Patrick Osborne came to national attention with his animated short Feast, a delightful film about a food-loving dog that screened with Disney’s Big Hero 6 and won the Academy Award for Best Animated Short for 2014. It dealt with family, loyalty, and growth and change over time, particularly the strain and eventual reward as new loved ones enter the circle of a previously cohesive relationship: it’s initially difficult for Winston, the dog, to accept his owner’s new girlfriend, but ultimately it is he who makes the decision to save the relationship and he enters a much wider and more loving world as a […]
Some of the images and ideas that have turned up in the commercials, music videos, short films and feature films of Daniels are: A man gets his foot stuck inside another man’s ass; the more he tries to get it out, the deeper it goes. A grieving widow is relentlessly prank-called by a child. A man has bottomless pockets. A woman’s breasts begin to move and spin inside her shirt. A man dances so hard that he falls through the floor, where he meets a hard-dancing woman who crashes her ass into his face; together, they fall through the floor. […]
I first met and spoke with Ben Wheatley in Brighton, where he lives with his wife and collaborator, Amy Jump. I was there for the inaugural Dark and Stormy Crime Festival, where Wheatley was screening his existential hit man thriller, Kill List. That film, along with Sightseers, Down Terrace and A Field in England, comprise a body of work that has rightly cemented Wheatley’s status as a raucous, disruptive, independent voice within the sometimes staid confines of the British specialty film industry. Wheatley’s new film High-Rise — an adaptation of J. G. Ballard’s 1975 dystopian sci-fi novel and his highest-budgeted to […]
“Detached, inhuman and unreal” — that’s how Sonia Kennebeck describes the act of killing via Predator drones. An emblem of American foreign policy in the Obama era, so-called unmanned aerial vehicles allow nations to monitor and assassinate their enemies from thousands of miles away. Kennebeck interviews the operators and survivors of drone warfare in National Bird, her whistle-blowing documentary executive produced by Errol Morris and Wim Wenders. Below, Kennebeck discusses the ethical dilemmas of drone warfare, drones as a cinematic tool and how she found her remarkable subjects. The film screens this week at the Tribeca Film Festival and has been picked up by FilmRise for distribution. Filmmaker: […]
Two things distinguish director Andrew McCarthy’s television work: exceptionally loose, naturalistic performances, and a rigorously elegant sense of framing and blocking. An actor’s director in the best sense, in that he treats behavior as one component of a fully integrated, visually expressive whole, McCarthy’s episodes of any given series are almost always that program’s most emotionally and cinematically layered. Even on a show like The Blacklist that already has a strongly established visual style, McCarthy is able to integrate his own preoccupations with the preexisting framework to both serve the franchise and deepen it. (He also elicits delightful effects from […]
Ironically launching at the stellar Full Frame Documentary Film Festival in Durham, North Carolina right as the anti-LGBTQ HB2 legislation hit the fan, S. Leo Chiang and Johnny Symons’s Out Run follows the Ladlad Party in the Philippines — the only LGBT political party in the world — in the run-up to what could be a history-making election. An artistic political doc, Out Run is both riveting and familiar, as the leaders (including Bemz Benedito, a trans woman who serves as the face of the party) deftly employ campaign strategies that include everything from transforming beauty parlors into headquarters to […]
One of the most moving exhibits in New York last year was a lone Galapagos tortoise in a corner of the American Museum of Natural History. Lonesome George was the last Pinta Island tortoise in the world, and after he died in 2012 the only way to encounter this entire species was to view his mounted form through glass in a museum. With a mass extinction at least as great as the one that killed the dinosaurs happening all around us, many other species will soon be visible only in the same way. But now Kel O’Neill and Eline Jongsma, a […]
In their impressively fleet debut All This Panic, the personal/professional partnership of Jenny Gage (director) and Tom Betterton (DP) train their gaze on a group of teenage girls growing up in Brooklyn. Tracking Lina, Ginger, Dusty and Delia as they transition from 16 to 19 (with older and younger outliers), the film unfolds in a 79-minute blast, articulately speeding through years of teen not-quite-turmoil. Impressively locked in, edited for speed and emotional impact, and exponentially more complex than most depictions of contemporary teen girls in either fiction or non-fiction filmmaking, All This Panic is an empathetic rush translating their experiences into something […]
Emotions are a disease. In the world of Equals, responsible humans have eliminated them from their daily lives. That means no more romantic hangups, no more depressive spells, no more sexual tension. People are productive; unchained from their irrational impulses, they lead quiet lives in solitude. Within this universe, director Drake Doremus explores what a budding romance might look like between two office drones, Nia (Kristen Stewart) and Silas (Nicholas Hoult). Executive produced by Ridley Scott, the film represents a leap for Doremus, who has previously directed smaller, character-driven films. Doremus speaks below about his intention to create a sci-fi film that allows […]
After creating, directing and starring in two acclaimed web series — The Slope, a collaboration with Desiree Akhavan, and From F to 7th — Ingrid Jungermann makes her feature debut with the Tribeca Film Festival selection Women Who Kill. It’s a zeitgeist-y murder mystery set in the world of true-crime podcasts, but, like all of Jungermann’s work, it’s also a relationship story drawing inspiration from her own life. Below, Jungermann, one of Filmmaker‘s 25 New Faces, talks about her favorite ’80s serial killer books and movies, why working in genre allows her to be more personal, and now “Serial” inspired the film. […]