Interviews
Interviews
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“Not Everything Could Have Been IMAX”: DP Andrew Droz Palermo on Thunderbolts*
In the latest Marvel Cinematic Universe entry Thunderbolts*, a reluctant squad of antiheroes team up to save New York City. Behind the scenes, another superteam comprised of A24 alumni joined forces. As this trailer breaks down, Thunderbolts* is brought to you by “the writers and director of Beef, the cinematographer of The Green Knight, the production designer of Hereditary, the editor of Minari and the composers of Everything Everywhere All at Once.” That Green Knight cinematographer would be Andrew Droz Palermo, whose resume includes work for both Marvel (the Disney+ series Moon Knight) and A24 (David Lowery’s A Ghost Story and […]
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“Anytime I Could Minimize the Use of Verbal Language and Rely on Other Means to Advance the Story, That’s What I Did”: Lloyd Lee Choi on His Cannes-Premiering Lucky Lu
There’s something about the high-pressure nature of the migrant experience that can make films about it elicit more anxiety than your average thriller. So it is with Lloyd Lee Choi’s Lucky Lu. Set in New York’s Chinatown—a backdrop captured by DOP Norm Li as a caliginous labyrinth of alleyways and sepulchral rooms—Lee Choi’s feature debut centers on the titular Lu (Chang Chen), a Chinese delivery rider who’s spent years away from his wife and daughter, and now, having drummed up enough cash to secure an apartment for three, readies to welcome them to the city. Title notwithstanding, however, Lu might […]
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“At the Same Time that We’re Fighting for our Lives, We Are Also Agents of Exploitation, of Domination, of Violence”: Pedro Pinho on his Cannes-Premiering I Only Rest In The Storm
Pedro Pinho’s Cannes-premiering I Only Rest In The Storm follows Sergio, a naive do-gooder who, as the film’s title implies, finds inner peace in places of chaos. In this case it’s the hurly-burly of Guinea-Bissau, where the Portuguese environmental engineer has been hired to produce an impact report that will pave the way for a road-building project to commence. There he meets two charismatic characters, party-loving besties Diara and Guillermhe, the former a native, the latter a Black Brazilian expat. And thus begins a bizarre triangle of love-hate attraction – fueled by a colonialist past, a capitalist present, and an […]
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“A Human-Ghost Relationship Perfectly Fits Within a Queer Framework”: Ratchapoom Boonbunchachoke on his Cannes-Premiering A Useful Ghost
Ratchapoom Boonbunchachoke’s Cannes-premiering A Useful Ghost is a multilayered cinematic extravaganza (and feat) that manages to seamlessly combine several deep themes: toxic pollution, soulless capitalism, the perils of prioritizing self-interest over the good of the community, and the beauty of unconventional romantic relationships. And that’s all while doing so in the guise of a love story equal parts poignant and bonkers involving a man named March and his recently deceased wife Nat, who has now taken the form of a very sleek vacuum cleaner. Just prior to the film’s Cannes’ Critics Week premiere, Filmmaker caught up with the Bangkok-based writer-director […]
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“I’m Not Interested in Horror Films”: Karan Kandhari on Sister Midnight
It’s a full eight-and-half minutes into Sister Midnight before newlyweds Uma (Radhika Apte) and Gopal (Ashok Pathak) even say a word to each other; conflict immediately ensues. Confined to a cramped, one-room apartment after moving to Mumbai, the spitfire Uma finds herself ill-suited to the rigid traditional roles expected of Indian brides. Her bashful husband, on the other hand, rebuffs her attempts to seduce him with a polite handshake. In this lonely arranged marriage of stifled desires and out-of-sync conversations, even bangles soon begin to feel like shackles. Despite this, Karan Kandhari’s Hindi-language directorial debut unfolds as a domestic drama […]
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“Drama Appeals to Us is Because It Touches Something Different than the Contemporary”: David Mamet on TV, Theater, Gene Hackman and His New Film, Henry Johnson
I assumed David Mamet would probably have more opinions about Aristotle than A24 and, indeed, in discussing the 76-year-old playwright-turned-filmmaker’s new movie, Henry Johnson, the former came up while the latter didn’t. Henry Johnson marks Mamet’s return to the director’s chair after a decade-long absence from cinema, and it’s easily his most austere work since 1994’s Oleanna, which like this film was adapted from his own play. Premiering on stage in 2023 at the Electric Lodge in Venice, California, and later staged at Chicago’s Victory Gardens Theater in 2025, the play follows the unraveling of its titular character, a well-meaning […]
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“Children and Animals Have a Natural Intuition and Liveliness”: Xinying Lao on Her Student Short Film Showcase Winner Xiaohui and His Cows
Unlike the rest of her cohort, Xinying Lao has the distinction of being a Short Film Student Showcase winner as an underclassman. Made during her sophomore year at NYU, Xiaohui and His Cows sheds light on the widespread separation of families in rural China as parents migrate to cities for work, leaving their children behind with relatives. The film also bowed at the 2023 Berlinale in the festival’s Generation Kplus section, which is reserved for stories that explore children’s perspective. Certainly a shoo-in for the category, Lao’s short centers on the titular Xiaohui (Jinhao Wei), a nine-year-old boy living with […]
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Read Interviews With the Fifth Annual Student Short Film Showcase Winners, Awarded By The Gotham, JetBlue and Focus Features
A creepy humanoid inches closer with every blink. A young woman returns to Peru to fulfill her grandmother’s dying wish. A nine-year-old boy attempts to hide the beloved cows his grandfather must separate. A despondent man attempts to end his life to no avail. An older woman navigates ageism and desire in China. These are the varied premises of the five winners of the fifth annual Student Short Film Showcase, co-presented by JetBlue, Focus Features and The Gotham, Filmmaker‘s publisher. The five winning filmmakers are, respectively, James Ross (Don’t Blink, Florida State University), Sisa Quispe (Urpi: Her Last Wish, City […]
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“The Story Kept Growing Alongside My Real-life Experience”: Sisa Quispe on Her Student Short Film Showcase Winner Urpi: Her Last Wish
A Peruvian pilgrimage to visit the village of a recently-deceased relative propels the plot of Urpi: Her Last Wish. Helmed by Sisa Quispe as her MFA thesis film at the City College of New York, she also stars as the titular Urpi, a young American woman who travels to the Andes to reconnect with the culture she has long felt severed from. Guiding her through her personal journey is Sayri (Juan Abel Ojeda Llanos), a local Indigenous man who treks with her to remote villages in order to find the former abode of her grandmother so that Urpi may pay […]
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“Totally Smooth Productions Are a Myth”: James Ross on His Student Short Film Showcase Winner Don’t Blink
The creepy premise of Don’t Blink may be parsed by its title alone, but this still doesn’t make one prepared for the unyielding scares conjured by writer-director James Ross. Completed with the aid of his MFA cohort at Florida State University, Ross’ film takes place during the witching hour in an otherwise quaint suburban enclave. Travis (Samuel Isaiah Hunter) is eager to spend the night with his date Reese (Tamara French) at her spacious pad. The only demand the beautiful woman makes is that Travis must take a pill to ensure that he sleeps through the night. Though he agrees, […]
