Directors
Interviews - Directors
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This Sweet Sickness: Frank Beauvais On His Obsessive, Archival-Based Memoir, Just Don’t Think I’ll Scream
In 2016, filmmaker Frank Beauvais was rudderless, living in a remote village in the French countryside without a driver’s license and riding out the wake of a breakup in rural isolation. Over the course of a few difficult months, he watched more than 400 movies at home, a torrential—and torrented—flood of film that both sustained and corroded him. Just Don’t Think I’ll Scream is a portrait of that time told through silent excerpts from Beauvais’s cinematic compendium. The films wildly span genre, nationality and time period, and are paired with a spoken first-person memoir narration track from Beauvais. The pairings […]
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Incendiary: Director Alexander Nanau on His Explosive Investigative Documentary, Collective
On October 30, 2015, at the Bucharest venue Colectiv, metalcore headliner Goodbye to Gravity bellowed lyrics denouncing widespread Romanian corruption, inadvertently foreshadowing what happened next. Fireworks were released, the highly combustible club went up in flames and people stampeded for the only, half-closed exit—Colectiv had received an operating license without also obtaining a permit from the fire department. Responsibility lay in part with the mayor of Section 4, the administrative district governing Bucharest, and protesters quickly called for his resignation, as well as that of the prime minister and minister. Inspections of more than 1,000 venues resulted in excess of […]
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Milk Money: Director Kelly Reichardt on the New World and Nascent Capitalism of First Cow
First Cow marks the fifth film in 14 years on which director Kelly Reichardt has collaborated with screenwriter–novelist Jon Raymond. I can’t think of a director–writer team in America that has produced so much superior work during this time period—Reichardt is one of the talents on whom hope for the creative possibilities of American filmmaking now rests. Like Reichardt and Raymond’s first partnership, the critically lauded, microbudgeted Old Joy (2005), First Cow is a lyrical tragicomic story of male friendship, emerging against the background of the almost intoxicating beauty of the Oregon woods. But this time, Reichardt’s telling a more […]
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Her Decision: Eliza Hittman on Her Observational, Intimate and Necessarily Political Never Rarely Sometimes Always
“It’s so important for me to be thinking about a movie all the time,” says writer-director Eliza Hittman, reflecting on her creative process. “I don’t spend so much time sitting at a computer. I want to walk around, be in locations, spend my Saturday on a handball court or in a park or in Port Authority and respond to the environment.” Evidenced by the authenticity and truthful immediacy—laced with deeply neorealist touches—of her films, there must be something to this observational method of writing the burgeoning American auteur calls “experiential.” It births a singular high-stakes quality that guides It Felt […]
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There’s Something in the Air: With The Vast of Night, Director Andrew Patterson Reinvents the UFO Movie
Director Andrew Patterson’s film The Vast of Night, which premiered to great acclaim at the 2019 Slamdance Film Festival, is informed by many genres and influences but beholden to none of them. Part Twilight Zone–esque sci-fi tale, part young adult romance, part David Fincher–inspired suspense movie with a dash of The Last Picture Show’s small town poetry, it is most of all a haunting and startling debut feature that teaches the audience how to watch it as it progresses—which means it not only rewards but demands repeat viewings. Set over the course of one night in 1950s New Mexico, The […]
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“Handwashing is Not Exactly Cinematic”: Carlo Mirabella-Davis on Swallow
While release dates are often determined months in advance for a slew of reasons solely related to a film’s individual success, it’s striking to see how some can be placed in indirect conversation with one another. I recently revisited Carlo Mirabella-Davis’s debut feature Swallow just a few days after taking in Leigh Whannell’s feminist blockbuster adaptation of The Invisible Man. Both are about women in emotionally abusive relationships that have grown increasingly difficult to break free from. To complicate matters, each are pregnant with their lover’s child, and that the pregnancy is carried out to term is of utmost importance to […]
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The Violence of Power Relations: Kleber Mendonça Filho and Juliano Dornelles on Bacurau
Bacurau is the name of an angry night bird that exists in many different parts of Brazil, but that is only called bacurau in the Brazilian Northeast. Bacurau, the latest film by Kleber Mendonça Filho and Juliano Dornelles—which gets a US release this weekend—uses the motif of the night bird to tell the story of a small village in the Brazilian Northeast that is facing imminent erasure, targeted by international hunting tourists that have teamed up with domestic predators. The film reprocesses motifs from Hollywood genre movies and Italian westerns in the landscape of the sertão, the drylands of formal […]
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Tusk: Jessica Sarah Rinland on Those That, at a Distance, Resemble Another
When we enter a museum and engage with its objects, we might not think about the people responsible for making those experiences available to us. Behind the public walls of the museum, conservators, preservationists and historians work tirelessly to restore and preserve the artefacts that we as visitors ponder over. These undertakings are celebrated, explored and reflected upon in Argentine-British artist Jessica Sarah Rinland’s latest film, Those That, at a Distance, Resemble Another. It’s an investigation that amplifies the tactile qualities of the many processes involved in repairing objects, fabricating copies and ensuring their long-term saving as historical records, presenting actions […]
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“There’s Really No Plan for This Film at All”: Tsai Ming-Liang on Days
Speaking to Tsai Ming-liang is itself like a Tsai scene. On the day of my interview with the Taiwanese director, the whole of Potsdamer Platz—the main hub for the Berlinale—feels emptied out of its inhabitants. His new film Days has premiered in the competition late into the festival, after the industry presence has largely packed up and flown out. By this point, the grand space of the Berlinale Palast in midday is like a shopping mall in a zombie movie, abandoned to a splintered cadre of bodies shuffling under an eternity’s worth of exhaustion and weariness. The revolving lights in […]
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“Criminals and Police Officers are One Family”: Diao Yinan on The Wild Goose Lake
Writer and director Diao Yinan’s follow-up to the award-winning Black Coal, Thin Ice is The Wild Goose Lake, a film noir set in a southern China of humid tenements and steamy resorts. (Although the film’s location is left unnamed, Yinan shot in Wuhan, ground zero for COVID-19, to make use of the lakes in the area.) Yinan based his script on memories, such as the train station that opens the movie, and photographs, like a black-and-white “swim companion” lounging on a boat — imaged he uses to explore genre characters and situations. Double-crossed on a job, crook Zhou Zenong (Hu […]
