Interviews
Interviews
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“Film Sets Are the Best Film School”: YouTubers-Turned-Filmmakers Danny and Michael Philippou on Their A24 Horror Debut Talk To Me
Ventriloquist demons go viral in Talk To Me, the feature film debut of twin brothers and co-directors Danny and Michael Philippou. While the A24 horror venture marks their first official foray into feature filmmaking, the duo have been uploading action-packed videos onto their YouTube channel, RackaRacka, since 2013. Unlike Kyle Edward Ball, another YouTuber-turned-filmmaker whose chilling feature debut Skinamarink released earlier this year, the Philippou’s prior output wasn’t necessarily horror-focused. To date, their channel is mostly comprised of stunts, comedy sketches, satirical vlogs and prank videos. This decade-spanning commitment to making content is likely what primed the brothers to helm Talk […]
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A League of His Own: Sam Pollard on The League
Admittedly, as a white, baseball-phobic critic (I’ve never seen A League of Their Own or anything starring Kevin Costner and a bat), I’m not exactly the target demographic for The League, which takes a deep dive into America’s pastime through the parallel sports universe of the Negro League. Nevertheless, the doc was a must-catch, no pun intended, for me during Tribeca since I also happen to have a baseball-obsessed (Bronx-born/Brooklyn Dodgers-raised) father and (Mets-maniacal) sister who visited the Negro Leagues Baseball Museum several years back, and still speak of that trip as some sort of exotic holy pilgrimage. (For the record, the NLBM is […]
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“All Filmmakers are Struggling to Find Money”: Kim Longinotto and Franky Murray Brown on Dalton’s Dream
Normally on shoots, veteran documentary maker Kim Longinotto films far away from her native England, often capturing the lives of women in desperate situations over the course of a few weeks. With her latest film, Dalton’s Dream, things ran rather differently. Having watched his victory on the British X Factor in 2018, Longinotto reached out to Dalton Harris, interested in documenting his life in a new country with a new record contract. An initial three-month shoot morphed into more than four years, held up by both the pandemic and the turbulence of Harris’s life as he found himself persecuted for […]
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The ’80s NYC Art Scene, DIY Doc Filmmaking and the Hustle of Self-Promotion: Director Brian Vincent and Producer Heather Spore on Make Me Famous
There’s a moment early in director Brian Vincent and producer Heather Spore’s documentary Make Me Famous when the ’80s downtown New York artist Edward Brezinski is described by the late artist Duncan Hannah as the guy with the flyers. Brezinski would show up at openings, drink the cheap wine and press flyers for group shows at the Magic Gallery (his own barren apartment on East 3rd Street) into as many palms as possible. In a world where the most successful artists managed to self-promote while simultaneously adopting a pose of understated remove, Brezinski’s old-school hucksterism was memorably uncool. As the […]
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DP Markus Mentzer on Shooting Six Episodes of I Think You Should Leave in 24 Days
With only 24 days to capture nearly 30 sketches, the average I Think You Should Leave bit is shot in roughly six to eight hours. That might be for the best. When you’re slopping up steaks or shooting body after body busting out of cheap wood and hitting pavement, probably wise not to linger at a location for too long. Cinematographer Markus Mentzer, who has been behind the camera for all three seasons of the Netflix show, breaks down the newest crop of sketches for Filmmaker. Filmmaker: Your first three camera department credits on IMDB are Out of Time, In […]
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“I’m Not a Fly on the Wall, I’m Not Invisible”: Jeanie Finlay on Your Fat Friend
Over the past 15 years, British filmmaker Jeanie Finlay has earned a reputation for nuanced, sensitive and compelling documentary portraits. Her films have told many unlikely stories: the rise and fall of a reluctant Elvis lookalike in Orion: The Man Who Would Be King, two Scottish hip hop fraudsters in The Great Hip Hop Hoax, a pregnant transgender man in Seahorse. Her third feature film, Sound it Out, told the story of the last record shop in the Northeast of England and its owner, Tom Butchart, a school friend of Finlay’s. The morning after the world premiere of Finlay’s latest […]
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Acting Their Age: Dustin Guy Defa on The Adults
“It was a highly anticipated scene for me,” Hannah Gross told me with a laugh. “It’s just so absurd. For anyone who has a complicated relationship, spoken or unspoken, with a sibling, it’s the ideal scenario: to get to express your grievances through the safety of these voices.” I’d asked her about a memorable moment near the end of The Adults, Dustin Guy Defa’s follow-up to Person to Person (2017). Gross, Michael Cera and Sophia Lillis star as estranged siblings still reckoning with the death of their mother and still adjusting, unsuccessfully for the most part, to the disappointments of […]
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Earth Mama DP Jody Lee Lipes
Jody Lee Lipes likes to ask questions—so many, in fact, that the cinematographer says it can sometimes annoy directors. However, Lipes found a collaborator with an equally inexhaustible inquisitiveness in Savanah Leaf. “Savanah wanted to go through every scene together [during prep],” said Lipes. “I loved it because that’s my favorite thing to do. We would talk about a scene for like three hours. We went literally word by word through the script.” Lipes, whose credits include Manchester by the Sea, Martha Marcy May Marlene and I Know This Much Is True, first met Leaf on a commercial. They developed […]
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“The Nature of Global Capitalism is Such that [Stories About] Gay Sexuality Are More and More Difficult to Finance”: Passages Director Ira Sachs in Conversation with Stephen Winter
The following interview with director Ira Sachs by director Stephen Winter was published in Filmmaker’s Summer, 2023 issue and is being reposted today as Sachs’s film Passages arrives in theaters from MUBI. There are acclaimed films about filmmakers set during production—Fellini’s 8 1/2, Truffaut’s Day for Night and Fassbinder’s Beware of a Holy Whore, to name three. But there are far fewer set during what might be an even more psychologically fraught time: post-production. For some directors, it’s when a film wraps that things become unstable. The ersatz family of cast and crew retreat, the militarized schedule lessens somewhat and […]
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Decisive Moments: Earth Mama Director Savanah Leaf in Conversation with Derek Cianfrance
There are two long back-and-forth tracking shots in Savanah Leaf’s wise, emotionally full debut feature, Earth Mama. In the first, the pregnant Gia—a 24-year-old Oakland single mother fighting for custody of the two young children she already has lost to state-sponsored foster care—purposefully strides across a playground, the camera focused on her as she passes expensive strollers and children playing in the background in soft focus. Moments before, she has asked the owner of the photo studio she works at for a cash advance: “I don’t want my baby coming out with no clothes or nothing,” she says. (Leaf cuts […]
