Directors
Interviews - Directors
-
“I Would Never Do This to a Friend”: Tobias Lindholm on A Hijacking
A Hijacking, Tobias Lindholm’s first feature as a solo director (his first film, 2010’s prison drama R, was co-directed with Michael Noer) begins before its title event, with cargo ship cook Mikkel (Pilou Asbæk) calling home to his wife, and it ends after it’s all over. But the bulk of the film is a two-setting procedural, radiating verisimilitude both on-board and in the corporate offices, where a CEO (Søren Malling) personally conducts negotiations with hijackers. During an interview with Filmmaker, Lindholm spoke about the production in all its preparatory and practical aspects. Filmmaker: When I heard the sound of the […]
-
“The Studios are Dead:” Chen Kaige on China’s New Filmmaking Machine
It’s fitting that Chen Kaige kicked off TIFF’s Century of Chinese Cinema program last week in Toronto where he introduced screenings of his films and spoke about his career in two public talks. The movies of the Fifth Generation filmmaker cover several eras of Chinese society, ranging from pre-World War Two in Farewell My Concubine (1993) to today’s social media of Caught in the Web (2012). More importantly, Chen is a key figure in elevating Chinese cinema to the world stage, starting in 1984 — when his first film, Yellow Earth, shattered the tyranny of state-sponsored propaganda films — then […]
-
Five Questions with I Send You This Place Directors Peter Ohs and Andrea Sisson
The following interview was conducted earlier in the year to coincide with the New York festival premiere of I Send You This Place. It is republished here to mark the start of the film’s theatrical release at the reRun Theater today. The debut film from husband and wife team Peter Ohs and Andrea Sisson (also known collectively as Lauren Edward, a composite of their middle names), I Send You This Place is a very unconventional documentary which tackles themes of mental health, creativity and the natural world through the prism of the couple’s trip to Iceland. Gorgeously shot and made […]
-
Richard Rowley on Dirty Wars
Already a celebrated and polarizing figure in the world of war reporting and investigative journalism, Jeremy Scahill, whose incendiary 2008 bestseller Blackwater landed him on virtually every political news show in the business, returns to the spotlight this season with the unsettling, yet arguably vital, documentary Dirty Wars, a companion piece, of sorts, to his new doorstopper of the same name. A hit at Sundance, the film credits Scahill as co-producer and co-writer, and features him as both narrator and chief subject, but at the helm is director Richard Rowley, a veteran documentarian who’s worked with Scahill for more than […]
-
“We’re All on a Downward Spiral, Right?” Calvin Reeder on The Rambler
Judging from the slick production values, the leading name actor, the eye-catching poster art, and the stock horror trailer, one might glean the false impression that The Rambler, Calvin Reeder’s sophomore film, might be a more commercial affair than his micro-budget 16mm debut, The Oregonian. But make no mistake, though The Rambler finds Reeder painting with a larger canvas, the film is just as bold, hallucinatory and unrepentantly experimental as any of his previous work. Based off the 2008 short of the same name, The Rambler follows a taciturn guitar-slinger (Dermot Mulroney, taking the role on from Reeder who played […]
-
Geoffrey Fletcher on Violet & Daisy
An often stirring and certainly very odd meditation on the difficulties and ambiguities of love and friendship about a pair of female teenage assassins, Violet & Daisy is the debut feature of Oscar-winning screenwriter Geoffrey Fletcher (Precious). A tricky balance of near camp, New Wave aesthetic hijinks and earnest melodrama unfold in this three-handed chamber piece and are for the most part deftly pulled off by Fletcher and his collaborators, who have made a film that is reminiscent of both grindhouse cheapies (Danny Trejo is in it after all, albeit very briefly) and Godardian reveries. Ex-Gilmore Girl Alexis Bledel and Atonement‘s Saoirse Ronan play the title […]
-
City World Director Brent Chesanek
Among the discoveries at the 2012 edition of CPH:DOX was Brooklyn-based Brent Chesanek’s City World, which is part magic realist children’s adventure tale and part austere landscape documentary. Over precisely framed tableaux shot in his hometown of Orlando, FL — nearly all of them completely absent of people — Chesanek drapes the narration of a young boy mulling the breakup of his family and subsequent move, with his father, to this Southern city. As in another recent film, General Orders No. 9, contemporary landscape photography is presented as historical residue meant to be both meditated on and explicated. Drained of […]
-
“He’s Kind of Killed All of Them at This Point:” Adam Green on Holliston and Hatchet III
Imagine that you grow up to be a successful filmmaker? Cool, huh? Now imagine that you get to wake up (or continue the previous day’s all-nighter) and go to work with some of your best friends. Even better. Throw in the fact that you are good buddies with the lead singer of one of your favorite bands — who also happens to play your boss on your acclaimed sitcom — intergalactic, Hollywood-star-slaughtering monster/Gwar frontman Oderus Urungus plays your imaginary friend, you have become peers and collaborators with childhood idols and inspirations ranging from Chris Columbus (screenwriter of The Goonies and Gremlins) and […]
-
Zal Batmanglij and Brit Marling on The East
Brit Marling recently gave the convocation speech for the 2013 graduating class of Georgetown University, the alma mater of the writer/producer/actress and her friends and collaborators Mike Cahill and Zal Batmanglij. Cahill directed Marling in Another Earth, a film she co-wrote, and Batmanglij has stood at the helm of Sound of My Voice and the new eco-thriller The East, both of which also credit Marling as co-writer and star. In her speech, a riveting address that was wonderfully articulate and rang deeply true, Marling offered fun anecdotes about her misadventures with Cahill and Batmanglij (Cahill, for example, once served as […]
-
Five Questions with La Camioneta Director Mark Kendall
This interview originally ran at the time of the film’s world premiere at the SXSW Film Festival 2012, and is now being republished to coincide with with La Camioneta‘s theatrical release, which starts today at Brooklyn’s reRun Theater. Visit the official website of La Camioneta for dates of further theatrical screenings. Director Mark Kendall carries a spirit of adventurous, a keen eye for character, and a wellspring of ambition into his first documentary feature, La Camioneta: The Journey of One American School Bus. Starting out at an auction in rural Pennsylvania for decommissioned school-buses, Kendall boards one of the buses sold and accompanies the […]
