between Zhao and cinematographer Joshua James Richards, following Songs My Brother Taught Me (2015) and The Rider (2017). Richards won the Best Debut Cinematography at the EnergaCamerimage Festival for Songs My Brother Taught Me. This year Camerimage awarded its Golden Frog to Richards for Nomadland. Frances McDormand, […]
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Moving Through the Frame
Like The Searchers, Nomadland is bookended by a pair of doorways: on one side, the post-Baby Boom American Dream of domesticity and stability; on the other, the siren’s call of the wanderer, beckoning toward the unknown. In the film’s opening frame, Fern (Frances McDormand) stands in the doorway of a storage unit in Empire, Nevada. The Great Recession has swallowed the mining town whole; the 60-something widow takes one last glance at the remnants of her life, packed away in boxes, and climbs into her Ford Econoline van, headed toward the horizon. A year passes before Fern darkens another symbolic […]
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“Wildfires Are a Complicated Tornado of Danger”: DP Bennett Cerf on Users
Natalia Almada’s Users is an inquisition on technology and its inextricable nature from modern life. Juxtaposed against Californian wildfires and oceans on the rise, the film questions what progress means when we sacrifice so much in the process. DP Bennett Cerf discusses the morbid thrill of capturing disasters on film. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Cerf: Natalia has always shot her own projects except for her narrative feature, which Lorenzo Hagerman shot. I was peripherally involved in […]
