Sundance
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Giving Good Press: Advice for First-Time Interviewees
For some, it is what they’ve been waiting for, a dream come true, a chance to finally make good on years of lonely work. For others, it is a terrifying minefield of certain humiliation. It is: TALKING ABOUT YOUR FILM. A theoretical dream come true – finally, someone wants to hear me talk about my film! Giving Good Press is a fine art, and, in some cases, a blood sport. The blog machine, the Twittersphere, the critic ratings, the Gray Ladies of print reviews — at a film festival, perhaps for the first time, directors are expected to satisfy their […]
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Joseph Oxford and Bradley Stonesifer Create a World in Cardboard for Me + Her
Director Joseph Oxford and cinematographer Bradley Stonesifer created an imaginary world using cardboard boxes and rubber bands for their animated short film Me + Her. A labor of love that evolved over four years, their work was rewarded when the film was accepted into Sundance’s Short Film program. Oxford has worked in the industry since 2007 in a variety of roles, including production assistant and art director, but Me + Her is his first project as writer and director. Oxford first met cinematographer Stonesifer through a director friend, and they both worked on the film The Vicious Kind in 2008. […]
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Fed Up | Director Stephanie Soechtig
Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? When I think […]
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Low Down | Director Jeff Preiss
Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? Turning ones attention […]
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A Girl Walks Home Alone at Night | Director Ana Lily Amirpour
Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? It’s funny because […]
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Interview with Drunktown’s Finest Director Sydney Freeland
Filmmaker: Why this movie? Why did you decide to do it? Freeland: I grew up on the Navajo reservation and one thing that struck me growing up was that I never saw anybody that I recognized in the movies. I wanted to tell a story about the people and experiences I saw growing up and that’s what set me out to try and make this movie. Filmmaker: How much of your crew was female? Was hiring women a consideration for you? Freeland: I’m not sure, honestly. Our pre-production schedule was only 3 weeks and our shoot schedule was only 15 days. […]
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Street Views: a Conversation with James Nares and His Cinematic Ode to New York
The following article originally ran in Spring 2013, when Street was on display at the Metropolitan Museum of Art in New York City. It is republished here to coincide with it playing as part of New Frontier at the 2014 Sundance Film Festival. In James Nares’s 1976 film Pendulum, a large metal sphere swings ominously from a bridge in a desolate TriBeCa street. We watch with unease as the ball, viewed from multiple positions, traces a giant arc, pulling on the cable, which emits a low rhythmic groan on the soundtrack. This tense, hypnotic Super-8 film, which transforms a forlorn […]
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Five Questions with Ping Pong Summer Director Michael Tully
As much a tribute to the films of the 80s as it is a tribute to the 80s themselves, Michael Tully’s Ping Pong Summer is a strangely sweet, knowingly retro coming-of-age story. Set against the unique and colorful backdrop of 1980s Ocean City, Maryland, the film follows the aptly named Radical Miracle (newcomer Marcello Conte) across a summer of old-school arcade games, teen romance, breakdancing, and of course, plenty of ping pong. Weaving the idiosyncratic style of his previous feature Septien (which premiered at Sundance back in 2011) into a warmer, more universal (yet no less distinctive) tapestry, Tully has […]
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Five Questions with God Help the Girl Director Stuart Murdoch
Stuart Murdoch has been a major creative force in the independent music sphere for over two decades now as the lead singer of seminal indie-pop outfit Belle and Sebastian. Over eight albums and roughly a dozen EPs, Murdoch has expertly reinvented himself and his band many times – from the twee folk of If You’re Feeling Sinister to the 80s-inspired pop of Dear Catastrophe Waitress to the Bowie-esque swagger of The Life Pursuit. Never one to rest on his laurels, though, Murdoch is now turning his attention to an entirely different medium with God Help the Girl, his feature directorial […]
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Park City Critic’s Notes #1: Jungle Violence and Prairie Reckonings
Generally speaking, the documentary competitions sections of major market film festivals are not places to go and find uplift. Wanna feel good in, say, the James Brown sense of the phrase? The Premieres or Spotlight sections at a festival such as Sundance are usually better bets, programs that tend to provide, with some notable exceptions, a bevy of of biopics, inspiring tales and quirky comedies packaged to appeal to vain movie stars and whatever audience still remains for mid-to-lowbrow, adult-centered specialty films. Any world where the people are all as attractive as, say, Keira Knightley, Chloë Grace Moretz and Mark […]
