Columns
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Shifting the Gaze
Patricia White, a scholar of feminist film and professor in the Film and Media Studies program at Swarthmore College, recently published a book titled Women’s Cinema, World Cinema: Projecting Contemporary Feminisms (Duke University Press, 2015). The book explores the work of women directors globally, arguing that not only are many of these directors shaping a 21st-century arthouse aesthetic, but also that they are transforming film politics and projecting “a transnational feminist social vision.” The book invites us to rethink both women’s cinema and world cinema and uses the notion of projection as a “vision of futurity.” Writing in the introduction, […]
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“I’m Very Aware That in the Movies I Love There is No One Who Looks Like Me”: Lauren Domino on Producing in New Orleans
When Miles Davis moved to the Upper West Side in 1958, backyard jams with visiting musicians transformed the small block. His residency lasted about 25 years, so he was long gone by the time I moved in to the building next door. But I was there for the block party last year when the street was renamed in his honor. In spite of the loudspeaker recordings, I got to hear the street on jazz. And immersed in the throngs of his friends and relatives, I felt transported. The next day, walking past a new 24hr CVS on the nearby corner, […]
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Digital Motion Picture Cameras in 2015: The Dust Settles
Have you heard? The United Nations designated 2015 the “International Year of Light and Light-based Technologies,” and cinematography made the cut. But is IYL 2015 finally the year in which the dam burst of innovation subsides, and new digital cameras and techniques no longer threaten to drown us? Surveying the latest advances in large-sensor digital cinema cameras for Filmmaker’s fifth annual round-up — written, as always, on the eve of NAB — gives me pause to consider how far we’ve come in the five years since Sony’s F3 and FS100 were cutting-edge… since Panasonic’s AF100 stirred passions, ARRI’s Alexa represented a bold choice, and RED’s hand-assembled Epic-M […]
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The Need for Speed
It was sheer stupid curiosity, I’ll admit it, that lead me to Jupiter Ascending on a cold, sunny afternoon in early March. With a mixture of shame and defiance, I shelled out my 10 hard-earned dollars and entered the newly carpeted theater, where the movie began to play to a grand total of three souls. I had been intrigued by the terrible reviews, the sort that actually make a film sound interesting. The comparisons to Dune (although completely misplaced, in my book) helped with the allure, as did the notion that this was a cult film in waiting. There’s also […]
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Parting Shot
There’s a great tradition of acclaimed French actresses crossing over into larger budget Hollywood films, both good and bad: Isabelle Huppert in Heaven’s Gate; Catherine Deneuve in Hustle; Audrey Tautou in The Da Vinci Code. And while there’s a tradition too of French actresses appearing in American independent films — Huppert again in Hartley’s Amateur and, more recently, Adèle Exarchopoulos in, briefly, Matt Porterfield’s I Used to Be Darker — French stars appearing in such uninhibited, ultra-low budget comedies as Patrick Brice’s The Overnight, a Sundance premiere headed to theaters via The Orchard this June, are a far rarer occurrence. […]
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A Rising Tide?
In a sure sign that the U.S. economy is improving, Wal-Mart employees and union actors in low-budget movies received an approximate 25 percent wage hike earlier this year. Across the country, companies like McDonald’s and many U.S. states are also raising workers’ pay. Such positive economic indicators should be cause for celebration, but for low-budget filmmakers, they signal a more expensive world in which to do business. As prolific producer Jay Van Hoy (The Witch) says, “It’s inflation, you know.” While inflationary expenses won’t severely impact medium-budgeted independent films, rising costs could imperil the vast number of micro-budget productions, which […]
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Finding the Pause Button
A lone van sits idling outside terminal four at JFK. As the last of the passengers settle into their seats, a voice cracks through the early morning silence: “Does anyone know where we’re going?” Nervous laughter fills the air. “Welcome to Forward Slash Story,” says the man behind the wheel as he pulls away from the curb. Twenty storytellers working across a diversity of disciplines (film, TV, theater, gaming, publishing and product design) have traveled from around the world to gather for a residential lab to explore, challenge and experiment with the creative process. Their destination is a secret remote […]
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Haunted Houses and Hidden Spaces
The Dark Net: Inside the Digital Underworld Behind the familiar Internet most of us inhabit skulks the dark net: unlinked, encrypted, password-protected sites and pages serving as forums for everything from marijuana-by-mail sales to mutual suicide webcam pacts. Author Jamie Bartlett is director of the Centre for Analysis of Social Media at the United Kingdom think tank Demos, which makes him well qualified to dive in and find out what the deeper implications of the dark net might be. Some British reviewers have taken issue with Bartlett’s optimistic assessment that these unregulated channels are by and large a good thing; […]
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Editor’s Letter
If you’re a regular Filmmaker reader, you know that we’re obsessed about how the world of film is changing. But sometimes whatever is new and upcoming on the horizon has actually already arrived. Have you noticed? All those things that we chatter about here in our line items and articles and in these Editor’s Letters, well, they are almost old news. That is, if you’re not up on the new landscape, you’re not in the game. Compile a list of funders and distributors these days, and you’ll include alongside all the usual suspects Netflix and Amazon, who are now not […]
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Teaching Immersion and Stereoscopy
The profusion of virtual reality projects showcased at the 2015 Sundance Film Festival is a testament to the fact that the tools and techniques for cinematic storytelling are expanding. Film schools are adapting, often quickly creating new courses that attempt to help students navigate this new frontier. My colleague Eric Hanson, for example, now teaches a course in University of Southern California’s School of Cinematic Arts called “Experiments in Immersive Design.” The course was originally designed to help students understand the history, theory and practice of three-dimensional filmmaking. But under Hanson it has shifted more to incorporate his background and […]
