Interviews
Interviews
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“There’s a Beauty to the Dark Feminine”: Nida Manzoor on Polite Society
The unbreakable bond of sisterhood threatens to be thwarted by a eugenic evil conspiracy in Polite Society, writer-director Nida Manzoor’s feature debut. The British filmmaker, who was raised in a Pakistani Muslim household, has encased vital aspects of her own life in each project she’s embarked on so far. Her Peacock/Channel 4 show We Are Lady Parts, which follows a punk band comprised entirely of Muslim women, incorporates her natural musical prowess through writing the show’s music with her siblings Shez and Sanya. Now with Polite Society, Manzoor reflects on another immutable aspect of her life: the chaos and camaraderie […]
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Binaural Recording, Room Tone, and Voices from the Past: Sam Green on His Documentary 32 Sounds
When it came time to title his 2018 documentary about The Kronos Quartet, director Sam Green chose A Thousand Thoughts. Referring to an older Kronos composition, the title also spoke to the film’s approach, which was to use the music and biography of the Bay Area classical group to summon up a range of allusive meditations on ephemerality, culture, legacy and death. For his latest documentary, ostensibly about the much larger and more amorphous topic of “sound,” Green has gone in the numerically opposite direction. 32 Sounds, which opens today at New York’s Film Forum, announces itself as a sort […]
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How AI Will Change Your Future Media Workflow
The two big product updates from Adobe at NAB were text-based editing in Premiere and still photo support in Camera to Cloud (you can read our coverage on Frame.io updates here). But in chatting with Michael Cioni, Adobe’s Senior Director of Global Innovation, things took a fascinating turn when discussing Firefly, Adobe’s generative AI model, and the future of AI in media production. Our conversation explored the integration of AI tools in Adobe’s products, as well as the broader implications of AI-driven technologies on the creative process. Michael shared his insights on how the shift towards generative AI solutions could significantly […]
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“The Only Thing We Have Is the Moment”: Betsey Brown (Back to One, Episode 250)
My first encounter with the work of actor, writer, director Betsey Brown was her captivating and shocking performance in The Scary of Sixty-First. Then, in her first feature film Actors, she and her brother Peter Vack play over-the-top versions of themselves in a wildly fictional, yet super-personal exploration of their relationship that boldly pulls out all the cinematic stops. It’s the kind of rare indie that gives you hope for the future of film. In this episode, she talks about the aspects of the acting craft that are central to her—patience, relaxation, fearlessness, appreciation, the importance of the present moment—plus […]
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Secrecy and the Creation of “Nakedness” On Screen: Director Kristy Guevara-Flanagan and Producer Helen Hood Scheer on Their Documentary, Body Parts
In their documentary Body Parts, which premiered at Tribeca Film Festival in 2022 and is now streaming on digital platforms, director Kristy Guevara-Flanagan and producer Helen Hood Scheer confront issues of the male gaze and male supremacy within the film industry. The vastly informative film explores topics such as body doubling, beauty retouching in post, sexual harrassment on set and the introduction of intimacy coordination. Through candid interviews, an expansive array of archival footage and reenactments, this film thoroughly uncovers the darker history of sex on screen, also highlighting the ways in which tides are changing with more female filmmakers […]
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“I Don’t Care if People Don’t Like My Characters”: Emily Meade (Back To One, Episode 249)
Emily Meade is best known for her roles in the HBO shows The Deuce, The Leftovers, and Boardwalk Empire. Her latest project, the Amazon series Dead Ringers, premieres on April 21st. She became an advocate for intimacy coordinators on set following a lack thereof on The Deuce, where she portrayed a sex worker. After urging HBO to hire an intimacy coordinator, her advocation ignited the use of intimacy coordinators on all HBO sets and beyond, creating a new standard in Hollywood. In this episode, she talks about needing to base her characters on real-life people she knows, how being a […]
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“I’m Seldom Looking at Fashion Editorials”: Costume Designer Heidi Bivens on the Euphoria Fashion Book From A24
One of the most trendsetting costume designers working today, Heidi Bivens’s work on the edgy teen drama Euphoria mixes vintage pieces, subcultural styles and up-and-coming designers in surprising and visually dynamic ways. Her looks have captivated the show’s young viewers: Euphoria-inspired fashions can be found all over social media, and now her influential designs have been immortalized in a new book, Euphoria Fashion. Written by Bivens and published by A24, the book features interviews, essays from journalists and imagery of the designer’s creations featuring fun facts about her inspirations and the symbolism of various outfits. It’s a striking showcase for […]
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“I’m Very Comfortable With Repeating Ideas Until They Are Perfected”: Kristoffer Borgli on Sick of Myself
One of John Waters’s favorite movies of 2022, Sick of Myself possesses a distinctly American outlook despite being the creation of Norwegian filmmaker Kristoffer Borgli. Indeed, the ego-driven, crime-ladden pursuit for fame and recognition are as present in Sick of Myself as they are in many of American trash ambassador Waters’s films. “No, it’s not Female Trouble,” wrote Waters in his Artforum blurb of the film, “but it’s just as nuts,” and the film’s overtly American satirical edge has everything to do with his decision to relocate to Los Angeles several years ago. Sick of Myself follows Signe (Kristine Thorp), a […]
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“You Alone Are Not Making Anything Happen; It’s a Collective Experience”: Julio César Cedillo (Back To One, Episode 248)
For three decades, Julio César Cedillo has been delivering authentic, nuanced, fully realized performances in films and television series such as Sicario, Cowboys and Aliens, The Three Burials of Melquiades Estrada, Narcos Mexico, and the new Netflix film Chupa, to name just a few. In this hour, he generously shares what he’s learned from being a “lunchbox actor,” doing this work he loves. He talks about why, as an actor who happens to be Mexican, his first read of a script is a “search for traps.” Through stories detailing his experiences on set, he explains why it’s better to ask for forgiveness […]
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“Self-Aware Doesn’t Work for Us”: Joe Dante on The Movie Orgy, Matinee at 30 and William Castle’s The Tingler
All of Joe Dante‘s films revolve around distinctly American paranoias—consumerism, threats to the nuclear family, suburban NIMBY sensibilities—but none feel more entrenched in a tangible era of American anxiety than Matinee. Now 30 years old, the film takes place during the height of the Cuban Missile Crisis, centering B-movie shlock jockey Lawrence Woolsey (John Goodman, riffing big time on William Castle), who lands in a panicked Key West, Florida for a promotional screening of his radioactive new horror film Mant (half-man, half-ant, all monster!) Both enraptured and horrified by the real-world implications Woolsey’s film hints at (nuclear disfigurement, neighborhoods-turned-warzones, the […]
